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User: LoRau |
Andreas Scholl - Hasse "Artaserse" - Pallido il sole Only sound. Andreas Scholl sing one of Farinelli's most famous arias "Pallido il sole". Andreas Scholl - Hasse - Artaserse, opera - aria "Pallido il sole" Tags: Andreas Scholl Artaserse Hasse Pallido il sole farinelli opera aria countertenor classical altus baroque |
User: sadnikroman |
L'Artaserse 1 Sadnik sings Artabano in L'Artaserse : Leonardo Vinci Tags: Sadnik Opera Oper Classic Tenor Leonardo Vinci Roccoco |
User: civileso |
Hasse - Artaserse "Per questo dolce amplesso" V. Genaux Johann Adolph Hasse Artaserse (1730) "Per questo dolce amplesso" Arbace's aria from act II, sc.11 Libretto: Giovanni Boldini In this recording: Vivica Genaux (Arias for Farinelli) Akademie fur Alte Musik Berlin Conductor: René Jacobs Original text: Per questo dolce amplesso, per quest'estremo addio, serbami, o padre mio, l'idolo amato. Sol questa all'ombra mia pace e conforto sia nel fier mio fato. Translation: By this sweet embrace, by this final farewell, preserve for me, my father, the beloved idol. This alone to my ghost would be peace and comfort in my cruel destiny. Tags: Johann Adolph Hasse Artaserse Per questo dolce amplesso Vivica Genaux Arbace Akademie fur Alte Musik Berlin Rene Jacobs |
User: Meyerbeer1 |
Artaserse ouverture - Johann Adolph Hasse The ouverture to Artaserse Johann Adolph Hasse Les Talants Lyriques Christophe Rousset Tags: classical Christophe Rousset Les Talants Lyriques Johann Adolph Hasse ouverture Artaserse |
User: civileso |
Hasse - Artaserse "Pallido il sole" Andreas Scholl Johann Adolph Hasse Artaserse, "Pallido il sole" Artabano's aria Thanks as always to MehdiCaps for his help in editing the score. This recording: From the album Heroes Andreas Scholl The Orchestra of the Age of Enlightenment Conducted by Roger Norrington Artaserse is the name of a number of Italian operas, all based on a text by Metastasio. Artaserse is the Italian form of the name of a Persian king, Artaxerxes. The libretto was first set by Leonardo Vinci in 1730 for Rome. It was subsequently set by Hasse in 1730 for Venice and in 1760 for Naples, by Gluck in 1741 for Milan, by Graun in 1743 for Stuttgart, by Galuppi in 1749 for Vienna, by Johann Christian Bach in 1760 for London, and many other times. The text was often altered. Thomas Arne's 1762 Artaxerxes is set to an English libretto that is based on Metastasio's. The opera was famously performed in 1734 as a pasticcio, featuring arias by various composers such as Attilio Ariosti, Niccolo Porpora and Riccardo Broschi. It was in this that Broschi's brother, Farinelli, sang one of his best known arias, "Son qual nave ch'agitata". Original Text: Pallido il sole, torbido il cielo, pena minaccia, morte prepara, tutto mi spira rimorso e orror. Timor mi cinge di freddo gelo, dolor mi rende la vita amara, io stesso fremo contro il mio cor. Translation: Pale the sun and murky the sky, punishment threatens, death lies in wait, all inspires remorse and horror. Fear envelops me in icy coldness, sorrow makes my life bitter, I shudder at my own feelings. Tags: |
User: essenciademusica |
Aris Christofellis - Pallido il sole - Artaserse - Hasse Homenagem a farinelli pallido il sole (artaserse) Aris Christofellis. Tags: Aris Christofellis classical Palido il solecastrato Artaserse castrato farinelli male soprano baroque hasse |
User: essenciademusica |
Vivica Genaux - Or La Nube Procellosa - Hasse Arias for Farinelli Or La Nube Procellosa (artaserse) Hasse interpretação Vivica Genaux Tags: vivica genaux farinelli classical opera cleofide Or La Nube Procellosa castrato soprano hasse baroque |
User: lalungenuictdestens |
