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User: cacaorock

Cassius - 1999 Cassius is a french duo with lots of dough to put on. This was the first video I saw of them in 1999 and I loved it completely. I bought the CD "1999" on 9/9/1999 (really.) Get ready to know more about CacaoRock: www.evoca.com/cacaorock ;) and www.geocities.com/cacaorock . By the way, I just discovered that the song sampled is not "Love Is Just A Breath Away" by Donna Summer, but Donna's "(If It) Hurts Just A Little." - This is very important, dude, since on the CD single and on the 1999 album it says the sample is "Breath Away!" By the way, Cassius has a website, www.cassius.fm where you can watch this video with better resolution. Tags: Cassius French Disco Rave Duo 1999 hurts donna summer love

User: len2006

Steal My Sunshine (1999) Len :: Steal My Sunshine Video Len is from Toronto, Canada Stay tuned. Tags: Len MusicVideo Rock Pop Steal Sunshine

User: naitit

1999 1999 Tags: 松野ちか 有坂来瞳

User: anunaqi

Common feat Sadat X - 1999 Common feat Sadat X - 1999 Tags: hip hop music

User: JenniferSimon

Britney Spears interview 1999 Britney Spears being interviewed on the Rosie O'Donnel show in 1999. Tags: Britney Spears Rosie interview 1999