Pallido il sole - by male Haute-Contre (not falsetto) http://farinelli55.blogspot.com/ Farinelli Scores. This is me... (Arturo Escorza Pedraza, the mexican haute-contre & sopranist), singing an alto aria: "Pallido il Sole" from the opera "Artaserse" by Johann Adolph Hasse, aria of Artabano. I'm singing this in my full range voice, I'm not singing with falsetto. Looking on Wikipedia I've found this: "The altino, essentially a male contralto, is a rare male voice type, commonly considered the "true" countertenor. This person can sing high without falsetto that the usual male passagio. Typically, this rare voice has problems reaching depths of even low C (I have those problems :p) unlike most men, and usually has an androgynous tone, even when speaking. The typical altino will speak normally between the range of F# and B below Middle C, (I speak in that range, haha! in "A"), more in keeping a female than a typical male, whose speaking voice settles closer to low C. An even rarer full voice can sing tenor and female contralto (or even mezzo-soprano) parts with equal ease." MSN: freude55@hotmail.com, please feel free to add me, only, refer me that you saw me on youtube :) Tags: pallido sole hasse haute contre countertenor farinelli andreas scholl arturo escorza baroque artaserse oberlin altino |
User: Crindoro |
Son Qual Nave Ch'agitata Singer: Olga Kondina (Soprano) Composer: Riccardo Broschi Work: Artaserse Tags: Broschi Artaserse Kondina |
User: compay2407 |
FRA CENTO AFFANNI E CENTO Fran cento affanni Ària per a soprano. "Artaserse" I, 2. Video extraido de Dailymotion enviado por el usuario -"farinello" de Venezia Italia- Espero me aporten mas informacion Tags: Artaserse aria per soprano fra cento affanni Pietro Metastasio mozart Farinelli |
User: essenciademusica |
Vivica Genaux - Per questo dolce amplesso - Hasse Aria for Farinelli by Vivica Genaux - Per questo dolce apresso - Hasse -opera Artaserse Tags: Farinelli Vivica Genaux Per questo dolce amplesso Hasse opera Artaserse classical baroque castrato |
User: javiersoprano |
Riccardo Broschi - Son qual nave - Javier Fuentes - male soprano Riccardo Broschi's "Son qual nave" written for Hasse's opera ARTASERSE to be sung by Farinelli. Tags: Hasse Broschi Farinelli Artaserse male soprano counter-tenor contratenor opera barroque javier fuentes classical |
User: lisou40 |
"Occhi miei che vedeste", Ferrari "Occhi miei che vedeste" composer : Benedetto Ferrari The composer Benedetto Ferrari, who lived through most of the seventeenth century, was also a theorbo player and keyboardist. He was particularly noted for his poetic texts. extract from "Musiche varie" Philippe Jaroussky, countertenor ensemble Artaserse recorded in 2003 Tags: philippe jaroussky benedetto ferrari artaserse musiche varie occhi miei che vedeste |
User: MehdiCaps |
Händel: Io t'abbraccio (Rodelinda) - Rial, Jaroussky High resolution and stereo sound: http://www.youtube.com/watch?v=BljDpDZ3R6A&fmt=18 "Io t'abbraccio" (Rodelinda, Bertarido), from the opera "Rodelinda" HWV.19, music by Georg Friedrich Händel, libretto by Antonio Salvi, revised by Nicola Francesco Haym; created in London (King's Theatre, Haymarket) on February 13, 1725. Rodelinda: Núria Rial, soprano. Bertarido: Philippe Jaroussky, countertenor. Ensemble Artaserse, conducted by Philippe Jaroussky. Théâtre du Châtelet, Paris, March 2, 2008. At the beginning, Philippe Jaroussky says: « On ne pouvait pas résister au plaisir de vous interpréter ce duo qui, pour moi, est un des plus beaux de Händel : "Io t'abbraccio", extrait de "Rodelinda" » (We couldn't resist the pleasure of interpreting for you what is, to me, one of Händel's most beautiful duets: "Io t'abbraccio", from "Rodelinda"). Some imprecisions here and there (especially the violins), but overall a very beautiful interpretation of this duet. This was the first encore of the concert. I cut the applause. *** RODELINDA e BERTARIDO Io t'abbraccio. E più che morte, aspro e forte, è pel cor mio questo addio, che il tuo sen dal mio divide. Ah mia vita! Ah mio tesoro! se non moro, è più tiranno quell'affanno, che dà morte, e non uccide. Translation (by Kenneth Chalmers): I embrace you. And more bitter and harsh than death to my heart is this farewell which tears us apart. Ah, my life! Ah, my treasure! If I do not die, then how cruel is that distress which brings death, but does not kill. *** M.D. Tags: Handel Io t'abbraccio Rodelinda Ensemble Artaserse Nuria Rial Philippe Jaroussky |
User: MehdiCaps |