User: capitalchaos

MISFITS on CAPITAL CHAOS TV 1999 MISFITS @ The Crest Theater - Sacramento, CA 1999..one should not drink too much coffee prior to filming without a tripod. http://misfits.com The Misfits are a horror punk band formed in 1977 and led by singer and songwriter Glenn Danzig (born Glenn Anzalone) and later, bassist Jerry Only (born Gerald Caiafa). They were highly influential on the genres of heavy metal, punk and rock music in general. Though they ceased recording and performing in 1983, a new version of the band (led by Only and without founder and former frontman Danzig) began operations in 1995 (see below). The early Misfits were often quite melodic, featuring Danzig's versatile singing, which had a style rooted in Italian tenors such as Mario Lanza and in 1950s doo-wop. Musically, the band has also displayed some Rockabilly influences (but not as much as Psychobilly bands). Early Misfits songs tended to have catchy, sing-along choruses, initially backed by Danzig's distorted keyboard accompaniments (circa 1977), and later by willfully crude guitar-rock. The band began as a largely untrained ensemble. After several lineup changes and increasing international acclaim, Danzig disbanded the original Misfits in 1983. The band often wore corpse paint when performing, and bassist Jerry Only reputedly invented a hairstyle called the devilock, with the bangs coming to a point in front of the nose or chin, a style still worn by fans (A.K.A. Fiends) today and contributed to the foundation of Horror Punk. When the band originally reformed, it featured Michale Graves on vocals, Jerry Only on bass, Dr. Chud (Cannibalistic Human Underground Drummer) on drums, and Jerry's brother Doyle on guitar. Doyle is currently estranged from the group and is working with a new group named Gorgeous Frankenstein, which formed in 2005. Doyle recently reunited with Glenn Danzig's band Danzig to perform special sets of Misfits songs on Danzig's Blackest of the Black 2005 and 2006 tour. A third, "touring" incarnation of the band, without original singer Danzig, is presently led by the only other "constant" original member, bassist Jerry Only. Members of the touring group have included Marky Ramone (of the Ramones), and both drummer ROBO (who was a member of the original band), and guitarist Dez Cadena of Black Flag fame. http://myspace.com/themisfits History The history of the Misfits can be split into two main eras. The first era marks the foundation of the group, founded and fronted by Glenn Danzig. The second era saw former members of the band with various new vocalists playing a mixture of new and old material. [edit] Glenn Danzig era [edit] Formation In January of 1977, after singing in several garage bands such as Talus,Whodat and Boojang that mostly played Black Sabbath songs, twenty-one year old Glenn Danzig decided it was finally time to create something serious and original. As a tribute to Marilyn Monroe, he named his musical project after her final movie, The Misfits. The Misfits, circa 1977. The Misfits, circa 1977. For weeks, Glenn wrote songs and practiced with friends and old band mates, trying to find a suitable lineup of musicians to bring his vision to life. The first complete Misfits lineup consisted of Jimmy Battle on guitar, his old band mate Manny Martínez on drums, Diane DiPiazza on bass, and Danzig on electric piano and vocals. However, after only about a month of practicing, both Jimmy and Diane left the band. In need of new band mates, Manny suggested that his friend, Jerry Caiafa, should audition for bass. Jerry, a young football player who had been voted most popular in his senior class at Lodi High School, had just received a bass guitar for Christmas and had only been practicing with it for two months. Despite Jerry's fledgling bass talents, Glenn accepted him into the band and offered to teach him how to play. After three months of practicing, the trio headed into the studio to record their first single, "Cough/Cool". The single contained two keyboard-driven songs (the B-side was a version of the song, "She") that were quite different from the music they became known for. The title track was somber and poetic, and reminiscent of The Doors. The band released the single themselves through their own label, Blank Records. Over the next several months, Glenn, Manny, and Jerry (who had adopted the stage name Jerry Only after a misspelling on the single liner notes) played a handful of gigs (their first two at CBGB in New York City) as they continued to practice and forge their own sound. Their experimental art rock style was met mostly with confusion. By October 1977, British punk bands such as The Damned and New York punk bands like The Ramones began to have an influence on The Misfits. They decided to take the band in a more punk direction by adding guitarist Franché Coma to the band and ditching the keyboards, allowing Danzig to engage in antics typical of a punk frontman. At this time The Misfits caught their first big break. Mercury Records wanted to use the name Blank Records for a subdivision, but Danzig had secured a trademark on the name. They contacted Glenn and offered him thirty hours of free time in a professional studio, in exchange for full use of the Blank Records title. Danzig accepted the offer and in January of 1978, The Misfits headed into a New York studio to record their first full length album. Seventeen songs were recorded, featuring a unique combination of their early art rock material and a hard driving direction, akin to the powerful sounds of punk at that time. Excluding the songs "Teenagers from Mars" and "Return of the Fly", they wouldn't draw on B-movies for lyrical inspiration for at least another year, and at this point their lyrics instead portrayed a futuristic dystopia of television saturation, automaton-like submissiveness, and glamorized sex and violence. As 1977 drew to a close, Glenn and Jerry decided that Manny was too unreliable and asked him to leave the band. He was replaced by Jim Catania, aka "Mr. Jim". Once the album was complete, the band shopped it around to various labels but no one was interested in releasing it (it would later see the light of day in 1997 as Static Age). The album was shelved and would remain (for the current time) unreleased. With no labels interested, the Misfits decided to take four tracks from the album and release them as an EP. In June 1978, the Bullet EP was released on their new label, Plan 9, which Danzig had named after the infamous Ed Wood movie Plan 9 from Outer Space. [edit] The birth of horror punk The Misfits, circa 1979. The Misfits, circa 1979. Around this time, both Glenn and Jerry decided they wanted to take the band in a more horror-themed direction. Glenn began to write more songs inspired by low-grade horror and sci-fi movies, and both he and Jerry began to adopt ghoulish appearances, with Jerry applying dark makeup around his eyes and Glenn painting bone designs on his clothes. The band started to play more frequently and began to go on small tours in support of the Bullet EP. In October of 1978, during a small tour through Canada, Franché Coma decided he couldn't handle touring and quit the band before the tour was complete. Guitarist Rick Riley stepped in temporarily to fill out guitar duties for the rest of the tour. Mr. Jim wasn't fond of the horror direction the band was heading in, and opted to leave the band once the tour was over. Within two months, Glenn and Jerry had recruited two new band members, drummer Joey Image, and guitarist Bobby Steele. Around this time, Jerry Only began to comb his hair in The Misfits signature hair style, which would later be dubbed the devilock. In December of 1978, after less than two months, the new Misfits lineup began playing shows together. Over the course of 1979, The Misfits further evolved the horror elements of their music and their imagery, influenced by The Damned, who had recently regrouped in the proto-Goth lineup of the Machine Gun Etiquette album. Glenn and Jerry adopted a skull mascot for the band from an old poster they'd come across for a 1946 Republic movie serial, The Crimson Ghost (aka Cyclotrode X). Two more records followed on their Plan 9 label, the Horror Business EP and the "Night of the Living Dead" single, respectively. They began to establish a small but loyal fan base and decided to start their own fan club, which they called the Fiend Club. Glenn operated the Fiend Club from his mother's basement, where he would print out t-shirts, assemble records, mail out merchandise catalogs, book gigs, and respond to fan mail, making the Misfits exemplary practitioners of the DIY ethic. As their popularity slowly began to increase within the underground American punk movement, many people started to consider The Misfits as the American equivalent of The Damned, whose singer, Dave Vanian, adopted the look of a classic vampire and sang in a brooding baritone. On June 26, 1979, The Misfits opened for The Damned at a gig in New York City. Before the show, Jerry spoke with Dave Vanian about the possibility of The Misfits doing a tour of the UK in support of The Damned. In November of 1979, The Misfits flew over to England for their tour with The Damned. However, Dave Vanian had not taken Jerry seriously and was surprised when Jerry showed up at his front door. Instead of turning The Misfits away, Dave tried his best to arrange for them to take part in the tour, but The Misfits weren't happy with the situation. After playing only two gigs, The Misfits dropped off the tour. Their return flight back to America wasn't until late in December, and so The Misfits were forced to kill time in England. Jerry spent some time with Sid Vicious' mother, who he had befriended after Sid's death. On December 2, Glenn and Bobby went to see a gig by The Jam in London, where they were harassed by skinheads while standing in line. Glenn broke off a piece of glass and used it to fend off the skinheads while Bobby ran to get help. However, when the cops arrived, they arrested Bobby and Glenn, for what they described as "threatening behavior". In an interview with Revolver in the October 2005 issue, Glenn went into greater detail about the event. He said the police found a knife in his possession and accused Glenn of being a "ripper" that had been stalking the area at the time. The police began to beat him, and Glenn fought back. He claims he did considerable damage to the police before they were finally able to subdue him. Glenn and Bobby then spent two nights jailed up in the London district of Brixton, during which time Glenn wrote the lyrics to the future Misfits song, "London Dungeon". After the failed European tour, Joey Image decided to leave the band, and later formed the band The Mary Tyler Whores. Upon their return to America, The Misfits released the Beware EP and decided to take a short hiatus from the band in order to recover from their bad experience in England. After a four month break, Arthur Googy was recruited as the new drummer. Around this time, Jerry's younger brother, Doyle, who had been a huge fan of the band since the beginning, started learning to play guitar with help from Glenn and Jerry. The Misfits began working on a full length album, which they planned to release through Plan 9. In August of 1980, they went into the studio and recorded twelve songs. Jerry began to persuade Glenn that Doyle would fit into the band much better than Bobby Steele. Doyle began to practice with the band and even entered the studio to record his own guitar tracks for the twelve songs they had recorded. Bobby has said that during this time period, Jerry would purposely neglect to inform him of practices, in order to make Bobby look bad. Jerry denies these accusations. Regardless, in October of 1980, shortly before the band's annual Halloween show, Jerry informed Bobby that he was being replaced by Doyle, who was only sixteen at the time. Bobby Steele went on to form his own punk band a few months later, called The Undead (not the San Francisco band of the same name, also friends of the Misfits). On Halloween of 1980, what many people consider to be the classic Misfits lineup made its debut. After only playing a few shows with the new lineup, they took a six month break from the band. During this time, instead of releasing the entire album they had recorded, they selected three songs from it and released it as the 3 Hits from Hell EP (in 2002, Caroline Records finally released the entire album, which they called 12 Hits from Hell, but the release was canceled at the last moment at Jerry and Glenn's request). Throughout the year of 1981, The Misfits continued to go into the studio to record tracks for a full length release, which they planned on calling Walk Among Us. Although they had planned on releasing the full length themselves through Plan 9, they got an unexpected offer from Slash Records to release the album. They accepted the offer and decided to rework the album before releasing it. On Halloween of 1981, The Misfits released the "Halloween" single through Plan 9, which consisted of two more tracks from the shelved full length they had recorded the previous summer. Sometime in 1981, Glenn wrote the song "Archangel" for The Damned vocalist Dave Vanian to sing with The Misfits backing him. However, due to scheduling conflicts, Dave never recorded vocals for the song and it was set aside until 1983, when Glenn decided to re-record it with his next band, Samhain. http://onethirtyeight.com Walk Among Us Walk Among Us. Walk Among Us. In March of 1982, Ruby/Slash Records released Walk Among Us, the first full length Misfits album to be available to the public. Walk Among Us would later be considered by most fans to be the quintessential Misfits album, as well as one of the best punk albums of all time. The band began playing shows again after nearly a year. They started to become notorious for their intense stage presence and brutal live performances. Doyle was a sports athlete like his brother, and shared his linebacker physique, which, coupled with their ghoulish appearance, caused some to view them as two of punk's most intimidating axemen. Between the brothers, Glenn Danzig would bellow out his morbid lyrics while thrashing around on stage or crawling around on the floor, sometimes throwing and receiving punches from the crowd. Despite Glenn's smaller stature at about 5'5", he was fond of fighting, and enjoyed taunting the crowd, and instigating violence. Perhaps the most infamously violent Misfits show took place in San Francisco on April 10, 1982. During the show some people in the crowd began to throw cans of beer at the stage. After Doyle was nearly hit in the head with a full beer can, he smashed his guitar over a crowd member's head, instigating a full out riot. Arthur Googy and Danzig argued often and finally, after a lengthy argument, Danzig kicked him out of the Misfits. The Misfits had to cancel their plans to record their next EP, which they had planned on calling Earth A.D.. In need of a drummer, they offered the role to Doyle's friend and classmate, Eerie Von, who had served as an occasional photographer and roadie for The Misfits. Eerie reluctantly turned down the offer because he had already committed to drumming for the local band Rosemary's Babies. Black Flag vocalist, Henry Rollins, who had become great friends with The Misfits during their west coast gigs, informed ex-Black Flag drummer, ROBO, that The Misfits were in need of a drummer. In July of 1982, ROBO flew to the east coast and joined the band. Doyle graduated High School and began working full time at his father's machine shop with Jerry. They used their earnings to purchase new instruments (because they tended to smash theirs on a weekly basis), and to fund The Misfits tours, recording sessions, and album pressings. While they provided funding for the band, Glenn would handle the Fiend Club and work on composing new songs. A common misconception is that Glenn only wrote lyrics and sang for The Misfits. Glenn is a multitalented musician, and would often write new songs himself and later teach them to his band mates at practice, where the songs would become fleshed out (practices were usually held in Jerry's garage, which they referred to as "The Pit"). [edit] Dissolution In September of 1982, The Misfits embarked on a large scale tour with their friends, The Necros, opening for them. During the tour, The Misfits stopped by a studio to record the instrumental tracks for the Earth A.D. EP while Glenn slept. On October 17, the band were arrested in New Orleans on the charges of grave-robbing while in search of the burial place of voodoo practitioner Marie Laveau. The Misfits denied the charges, and a witness reportedly attested that they had not even entered the cemetery gates. The band bailed themselves out of jail and skipped court to drive to their next performance in Florida. Upon returning from the tour, The Misfits released an album of live material called Evilive. During this time Glenn was becoming increasingly dissatisfied with The Misfits, for reasons that are disputed. He began to write songs for a new band project, which he considered calling "Danzig", but instead chose to name "Samhain", after the ancient Celtic holiday which influenced the modern Halloween celebration. In July of 1983, The Misfits went into the studio to finish working on Earth A.D. They decided to record and add two of their new songs to the album, making it closer to full length status. In order to make it a proper full length album, Glenn decided to record two of the songs he had intended for Samhain: "Bloodfeast" and "Death Comes Ripping". The resulting album was Earth A.D., a gritty, thrashy album which none of the members were quite satisfied with. In August, after a series of arguments with Glenn, ROBO decided to leave the band. Glenn became further disenchanted with The Misfits and began to audition musicians for his new band project. On October 29, 1983 (see 1983 in music), The Misfits played their yearly Halloween show in Detroit, Michigan. Glenn had selected Brian Damage to be the new Misfits drummer. However, Brian got drunk before the show and continuously messed up the songs. After several songs Doyle escorted Brian off the stage and the drummer for the Necros filled in for the rest of the set. The band members were visibly upset with each other and Glenn informed the audience that it would be the last Misfits show ever. The next day the band members drove back home without saying a word to each other and went about their respective lives. The last show of the original Misfits was at Greystone Hall, Detroit, Michigan, on Saturday, October 29th,1983, when the band showed up and played one of their longest sets (about 30 songs). This show was filmed.[citation needed] [edit] Jerry Only era [edit] Legal battle After the demise of the Misfits, Glenn Danzig focused on his new band project, Samhain, which was darker and more experimental than The Misfits, with more emphasis on creating a grim atmosphere and less on poppy melodies. Meanwhile, Jerry Only and his brother Doyle moved to Vernon, New Jersey, where they went to work full time in their father's machine parts factory. During this time, Only became more focused on his family and his baby daughter, Kathy. He became more serious about his Christian faith, and regretted some of the things he took part in during his time with the Misfits. He watched as Danzig continued to grow in popularity with Samhain, a band that Only viewed as Satanic. In 1987, Only decided to start a new band, one that would oppose the "dark path" chosen by Danzig. Together with Doyle, Only (who changed his stage name to "Mo the Great") started writing songs for a Christian heavy metal band with barbarian imagery, called Kryst the Conqueror. They then created the "Doyle Fan Club" to help spread the word about their new band. Despite Only's efforts, Kryst the Conqueror failed to gain a following. Although they released one limited edition EP, the band never played live. Also in 1987, Samhain, after touring extensively and releasing two full-length albums and an EP, were signed to a major label and the band's name was changed to Danzig. Although the Misfits had gone mostly unnoticed during their seven years as an active band, by the late 80s, they were becoming icons of the underground music world, thanks in part to word of mouth, Metallica's public adoration for the band, and Danzig's success with Samhain. The Misfits' back catalogue had been reissued and was selling extremely well. Around this time, Only contacted Danzig about getting a cut of the Misfits' royalties, beginning a legal battle that lasted several years. Only concedes that Danzig wrote nearly all the lyrics and most of the music, but he contended that he and Doyle "wrote 25% or maybe 30% of the music,"[1] and deserved compensation. Danzig, on the other hand, insisted that he himself wrote all songs, and that the other Misfits' creative input was minimal at best. In late 1988, Danzig, the band, released its eponymous debut album, the first release on star producer Rick Rubin's new Def American record label. Seven years later, in 1994 Danzig broke into the mainstream when the live video for its first album song, "Mother", became a hit on MTV, introducing thousands of new fans to Danzig's back catalog, and to his work with Samhain and the Misfits. Around this time, many older punk bands began to do reunion tours, earning often hefty paychecks in the process. In 1994-95 Jerry Only and Doyle approached Danzig about reuniting as the Misfits, and they even went to his hotel room after a Danzig show in New Jersey. In interviews Only jokingly remarked that security escorted them from the property, and "we took that as a 'no'". Only decided to cease his pursuit of songwriting credits, and instead tried to reach an out-of-court settlement that would allow him to use "the Misfits" name and images. In 1995, Only and Danzig finally settled, with Only gaining the rights to record and perform as the Misfits, but sharing merchandising rights with Danzig. [edit] A new beginning Jerry and Doyle reformed The Misfits immediately, retaining Kryst the Conqueror drummer, Dr. C.H.U.D., and after Danzig rejected their offer to return as lead singer, they held open auditions for a new vocalist (Jerry had approached Damned vocalist Dave Vanian about filling the open position, but he declined the offer). Michael Emanuel, a nineteen-year-old New Jersey native, impressed them with his audition, and was soon established as the new vocalist, taking the stage name Michale Graves. This new incarnation of The Misfits (sometimes referred to as "The Newfits", "MisfitsTM", "The Jerry Only Band", or "Misfits 95") released their debut album, American Psycho, in 1997. The album was fairly well received, introducing The Misfits to a new generation of fans. However, many fans of the original Misfits had trouble accepting the band's renewed existence without its founder and key songwriter, Glenn Danzig, who usually refuses to acknowledge the new band's existence, and does so only with derision. Detractors also took issue with the new band's focus on a more "cartoony" image, and Jerry Only's apparent desire to make the band more family-friendly, by refraining from the use of vulgarities in their new songs. In May of 1998, Michale Graves went on hiatus from the band. The Misfits were then briefly fronted by lead singer Myke Hideous of the New Jersey goth/deathrock band, The Empire Hideous, during their subsequent South American and European tour. Hideous was purportedly forced out by Jerry and Doyle for an unwillingness to "pump up" by lifting weights (The Misfits with Graves and Chud were featured as Characters in WCW wrestling), and left the band after the European tour. Hideous recounts details of his stint singing for the Misfits in his book "King of an Empire to the Shoes of a Misfit". Michale Graves rejoined the band later that year. In October of 1999, The Misfits released Famous Monsters, a diverse album that further established their own sound apart from the Glenn Danzig era of the band. In 2001, The Misfits released Cuts from the Crypt, a collection of rare and unreleased "resurrected" Misfits tracks. On October 25, 2000, after months of internal band turmoil, Michale Graves and Dr. Chud officially quit the band during a performance at the House of Blues in Orlando. Doyle then took an indefinite hiatus from performing, effectively putting an end to another era of the band. [edit] 25th anniversary and beyond Only then took over lead vocals in addition to his bass duties, and recruited punk veterans Dez Cadena of Black Flag, and Marky Ramone of The Ramones to undertake a Misfits 25th Anniversary Tour, which lasted about three years, intermittently. Freed from the Misfits' contractual obligations to Universal's Geffen and Roadrunner imprints, Only and Misfits confidant John Cafiero formed Misfits Records and launched their new label with two releases, the American debut of Balzac (a Japanese horror punk band strongly influenced by The Misfits and Samhain), and a new Misfits album featuring the band's retakes on ten 1950s rock classics, Project 1950. The album featured not only the punk rock all-star Misfits lineup of Only, Cadena and Ramone, but prominent appearances from 60's pop chanteuse Brendan Passey, Blondie keyboardist Jimmy Destri and also saxophonist Ed Manion from Southside Johnny & the Asbury Jukes. Cafiero also featured strongly on backing vocals. Meanwhile Michale Graves and Dr. Chud had formed their own band, Graves, which released a single album before breaking up. In 2003, Michale Graves sang in Gotham Road. Currently, Graves is fronting his own solo project, Michale Graves, while Dr. Chud is fronting for his own band called Dr. Chud's X-Ward. In December of 2004 Glenn Danzig performed a half hour worth of classic Misfits tracks, in the middle of his Danzig set. Joining him on guitar was none other than Doyle. It was the first time the two have performed together in 20 years, and the first time Doyle has taken to the stage since he went on hiatus. These shows have prompted rumors of a reunification of Jerry, Doyle and Glenn, although Danzig has repeatedly made public statements shooting down such rumors. Glenn and Doyle plan on performing more shows together, and Glenn has stated that this is as close as anyone will ever get to seeing a true Misfits reunion. Doyle and Danzig also performed together for approximately 30 minute sets during The 2006 Danzig Australian Tour. Recently, Marky Ramone has left The Misfits 25 lineup, and the new lineup contains ROBO, formerly of the Glenn Danzig days of the Misfits, and originally of seminal hardcore punk band Black Flag. A full European tour has been booked with this new lineup, and some select dates in the U.S. have been announced. The UK leg of the tour had to be canceled due to a problem with ROBO's visa, and as a result the band could not play the City Invasion 2005 tour. A rescheduled UK tour followed in September. Marky appeared alongside the new line up of The Misfits in late 2006 while touring as a member of Osaka Popstar. The Misfits and their Japanese counterparts, Balzac, staged a show at Tony Bennett's studio complex in Englewood, N.J., for a possible future live CD and/or DVD release on Misfits Records. Original Misfits guitarist Franché Coma made a guest appearance to perform three songs from the Static Age LP. Meanwhile, Doyle returned to play with Danzig for the Blackest of the Black tour in the fall of 2005. Glenn claims that this will be his final tour, though he says he will continue to make music. He is currently slated as the producer for Doyle's upcoming band, Gorgeous Frankenstein, which currently lacks a lead vocalist, but will feature Argyle Goolsby on bass. The Misfits are currently writing and recording material for a new studio album which they began work on in early 2006. The album will apparently feature Dez Cadena on guitar and ROBO on drums. They have yet to say whether Dez will contribute to songwriting and singing. The material planned for the new release, according to the band, is intended to be "the hardest, most aggressive Misfits material to see the pressing plant since Earth A.D.". [edit] 30th "Anniverscary" The Misfits will perform at the Desensitised festival on 8th September 2007. They will be one of four headline acts. http://www.myspace.com/desensitisedfestival is the website for tickets The band will then perform a full UK tour to celebrate their 30th anniversary. Special guests are The Briefs. It has been loosely confirmed that Michale Graves and Doyle will be returning for the 2007/2008 studio album. Dez Cadena has stated that two guitars will be featured on the new album, thus implying Doyle will be playing on the new album, although no real concrete evidence exists to back up this claim. Jerry Only has not yet commented on the status of the album. As of June 25th, the new Misfits website has been launched, giving a list of tour dates, and confirming a US tour this fall, with dates to be added. [edit] Legacy The influence The Misfits have had on punk rock, and rock music in general, sometimes seems disproportionate to the publicity and critical attention they have received. Myriad bands have imitated The Misfits' style, such as Balzac, Blitzkid, The Coffin Caddies, The Bathory Boys, The Zombie Mafia, and Calabrese, and these bands have become known as horror punk. Psychobilly has various similarities with horror punk. A number of bands have recently surfaced which, although in some cases less obviously horror punk, are still strongly visibly and audibly influenced by The Misfits. These include, most notably, bands such as AFI, Alkaline Trio, Marilyn Manson, Rob Zombie, Avenged Sevenfold, Wednesday 13 and the Murderdolls. Many musical groups whose resemblance to The Misfits seems far removed also cite the band as crucial influences, such as Metallica, Megadeth, Red Hot Chili Peppers, and Guns N' Roses. Other bands who hold The Misfits in high regard are Slayer, Pantera, NOFX and more recently, Slipknot. Many local New Jersey hardcore, punk, emo and alternative rock acts such as My Chemical Romance and The Banner, cite The Misfits as a main influence. Winnipeg born Breakcore artist Venetian Snares considers the Misfits a huge influence, inspired by the subtle, but frequent use of 3/4 time. Also New Jersey based bands Northfall Division and Royal Stigma cite The Misfits as a major influence. These underground 80s punk groups have used the lyrics from many Misfits songs as basis for the lyrics of their own songs. The Misfits' far reaching influence is also evident in the vast number of fans from all different facets of the music world who follow the band. Wildly popular among punk rock fans, the band has also received much exposure to the heavy metal community from Metallica's numerous Misfits cover songs. Misfits fans themselves can often be easily discerned, as many completely immerse themselves in the band's imagery. At underground shows, and especially at Halloween, it is not uncommon to see many punks and metalheads dressed in black with Crimson Ghost facepaint and the devilock hairstyle. Black leather jackets, oversized leather boots, as well as gloves and bodysuits printed with the skeletal structure are also common. The Misfits have greatly influenced the Grenade snowboard apparel company run by the two-time Olympic silver medalist and professional snowboarder Danny Kass, and his brother Matt. The Kass brothers grew up in New Jersey and are long time Fiends. Danny is a good friend of Jerry Only's son and used to skateboard on a halfpipe in the Only's back yard. Numerous Grenade products are Misfit tributes using or drawing from Misfits imagery. In classic Misfits tradition, Grenade allows 'soldiers' to enlist in their 'Army' to receive stickers and other items, following along the lines of the Misfits' Fiend Club. Grenade follows in the vein of DIY mentality displayed by the Misfits and many punk bands, and reflects its influence on snowboarding today. Misfits posters and shirts have been spotted in numerous films and TV shows, such as Click, Men in Black, Detroit Rock City, Shorties Watchin' Shorties, as well as Saved by the Bell and CSI. Recently My Chemical Romance did a cover of the song "Astro Zombies" for the Tony Hawk's American Wasteland videogame. The band Aiden did a cover of "Die, Die My Darling" for the Kerrang! magazine compilation. AFI have covered several Misfits songs, including "Halloween" on All Hallows E.P,"Last Caress" on the vinyl edition of Shut Your Mouth and Open Your Eyes and "Demonomania" on A Fire Inside E.P . Also in the Red Hot Chili Peppers video, "Dani California", lead singer Anthony Kiedis represented the Misfits by dressing like Glenn Danzig in a portion of the video. A Green Day side project known as The Network recently did a cover of the song "Teenagers From Mars" which originally appeared on the Misfits album Static Age. The Mexican rock band Molotov did a cover of the song "I turned into a Martian" with the song "Marciano" on their cover album Con Todo Respeto. The Texas Chainsaw Mascara covered "Halloween" for their MySpace in celebration of the holiday in 2006. Caroline Records released an album titled "Violent World - A Tribute to the Misfits" that payed homage to the band with covers by various punk, hardcore and metal bands. It included the bands: Snapcase, Pennywise, Shades Apart, Tanner, Therapy?, Prong, 108, The Bouncing Souls, Goldfinger, Deadguy, Sick of it All, NoFX, Earth Crisis and Farside. In 2002, during their Halloween show at the Metro, Alkaline Trio gave away 7" records to attendees. The two tracks on them were covers of Halloween and Children in Heat. Derek Grant, the drummer of Alkaline Trio once auditioned to be in the Misfits, but the spot was taken by Michael Graves. Both Derek Grant and Matt Skiba have admitted to being influenced by The Misfits. Derek Grant can often be seen with a devilock. The 2002 release by NOFX, "45 or 46 Songs That Weren't Good Enough for our Other Records" features a cover of "Last Caress" that originally appeared on the Violent World Tribute. In 2006 the band Sum 41 recorded a cover of the song "Attitude" for their MySpace and as a B-side for their new album expected to be released in early 2007. Brodie Foster Hubbard has not only performed Misfits songs at his live shows, but fronts a Misfits tribute band called 138 with members of Night Wolf. The title and album cover of his second CD release, Legacy of Sentimentality, was an homage to the Misfits collection Legacy of Brutality. His third CD release, Don't Screw Up Like I Did, concludes with a cover of "Astro Zombies". In common with the Ramones, The Misfits have had some of their songs covered by The Nutley Brass - on the album The Misfits Meet The Nutley Brass Fiend Club Lounge - in a lounge music style. In the Lamb of God DVD Killadelphia, D. Randall Blythe, the band's vocalist can be seen wearing Misfits slip-on shoes in one of the hidden features when the band records their commentary. [edit] Discography [edit] "Original" Misfits [edit] Studio albums * Walk Among Us (1982) * Earth A.D. (1983) * Static Age (1997, recorded in 1978) * 12 Hits From Hell (2001, recorded in 1980, not properly released) [edit] Live albums * Evilive (1982) [edit] EP's * Bullet (1978) * Horror Business (1979) * Night of the Living Dead (1979) * 3 Hits from Hell (1981) * Die, Die My Darling (1984) [edit] Singles * Cough/Cool (1977) * Teenagers From Mars (1978) * Halloween (1981) * Who Killed Marilyn? (1981) [edit] Compilations * Beware EP (1980) * Legacy of Brutality (1985) * Collection I (1986) * Collection II (1995) * Box Set (1996) [edit] "Resurrected" Misfits [edit] Studio albums * American Psycho (1997) * Famous Monsters (1999) * Project 1950 (2003) * Untitled Misfits Album (2007/2008) [edit] Live albums * Evilive II (1998) [edit] Singles * Dig Up Her Bones (1997) * The Day the Earth Caught Fire (2002) * Monster Mash (1999) * Psycho in the Wax Museum (2006) * Scream! (1999) [edit] Compilations * Cuts from the Crypt (2001) Tags: misfits danzig punk sacramento crest rock metal capitalchaos

User: chiruchiru996

Mr.Children - 1999年、夏、沖縄 Mr.Children NEW ALBUM 「B-SIDE」 2007.5.10 発売 [DISK1] 01： 君の事以外は何も考えられない / 02： my confidence song / 03： 雨のち晴れ remix version / 04： フラジャイル / 05： また会えるかな / 06： Love is Blindness / 07： 旅人 / 08： デルモ / 09： 独り言 / 10： Heavenly kiss [DISK2] 01： 1999年、夏、沖縄 / 02： 花 / 03： さよなら2001年 / 04： I'm sorry / 05： 妄想満月 / 06： こんな風にひどく蒸し暑い日 / 07： ほころび / 08： my sweet heart / 09： ひびき / 10： くるみ-for the Film-幸せな食卓 Tags: B-SIDE収録曲 PV

User: ciwciwdotcom

American Beauty (1999) - Movie Trailer Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation for his daughter's attractive friend. Plot Keywords: Homophobic Violence, Marijuana, Crime Of Passion, Narration, Woman Taking Off Pants, Exotica Music, Older Man Younger Woman, Gay Interest, Drive Thru, Red, Violence Against Child, No Opening Credits, Lava Lamp, Oldies, Blonde, Satirical, Broken Dish, Lust, Parental Relationship, Schoolboy, Coming Of Age, Boyfriend Girlfriend Relationship, Husband Wife Relationship, Mother Son Relationship, Singing In Car, Parent Child Relationship, Lyrical, Irreverent, Schoolgirl, Obsession, Marriage Problems, Dysfunctional Marriage, Cynical, Suburbs, Reflection, Barefoot, Family, Colonel, Only Daughter, Buddhist, Shooting Range, Semiautomatic Pistol, Disturbing, Neurotic, Repression, Female Nudity, Teen Angst, Male Rear Nudity, Black Comedy, Remote Controlled Toy Car, Depression, Homosexual, DV Camera, Video Footage, Murder, Real Estate Agent, Bathtub Scene, Self Discovery, Drug Dealing, Drugs, Teen Romance, Voyeur, Suburbia, Beauty, Estranged Couple, Videotape, American Dream, Narration From The Grave, Lolita, Midlife Crisis, Gun, Video Camera, Self Hatred, Blockbuster, Materialism, Nudity, Dysfunctional Family, Domineering Father, Cannabis, Masturbation Scene, Homophobia, Tragedy, Nazi Paraphernalia, Alienation, Kissing, Rose, Neighbor, Parenthood, Teen, Asparagus, Blackmail, Shot In The Head, Face Slap, Gay Slur, Cheerleader, Satire, Cheerleading, Infidelity, Tragicomedy, Vulgarity, Gay Kiss, Closeted Homosexual, Couch, Drug Dealer, Drug Testing, Extramarital Affair, Family Conflict, Family Dinner, Family Relationship, Fast Food Restaurant, Father Daughter Relationship, Friendship, Male Nudity, Mother Daughter Relationship, Murder By Gunshot, Sports Car, Suburb, Teenage Girl, Teenager, Told In Flashback, Urine Sample, Advertising, Anti Hero, Basketball, Cocktail Party, Crush, Cubicle, Dance, Death, Deceit, Domestic Violence, Drug Humor, Fantasy Sequence, Firing Range, Flashback Sequence, Flirting, Garage, Gardening, Gun Collecting, High School, Job Interview, Jogging, Loss Of Husband, Lying, Magazine, Military Officer, Model, Motel, Moving, New Automobile, Plastic Bag, Premarital Sex, Quitting Job, Rainstorm, Realtor, Repressed Homosexual, Sex, Slow Motion, Spit Take, Swimming Pool, Topless, Unhappy Marriage, Unwanted Kiss, Voyeurism, Weight Training, Writer, Adulterous Wife, Hate, Love, Violence, Shower Scene, Camera, Dark Comedy, Humanity, Social Satire, Father Son Conflict, Barely Legal, Blood Splatter, Obscene Finger Gesture, Independent Film, Twist In The End. Tags: American Beauty Movie Trailer Kevin Spacey Annette Bening Thora Birch Wes Bentley Chris Cooper

User: Pepper23

BEYOND 1999 concert BEYOND REMIX, mixed songs at a live concert Tags: 1999 beyond paul wong ka keung yip sai wing concert live

User: lineski367

1999 Flex Wheeler Posing Routine Flex Wheeler's Posing Routine from the 1999 Mr. Olympia. He finished second behind defending Champion Ronnie Coleman Tags: bodybuilding

User: krazywolf

PRIMUS * BucketHead * OZZFEST 1999 PRIMUS * BucketHead * OZZFEST Tags: PRIMUS BucketHead OZZFEST

User: rai

Spazio 1999 - prima puntata - Separazione http://www.rai.tv - Collegati subito per vedere tutti i filmati di "Spazio 1999" e tutta la programmazione Rai - http://www.rai.tv Tags: Spazio 1999 - prima puntanta Separazione rai

User: JackMcPhee

WB Promo - 1999 - Faces Includes the stars of Angel, Buffy, Charmed, Dawson's Creek, Felicity, Jack & Jill, Roswell Tags: WB Promo 1999 Angel Buffy Charmed Dawson Creek Felicity Jack Jill Roswell Boreanaz Gellar Milano Holmes Peet Appleby

User: ogonzilla

Lance Armstrong Sestriere Climb 1999 This is a clip from Lance's first Tour de France win. Song: Crystal Method's Keep Hope Alive. Tags: lance Armstrong Tour de France Cycling

User: allbritneylive

Britney Spears - Woodstock 1999 Britney Spears performs for the first time at Woodstock. Performing "You Drive Me Crazy," Sometimes," "Born To Make You Happy," "I Will Be There," and "Hit Me Baby One More Time!" Tags: Britney Spears Live

User: capitalchaos

MR BUNGLE on CAPITAL CHAOS TV 1999 http://www.capitalchaos.net MR BUNGLE @ Club Xtreme - Cameron Park, CA 1999 on their "California" tour, also on the bill were DILLINGER ESCAPE PLAN..Mr. Bungle was an influential avant-progressive experimental rock group formed in Northern California in 1985. Created while the members were still in high school and named after a children's educational film, they released four demo tapes in the mid to late 1980s, before being signed to Warner Bros. Records, who subsequently released three full-length studio albums between 1991 and 1999. Mr. Bungle have not been active since touring in 2000 to support their last album, and a recent media interview has confirmed the group is now disbanded.[1] While early in their career Mr. Bungle went through several line up changes, the bands most long serving members were vocalist Mike Patton, guitarist Trey Spruance, bassist Trevor Dunn, drummer Danny Heifetz, and Clinton "Bär" McKinnon on saxophone and other woodwind instruments. Mr. Bungle were known for their distinctive musical traits, often blending and cycling through several musical genres within the course of a single song and fusing radically different musical styles together. Many of their songs had a non-conventional structure and utilized a wide array of instruments and samples. Distinguished by their live shows, which often featured members dressing up and an array of unlikely cover songs, their style has influenced many recent funk metal bands. During the course of their career the band also had an ongoing feud with Red Hot Chili Peppers frontman Anthony Kiedis, which escalated in the late 90s with Kiedis having Mr. Bungle removed from a number of large music festivals in Europe and Australasia where the Chili Peppers were headlining. Although signed to a major record label, Mr. Bungle never had significant commercial success and only released one music video. They did, however, gain a reasonable amount of worldwide popularity due to a large cult following. Mr. Bungle formed in 1985 in Eureka, California while the members were still in high school; initially consisting of Trevor Dunn, Mike Patton, Trey Spruance, Theo Lengyel, and Jed Watts. Watts was subsequently replaced by Hans Wagner, and he by Danny Heifetz, while Clinton "Bär" McKinnon joined in 1989.[2] The band's name was taken from a children's educational film devised to teach children good manners and hygiene, which was featured in a Pee Wee Herman HBO special in the early '80s. A puppet named Mr. Bungle was the main character, used to represent the kind of person no clean, polite child would wish to be. In 1989 Faith No More bassist Billy Gould told Patton about a pornographic video called Sharon's Sex Party, which also starred a character known as Mr. Bungle.[2] Soon after forming, the band's first demo, The Raging Wrath of the Easter Bunny, was recorded during Easter of 1986. It generally featured a fast, low-fi, death metal style, though it also utilized a trainwhistle, a saxophone, bongos, and a kazoo. The Raging Wrath of the Easter Bunny was followed by the demo Bowel of Chiley in 1987; this recording featured a completely different style incorporating the sounds of ska, swing, and funk. In 1988 Mr. Bungle released their third demo, Goddammit I Love America!, which was musically similar to Bowel of Chiley. Their final demo tape was OU818, released in 1989; this recording was the first to feature tenor sax player Clinton "Bär" McKinnon and drummer Danny Heifetz. OU818 combined songs from the earlier demos along with some new tracks having a heavier overall sound than the previous releases.[3][4] In 1989 Mike Patton landed the lead vocalist slot with San Francisco's Faith No More, getting the job after Jim Martin of Faith No More heard him on a Mr. Bungle demo.[5] Patton decided not to break up Mr. Bungle, and continued to be a member of both bands simultaneously. Having established a strong following in Northern California, Mr. Bungle was signed to Warner Bros., who released their self-titled debut in 1991. Their debut, Mr. Bungle, was recorded a year after Mike Patton was recruited into Faith No More and was produced by jazz experimentalist John Zorn. Released on August 13, 1991 the album contained several new songs but overall the sound was in a similar style as OU818. The record mixed metal, funk, ska, carnival music, and free jazz, but was normally described as "funk metal" by music critics.[3] The content is, however, very hard to pin down using specific genres, and the structure and musical style of any single track frequently changes dramatically.[6] Critic Steve Huey wrote in All Music Guide "Mr. Bungle is a dizzying, disconcerting, schizophrenic tour through just about any rock style the group can think of, hopping from genre to genre without any apparent rhyme or reason, and sometimes doing so several times in the same song."[7] The album featured numerous samples, including Kentucky Fried Chicken commercial outtakes, items from the videogames "Super Mario Bros", "Smash TV", and "RBI Baseball", the movies Blue Velvet and Sharon's Sex Party, and the pinball games "Cyclone," "Earthshaker," and "Haunted House." Almost all the members went by obscure aliases in the album credits. To promote the album in some stores, a Mr. Bungle bubble bath was given away with copies of the record sold.[2] The first track on the self-titled recording was originally called "Travolta"(sample (help·info)); however, the actor John Travolta took issue with this title and threatened legal action. With the encouragement of Warner Bros. the song name was changed and on later pressings of the album was called "Quote Unquote", which is also the title of an unauthorized John Travolta biography by Bob McCabe.[2] They created a video for "Travolta" and submitted it to MTV. However, the station refused to air the video because of images of bodies dangling on meat hooks.[6] The album sold well despite MTV refusing to air their video and a lack of radio airplay. It received mostly positive reviews with Journalist Bill Pahnelas calling it "an incredible musical tour de force, and hands down the best alternative rock record of the year so far".[8] Following the release of the album the band toured North America successfully building a large and loyal cult following. Their popularity was partly due to unique stage shows where they often performed with masks to hide their identities and played unlikely covers during their set such as Billy Squier's "The Stroke," "The Star Wars Theme", and John Sebastian's "Welcome Back". Due to artwork delays and the band members' many side-projects, it was another 4 years before Disco Volante was released in October 1995.[3] This, their second major release, has a completely different tone and style to earlier Mr. Bungle recordings.[9] While the self-titled album was described as "funk metal", with Disco Volante this was replaced with the label "avant-garde" or "experimental."[6] The music was complex and unpredictable with the band continuing with their extreme shifts of musical style during songs. Some the tracks were in foreign languages and would radically change genres mid-song, arguably making it Mr. Bungle's most difficult and inaccessible release.[6] Featuring lyrics about death, suicide, and child abuse,[ along with plodding death metal, deranged children's songs, and a Middle Eastern techno number, music critic Greg Prato described the album as having "a totally original and new musical style that sounds like nothing that currently exists". Not all critics were impressed with the album, with The Washington Post describing it as "an album of cheesy synthesizers, mangled disco beats, virtuosic playing and juvenile noises", calling it "self-indulgent" and adding that "Mr. Bungle musicians like to show off their classical, jazz and world-beat influences in fast, difficult passages which are technically impressive but never seem to go anywhere". Disco Volante included influences from contemporary classical music, avant-garde jazz, electronic music pioneer Pierre Henry, Edgar Allan Poe, John Zorn, Frank Zappa, Penderecki, and European film music of the 1960s and 1970s such as those composed by Ennio Morricone and Peter Thomas. The album notes also contained an invitation to participate in an "unusual scam" - if $2 was sent to the bands address, participants would receive additional artwork, lyrics to the songs "Ma Meeshka Mow Skwoz" and "Chemical Marriage", and some stickers. Mr. Bungle supported this record with extensive tours through the United States, Europe, and Australia during '95 and '96, with the tours successfully widening the groups fan base. In 1996 Theo Lengyel retired as Bungle's original sax player and keyboardist due to creative differences. After another 4 year break between albums, the band's third album, California, was released on July 13 1999.[16] California is said to be Mr. Bungles most accessible[17][18] and while the genre shifts are still present, they are less frequent, with succinct song formats giving the album a less chaotic and more stable feel.[19] This resulted in what All Music Guide described as "their most concise album to date; and while the song structures are far from traditional, they're edging more in that direction and that greatly helps the listener in making sense of the often random-sounding juxtapositions of musical genres".[20] California continues the bands musical, lyrical, and thematic experimentation, although it has a much lighter tone.[21] On the different style of this album, Mike Patton explained that to the band "the record is pop-y", before adding "but to some fucking No Doubt fan in Ohio, they're not going to swallow that."[22] The album was generally well received with music critic Robert Everett-Green stating "The band's newest and greatest album does not reveal itself quickly, but once the bug bites, there is no cure. The best disc of the year, by a length."[23] Additionally, the recording process for California became much more complex. The group chose to record the disc on analog rather than digitally[24] and some songs required several 24-track machines while utilizing more than 50 analog tracks.[19] As a result each song contains detailed layers of original samples, keyboards, percussion, and melodies.[6] Mr Bungle live in 1999 Mr Bungle live in 1999 The album displays numerous influences, including exotica, Burt Bacharach, and The Beach Boys, while blending lounge, pop, jazz, funk, thrash-metal, Hawaiian, Middle Eastern, kecak, and avant-garde soundscapes.[17][18][21][25][20] The band did 5 tours to support this record. For the most part, perhaps with the exception of the Sno-Core 2000 tour where they were often booed, the band did have success attracting an audience. Following the 2000 tour the band again went on hiatus. Rumors circulated that the band had dissolved, with some members stating that the band was "over" while others insisted it was just "in limbo".[3] In 2003 Patton alluded to the fact that the band would probably not record any more albums stating "I think it is over. The guys are spread all over the world and we don't talk to each other. I have not spoken to a couple of the guys since the last tour, years ago."[28] While no official break-up announcement ever materialized, a 2004 Rolling Stone interview with Patton confirmed Mr. Bungle had disbanded with him revealing "We could have probably squeezed out a couple more records but the collective personality of this group became so dysfunctional, this band was poisoned by one person's petty jealousy and insecurity, and it led us to a slow, unnatural death. And I'm at peace with that, because I know I tried all I could."[1] When asked about a possible reunion, Mike Patton said, "It could happen, but I won't be singing. Some bridges have definitely been burned. It was a fun time and sometimes you just have to move on. I've got a lot on my plate now."[29] Trevor Dunn adds, on his website, "Bungle is dead and I'm happy about it" and that "the members of Mr. Bungle will never work together as such again".[30] Spruance,[31] Heifetz, and McKinnon[32] have been more optimistic; to quote Spruance, in response to the standard 'Mr. Bungle regrouping' question: "I hope so because that band could take over the fucking world if it wanted to."[31] After the dissolution of Mr. Bungle the members have gone on to numerous different projects. Mike Patton co-founded the record label Ipecac Recordings[33] and is involved with several other ventures, most notably the bands Fantômas,[34] Tomahawk,[35] and Peeping Tom.[36] He also acted in the motion picture Firecracker.[37] Trey Spruance is involved with various bands, including Secret Chiefs 3 and Faxed Head. Trevor Dunn joined Patton in Fantômas as well as forming his own jazz band, Trevor Dunn's Trio Convulsant; he also occasionally played bass with Secret Chiefs 3.[6][38] Danny Heifetz's projects included playing with Secret Chiefs 3 and in a country/punk band called Dieselhed;[6] he now resides in Sydney, Australia, and plays in outfits such as The Tango Saloon and The Fantastic Terrific Munkle.[39][40] Clinton McKinnon also played with Secret Chiefs 3; he now lives in Melbourne, Australia, and plays with The Ribbon Device. Mr. Bungle were generally regarded as an experimental rock or avant-progressive rock group. All Music described Mr. Bungles music as a "unique mix of the experimental, the abstract, and the absurd",[4] while The Seattle Times characterized their music as "harsh, grating, unstructured, blasting, squeaky, speedy, slow, eerie and strangely compelling".[10] Distinctive features of the music were the utilization of numerous different instruments, unique vocals, and the use of unpredictable song formats and a number of different musical genres. Along with the normal instruments of a rock band, Mr. Bungle would also incorporate additions such as bongos, woodblocks, tenor sax, Jews harp, xylophone, glockenspeil, clarinet, piano, and organ.[14] Journalist John Serba commented that the instrumentation "sounded kind of like drunken jazz punctuated with Italian accordions and the occasional Bavarian march, giant power chord, or feedback noise thrown in"[42] Overlaying this was Mike Patton's vocals, who often used death metal growls, crooning, screeching, gurgling, or simply whispering. The arrangement of their songs was also unique, normally displaying a total lack of any structured song format and rotating through different genres ranging from slow melodies to thrash-metal.[19] Critic Patrick Macdonald commented "In the middle of hard-to-follow, indecipherable noise, a relatively normal, funky jazz organ solo will suddenly drift in, it doesn't seem to fit but you can't stop listening to it".[10] Similarly New York Times journalist Jon Pareles described it as music that "leaps from tempo to tempo, key to key, style to style, all without warning".[43] Some of the notable genres they utilized include heavy metal,[20] funk,[20] free jazz,[20] surf rock,[17] punk,[43] klezmer music,[43] ska,[6] kecak,[25] avant-jazz,[21] folk music,[44] pop,[20] doo-wop,[44] funk metal,[25] electronica,[45] swing music,[20] space age pop,[20] death metal,[20][44] rockabilly,[20][25] bossa nova,[20] progressive rock,[18] country and western,[20] circus music [20] and even video game and cartoon music.[25] Critic Greg Prato stated they "may be the most talented rock instrumentalists today, as they skip musical genres effortlessly, while Mike Patton illustrates why many consider him to be the best singer in rock".[11] Mr. Bungle's style has influenced many recent funk and metal chart-toppers, most notably Korn, whose guitarists utilize what they've dubbed the "Mr. Bungle chord".[1] Brandon Boyd of Incubus also cited Mr. Bungle as an influence.[46] Although, Patton has stated that he considers it an insult when people cite him as a forefather of Korn and Limp Bizkit, stating "I feel no responsibility for that, it's their mothers' fault, not mine." Mr. Bungle were well-known for their stage shows, where all of the band members would dress up in outrageous costumes and masks, often wearing a uniform of mechanic's jumpsuits along with masks such as Madonna, Nixon, Darth Vader, an executioner's hood, or plastic clown or gimp masks.[13] Bassist Trevor Dunn explained that initially the reason for the masks and dressing up was to assure anonymity.[48] The shows for the California tours, while still involving various members in costumes, were largely devoid of the trademark masks and outfits due to the increased demands of the music.[19][49] Often the theme was related to California with palm tree props and the band members wearing beach party outfits including Hawaiian shirts and khaki pants.[19][50] Occasionally, the band would simply appear in black suits with white dress shirts or dress up in chef costumes, cowboy suits, or as the Village People.[42][51] Throughout their career Mr. Bungle also performed numerous covers in their live shows, ranging from tiny snippets to whole songs. The covers were by a wide variety of artists and genres encompassing movie scores by Ennio Morricone, Henry Mancini, and John Williams, pop songs by Elton John and Jennifer Lopez, hip hop by Public Enemy and Ol' Dirty Bastard, to punk and metal songs by the Dead Kennedys, Metallica, and Slayer.Mr. Bungle is known to have had a bad relationship with the Red Hot Chili Peppers' frontman Anthony Kiedis.[2] The feud began when Kiedis saw singer Mike Patton performing with Faith No More and accused him of imitating his style. Stating "Yeah I watch that 'Epic' video, and I see him jumping up and down, rapping, and it looked like I was looking in the mirror. The thing is, I had no problem with him personally. I mean, I love 'The Real Thing,' and I liked his vocals on that record. I mean, when I heard the record I noticed subtle similarities, but when I saw that video it was like, 'Wait a second here, what the fuck?".[2] Mike Patton and Mr. Bungle took offense to Kiedis' comment, sarcastically threatening Kiedis in the press. In the early nineties, Patton met with Kiedis; the two were polite to each other and the feud seemed to have ended.[2] However, in 1999 Mr. Bungle's album California was scheduled to be released on June 8, but their label, Warner Bros. Records, pushed it back so as not to coincide with the Red Hot Chili Peppers similarly titled album, Californication, which was to be released on the same day. This appeared to reignite the old feud with Kiedis having Mr. Bungle removed from a series of summer festivals in Europe; as the headlining act at the festivals The Chili Peppers had final word on the bands that would appear.[2][28] Patton stated "Our agent was in the process of booking these festivals, and it was becoming apparent that we'd landed some pretty good ones—one in France, another one in Holland, some big-name festivals. Turns out someone's holding a grudge! We were booted off several bills, including a really big festival in Australia, specifically because Anthony Kiedis did not want us on the bill. He threatened to pull the Chili Peppers if Mr. Bungle was on the bill. Now, rationalize that one! That's so fucking pathetic! I mean, this guy's selling a million records! We are not even a speck of dust on this guy's ass! What's the fucking problem?"[52] Trey Spruance added "We were booked, months in advance, to do eleven festival dates in Europe. Come Summer, we get a call from the three biggest of those festivals, all of them the same day, saying that we can't play, because the headlining band retains the right to hire and fire whomever they wish. We found out it was the Red Hot Chili Peppers, so our manager called their manager to find out what the hell was going on, and their manager was very apologetic, and said, 'We're really sorry, we want you to know this doesn't reflect the management's position, or the band's for that matter, it's Anthony Kiedis who wants this.'"[53] As a result, Mr. Bungle parodied the Red Hot Chili Peppers in Detroit, Michigan on Halloween of 1999. Patton introduced each Mr. Bungle band member with the name of one of the Red Hot Chili Peppers before covering the songs Give It Away, Around The World, Under the Bridge and Scar Tissue, with Patton deliberately using incorrect lyrics. Mr. Bungle also satirized many of the mannerisms of the band, mocking their frequent heroin injections and on-stage antics. Kiedis responded by having them removed from the 2000 Big Day Out festival in Australia and New Zealand,[2][28] stating "I would not have given two fucks if they played with us there, but after I heard about some Halloween show where they mocked us and read another interview where Patton talked shit about us, and I was like, you know what, fuck him and fuck the whole band." Tags: mrbungle mike patton rock faith no more metal

User: juanillo22

SUECIA 1999 - Charlotte Nilsson - Take Me To Yo Charlotte Nilson gana eurovision 1999! Actuacion en directo. Tags: CHARLOTTE NILSON 1999 RAKA ME TO YOUR HEARBEAT SUECIA EUROVISION SOGFESTIVAL SONG CONTEST

User: BoneThugsMusic

Bone Thugs N Harmony - East 1999 Bone Thugs N Harmony - East 1999 http://www.bonethugsnharmony.com Tags: Bone Thugs And Harmony BTNH East 1999 Gangsta Thug Crossroads Cleveland Rap Ohio

User: Semekak9903

Metallica Nothing Else Matters Woodstock 1999 Metallica Nothing Else Matters Woodstock 1999 Tags: Metallica Nothing Else Matters Woodstock 1999

User: CMatomic

STiGMATA (1999) Patricia Arquette Grabriel BYRNE Jonathan Pryce STIGMATA TRAILER Stigmata is a controversial film directed by Rupert Wainwright that premiered on September 10, 1999. It follows the conflict between Frankie, an atheist Pittsburgh hairdresser played by Patricia Arquette who exhibits true stigmata and Father Andrew Kiernan (played by Gabriel Byrne), a former scientist and ordained Jesuit priest who, as part of the Congregation for the Causes of the Saints, investigates miracles for the Vatican. Kiernan soon discovers that the stigmata stems from the spirit of Father Paul Alemieda; a deeply religious priest who was ex-communicated from the Catholic Church for his discovery of a lost Gospel undermining the very foundations of Catholicism. The movie is loosely based on the discovery of the Gospel of Thomas; a document which the Vatican and most other Christians have declared as being the product of a heretical Gnostic group. Tagline: The messenger must be silenced. Quotations: There are several variations of words mimicking saying 3 (Jesus said, .... rather the kingdom is within you) and saying 77 (Jesus said, .... Split a piece of wood; I am there. Lift up the stone, and you will find me there) from the historical Gospel of Thomas (unrelated to the similarly named Infancy Gospel of Thomas), including: The Kingdom of God is within you, not in buildings of wood and stone. Split a piece of wood and I am there. Lift the stone and you will find me. The Kingdom of God is inside you and all about you, not in mansions of wood and stone. Split a piece of wood and I am there; lift a stone and you will find me. The Kingdom of God is within you and all about you, not in buildings of wood and stone. When I am gone, split a piece of wood and I am there; lift a stone and you will find me. * Stigmata was deemed a success at the US box office, as well as around the world. * It opened at #1 at the US Box office, earning about $19.3 million dollars in its first weekend. * It grossed $50,046,268 in the US. * Patricia Arquette was nominated for a Blockbuster Entertainment Award for her role in the film. * Although the film has a scene set on the subway, Pittsburgh has no subway; the city's "T" trolley travels underground for several blocks but is otherwise an above-ground public transportation system. * Father Andrew Kiernan is a Jesuit Priest, which is referenced when discussing the gospel translations with another priest at the Vatican. Directed by Rupert Wainwright Produced by Frank Mancuso Jr. Tom Lazarus Written by Tom Lazarus Rick Ramage Starring Patricia Arquette Gabriel Byrne Jonathan Pryce Nia Long Rade Sherbedgia Music by Billy Corgan Elia Cmiral Cinematography Jeffrey M. Kimball Editing by Michael R. Miller Distributed by Metro-Goldwyn-Mayer Release date(s) 1999 Running time 109 minutes Country United States Language English Official site http://www.mgm.com/stigmata/ From Wikipedia http://en.wikipedia.org/wiki/Stigmata_%28film%29 Tags: Patricia Arquette Grabriel BYRNE Jonathan Pryce stigmata trailers trailer

User: instantnoodles

Berlin Riot 1999 (Atari Teenage Riot LIVE) Riots in Berlin with Atari Teenage Riot performing Tags: atari teenage riot berlin revolution action

User: gowfhacker

Jean van de Velde golf collapse 1999 Open at Carnoustie The biggest tragedy in golf. Jean van de Velde's collapse at the Open Championship at Carnoustie in 1999. A double bogey 6 or better was all that seperated the Frenchman from the Claret Jug. He made a 7!!!!!! He lost the resulting 3 way playoff to local hero Paul Lawrie. I uploaded this video as Carnoustie which is currently holding the Open, will always remind me of Jean's antics at the last. I have a blog entry of the tragic event. You can find it here Tags: jean van de velde collapse at carnoustie 1999 open golf chapionship paul lawrie

User: capitalchaos

TEEN IDOLS on CAPITAL CHAOS TV 1999 TEEN IDOLS @ Big Shots - Sacramento, CA 1999 also on the bill were ONE MAN ARMY & SWINGIN UTTERS. The Teen Idols were a pop punk band based in Nashville, Tennessee. The band was formed in 1992 and quickly gained local popularity while playing at venues such as Lucy's Record Shop and receiving frequent airplay on Nashville college radio. http://myspace.com/teenidolstribute During the mid-90s, they released several EPs under the local indie label, House O' Pain. In 1996, the Nashville Music Association nominated the band for their Independent Artist of the Year award. A year later, the Teen Idols released their first full-length album under the indie label Honest Don's Hardly Used Recordings. They released two other albums under the Honest Don's label before signing to Fueled By Ramen in early 2003. The band released the album Nothing to Prove in July, 2003, but then broke up shortly thereafter. During their heyday, the Teen Idols headlined many tours in the U.S. and played support with other notable bands such as NOFX and the Queers. Some of the band members are now currently touring and recording as the band Bullets to Broadway. FULL LENGTH BIOGRAPHY In March of 1992, Phillip Hill and Matt Benson left the band they were in to play their own brand of melodic punk rock. The band was called SPRING CHICKENS. Matt was the lead singer and chief songwriter. Phillip played bass and sang back-up vocals. Their decision to leave the band was based on musical direction of the other members of the group. The other members were leaning more toward the Seattle grunge trend of SOUNDGARDEN and PEARL JAM while Phillip and Matt were getting back to bands like the RAMONES and the DESCENDENTS. After leaving the band, there was the next step: Find the right band mates! In order to do that, they had to make a demo tape of what they wanted to play. Using Matt's mom's boyfriend's 4-track, the two ex-CHICKENS and a drum machine cranked out punked up versions of RICHIE VALENS' "Come on, Let's go", the RAMONES' "S.L.U.G.", and a few originals. This time Matt was on vocals and bass and Phillip was on guitar and back-up vocals. This tape was passed along to potential band members, and after audition after agonizing audition, the boys were getting discouraged. So, they started backtracking. They remembered an old drummer from SPRING CHICKENS, Chris Trio. Chris lived about 30 miles out of town in Murfreesboro, TN which made practice a little difficult. But they did it four times a week. It was decided that they would find a bass player so Matt could be free to concentrate more on singing. He also liked the idea of being able to move around on stage more. Now they had to find a bassist who could handle Matt's bass lines and also sing a third harmony vocal. That's when Janell Saxton fell right into their laps. Phillip was very fortunate to attend the only high school in the state to offer a recording class equipped with it's own 24-track recording studio. Being a senior, he was given the bigger recording projects. One such project was recording another high school's bluegrass string band. The lead singer of this band grabbed Phillip's attention, not only for her amazing voice, but he thought it was unusual for the singer in a bluegrass band to have the side of her head shaved, spiked wristbands, and wear EXPLOITED t-shirts! But he wasn't looking for a singer and bass was the only thing on his mind. Which brings us to the next day. The regular bassist couldn't make it to the session, so Janell picked up the bass and said "I can play his parts." This was no ordinary bass. It was an upright, or what the players from the '50's called a "doghouse" bass. After the session, Janell came up to Phillip and told him she had heard that he was looking for a bass player with vocal ability and she wanted to audition! Phillip talked it over with the other guys. At first the idea didn't go over so well, but they were running out of options. Janell showed up with her dad's bass and after the first song, it was apparent from the looks on the guys' faces, she was in. Chris lived right down the street from a bar the offered an open mic night on Thursdays, so the figured, "What the hell?" After a fifteen minute set of punked-out cover songs and a couple original tunes, a beer soaked crowd of college students let them know that they were on to something good. After a show at Janell's high school talent show, the band decided that they needed a real name. They had been calling themselves STURGIS, which came from an inside joke about a local scenester named Sturgis who was at all the death metal shows and has red hair that looked like an old Brillo pad. After brainstorming topics of common interest among the band, Phillip came up with the name TEEN IDOLS. It held and imagery of the '50's greaser gangs and rock-n-roll rebels they all loved. It stuck like glue. After a handful of local shows, the next step was the studio. Phillip booked time in his studio class, and the band recorded two songs "Old days, Old ways" and "Valentine." These tracks were dumped onto tapes that were taken to the local college radio station, 91.1 WRVU in Nashville. After the two songs debuted on the local show, the dominated the top slots on the "Top Five at Five" show for six weeks! These songs were also dubbed onto cassette tapes and sold for 50 cents at TEEN IDOLS shows. This minor success proved to be Chris's downfall. He became lazy about practicing and driving to shows was a nightmare. Luckily, Janell's little brother Steve Saxton was a great drummer who was just coming out of his heavy metal phase, which made for great fast drumming and a bad haircut. With Steve replacing Chris, TEEN IDOLS were actually teens, the eldest being Phillip at 19, Janell at 17, Matt at 16, and Steve at 15. The next big step for the band came with the interest of Nashville's House O' Pain Records. Local college student, John May, was in a recording class at Middle Tennessee State University and needed a band to record for his final exam. He called Donnie Kendall from House O' Pain Records, who suggested local favorites TEEN IDOLS. Three songs from this session became TEEN IDOLS first 7" on House O' Pain Records. 500 records were pressed for the "Old days, Old ways" record. Another song, "Shadowman" was used for a House O' Pain Nashville compilation 7", "Our Scene Sucks"; to be released with House O' Pain fanzine .. 10. A friend of the band was starting his own label, Vorgo Pass, and the song "One Day" was used for his compilation 7", "Nashville Coming Fire." Soon after these records were released, the band was dealt a rough blow when Matt decided to leave the band. His reasons were "creative differences", while everyone else believed it was the influence of his new girlfriend. The band was virtually at a standstill as they auditioned new singers for six months. Finally, they found their new voice in Keaton Sims. Unfortunatly, this lineup only lasted one show. Due to the Punk Rock Lifestyle and failing grades in school, Steve had to move back to Idaho with his mom. Local scenester, Wes White, who had just left his band HELLBILLY, stepped in to fill Steve's shoes just in time to record their follow-up EP, "Nightmares" for the House O' Pain label, who pressed 1000 copies. Soon after, the band went back to the high school where they had first recorded to cover the song "Camage" for a DESCENDENTS tribute album on Coolidge Records. It was during this time that the band played with an up-and-coming Lookout! Records band, THE QUEERS. After the show, the bands swapped records. A few months later, their bassist, B-Face called to ask if TEEN IDOLS would be willing to tour with them. It seemed as if things were looking up for the band, but internal bickering would prove to be disasterous. In Janell's eyes, Wes could never measure up to her brother Steve, and she refused to get along with him. Keaton didn't like the idea of touring and tried to get out of it by getting a new job, essentially quitting the band three weeks before the tour. Janell decided that she wanted to settle down and start a family in Idaho, so she left too. Matt Benson agreed to come out of retirement to do the tour, but his house burned down. The current line-up agreed to get together for one more show to raise money for Matt and his two kids. At that show Keith Witt, whose band BRUTUS FLY had just broken up, said he would be happy to take Keaton's place. Local musician, Geoff Firebaugh said he could handle the bass spot, but without the now trademark female back-up vocals it would be far from perfect. At that same show, Rocksan Biggerstaff who was in the next generation of the same high school string band Janell came from, pointed out that she was better suited for the band. But she was sixteen and still in school, so she couldn't tour yet. The next three weeks were spent having double practices everyday, one with Geoff and one with Rocksan, who had never played bass until Phillip taught her how. After their first tour, the band went back into the studio to record their third 7", "Let's Make Noise" for House O' Pain, who pressed 1000 copies. From this session came "Go Away" for a compilation CD on Interbang Records and "Breakin' Up" for the Just Add Water Records compilation. Things were really taking off for the band when Joe King, frontman for THE QUEERS, requested two songs for his upcoming compilation for Lookout! Records. The band used a week of Rocksan's spring break to tour the east coast to New Hampshire's Fish Tracks Studios, where they recorded "One Pill" and re-recorded the song "Nightmares" with Joe King on back-up vocals. Things started to get out of control after that tour as Rocksan's ego started to swell. She was too immature to handle the band's growing popularity and imagined herself to be some sort of rock star, refusing to ride in the same van as the rest of the band or carry her own bass guitar. Eventually, Keith and Wes declared it was either her or them that had to leave the band. And with that, Rocksan was the first person to be kicked out of the TEEN IDOLS since Chris Trio. Luckily, Heather Tabor, who ofter attended TEEN IDOLS band practice, was a quick study and jumped headfirst into learning to play bass and sing. Within a week and a half, Heather played her first show. Two months later, in July of 1996, the band ventured west on a six week long tour they booked themselves with Philadelphia natives, THE HALFLINGS. On this tour, the stresses of the road proved to be too much for Wes to handle and he decided to leave the band after the tour. THE HALFLINGS were having similar difficulties and their drummer Matt "Drastic" Yonker said that he would move to Nashville to play for TEEN IDOLS. In September of 1996, Matt moved to Nashville and became an official member of TEEN IDOLS. Not long after Matt had joined, Phillip got a call from SCREECHING WEASEL/RIVERDALES frontman Ben Weasel. Ben said he was interested in producing a few new bands and TEEN IDOLS was the first one he was interested in. SCREECHING WEASEL had just signed a record deal with Fat Wreck Chords and he wanted to try to get TEEN IDOLS a deal for a 7" on that label. He sent Fat Wreck Chords label owner/NOFX frontman Fat Mike a copy of the "Let's Make Noise" 7". Mike said he needed to hear the new lineup before making a decision, so TEEN IDOLS recorded a five-song demo tape at the famous Sonic Iguana Studios in Lafayette, Indiana. With Mass Giorgini in the producer's chair, they ripped through five new songs. Fat Mike liked the tape so much, he decided to sign them to a two album record deal for his new label Honest Don's Hardly Used Recordings. So, in the spring of 1997, TEEN IDOLS went to Chicago's Uberstudio and recorded fourteen blazing punk anthems with Ben Weasel in the producer's chair and Mass Giorgini at the controls. The self titled record came out November 4th, 1997. And the rest, as they say, is history.... Tags: punk teenidols teen idols streetpunk oi nofx

User: januzbrahimi

Beteja e Koshares - KOSHARJA 1999 Beteja e Koshares filloi me 8 prill te vitit 1999 dokument ekzkluziv historik. kosovo war Komandant Hyseni, ne fjalimin e tij te fundit qe nuk ndegjohet paster, thote: " Djemt tane kane qene shume te pergatitur, jo vetem kta mbrenda Kosoves, por edhe ata qe na kane ardhe perforcim nga jashte. Ka qene njera nder aksionet qe ka arrit ti sensibilizoj dhe ti bashkoj te gjithe ne nje grusht, dmth jane thy njehere e mire ato barriera, te dikuj qe per interesa e perfitime personale ka dashte te inskenoj se kinse ekzistojne dallime mes nesh, etj. Ktu asht demonstru qe ska rryma. Ktu kan ardh njerez, qofshin pacifist apo radikal, luftuan se bashku per Kosoven dhe , u shkrien te gjitha ato barriera. Dhe sot ja ku rrim, une e Nasim Haradini, dore me dore, deri sa ti çlirojm krejt trojet shqiptare, do te jem bashke, dhe s'na ndan hiq kurgja. Skemi kurrfare pengese per me ec perpara, asnjehere. kosovo kosovo kosovo kosovo kosovo kocmet kocmet kocmet kocmet kocmet kocmet kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo kosovo Tags: Kosova Kosovo dardania koshare kosare

User: djteiti

Underworld - Born Slippy (1999 Live) "Just" Born Slippy Tags: Underworld Born Slippy Live DJ Teiti

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