Händel: Se vago rio (Aminta e Fillide) - Jaroussky High resolution and stereo sound: http://www.youtube.com/watch?v=40lItEYxfXg&fmt=18 "Se vago rio" (Aminta), from the dramatic cantata "Aminta e Fillide" HWV.83 (also known as "Arresta il passo"), music by Georg Friedrich Händel, created in Rome (Palazzo Ruspoli) on July 14, 1708. This aria became the mermaids' aria a due "Il vostro maggio" in "Rinaldo" (1711). Philippe Jaroussky (countertenor), Ensemble Artaserse, conducted by Philippe Jaroussky. Théâtre du Châtelet, Paris, March 2, 2008. In this recording, the aria has been transposed down by 3 semitones. Also, the first three bars in the da capo have been switched with the next three bars, and I have edited the score accordingly. As you will notice, the solo violin doesn't play all its part, and adds a lot of ornamentation when it plays. Needless to say, the score doesn't mention that the accompaniment should be played pizzicato, and implies the presence of a harpsichord in some passages (tutti). *** AMINTA Se vago rio fra sassi frange l'amato argento, al fin contento posa nel mare; [ma] il ciglio mio, che sempre piange, non trova seno che ponga freno al suo penare. Translation (by Anthony Hicks): AMYNTAS Though a pretty stream may break up its lovely silver among rocks, at last it happily comes to rest in the sea; [but] my eyes, ever weeping, find no heart that offers respite to their suffering. *** M.D. Tags: Handel Se vago rio Aminta Fillide Ensemble Artaserse Philippe Jaroussky |
User: MehdiCaps |
Händel: Ombra cara (Radamisto) - Jaroussky High resolution and stereo sound: http://www.youtube.com/watch?v=BWwtm0PQa_Q&fmt=18 "Ombra cara" (Radamisto), from the opera "Radamisto" HWV.12a (first version), music by Georg Friedrich Händel, libretto probably by Nicola Francesco Haym; created in London (King's Theatre, Haymarket) on April 27, 1720. Soprano Margherita Durastanti was Radamisto in the first cast. Philippe Jaroussky, countertenor. Ensemble Artaserse, conducted by Philippe Jaroussky. Église des Minimes - Brussells, Belgium, February 26, 2008. Performed at "Baroque pitch" (a semitone lower than modern pitch). Simply sublime. I will not make fun of you if you tell me that you cried while listening to this aria. Beautiful and tasteful ornamentation at the end of the B section and in the da capo. Gorgeous high notes, and some intense moments, that sound sincere to me. Note: Philippe Jaroussky sings "mia vita" (my life) instead of "mia sposa" (my wife) in the da capo. This variant doesn't appear in Friedrich Chrysander's edition, that I used in the video. I think it makes that passage even more touching. *** RADAMISTO Ombra cara di mia sposa, deh! riposa, e, lieta, aspetta la vendetta che farò! E poi, tosto, ove tu stai, mi vedrai venir a volo e, fedel, t'abbraccerò. My own translation: Dear ghost of my wife, ah! rest in peace, and, joyous, wait for the revenge that I will take! Then, soon, wherever you are, you will see me flying to you and, faithful, i will embrace you. Ma traduction: Chère ombre de mon épouse, ah ! repose en paix, et, heureuse, attends que j'accomplisse ma vengeance ! Puis, bientôt, où que tu sois, tu me verras voler vers toi et, fidèle, je t'embrasserai. M.D. Tags: Handel Ombra cara Radamisto Ensemble Artaserse Philippe Jaroussky |
User: lorman78 |
IRAN IN LIBERTA' (gruppo Lazzeri, 2008) 16 Persepoli, 10 agosto, veduta generale del sito dalla tomba rupestre di Artaserse II Tags: lorenzo manenti iran in libertà achemenidi persepoli shiraz parsa artaserse II sito ciro il grande dario serse apadana |
User: lorman78 |
IRAN IN LIBERTA' (gruppo Lazzeri, 2008) 18 Naqsh-e Rostam, 10 agosto, vista generale delle monumentali tombe rupestri di Dario I, Artaserse I, Serse I e Dario II. Tags: lorenzo manenti iran in libertà achemenidi persepoli tombe rupestri naqsh-e rostam artaserse dario II serse |
User: BaroqueFever |
Philippe Jaroussky: Pianti Sospiri (Vivaldi) The last aria from the Vivaldi cantata "Pianti Sospiri". Philippe Jaroussky & Ensemble Artaserse. Tags: Philippe Jaroussky Virtuoso Cantatas Pianti Sospiri Vivaldi countertenor baroque cantata aria |
User: BaroqueFever |
Philippe Jaroussky: Piangero (Vivaldi) An aria sung by Ruggerio in Vivaldi's opera Orlando Furioso. Philippe Jaroussky & Ensemble Artaserse. Tags: Philippe Jaroussky Piangero Vivaldi Virtuoso Cantatas Orlando Furioso countertenor baroque aria |
User: MehdiCaps |
Händel: Bramo aver mille vite (Ariodante) - Rial, Jaroussky High resolution and stereo sound: http://www.youtube.com/watch?v=lWRzaWPP5po&fmt=18 "Bramo aver mille vite" (Ariodante, Ginevra), from the opera "Ariodante" HWV.33, music by Georg Friedrich Händel, anonymous libretto, after Antonio Salviati; created in London (King's Theatre, Haymarket) on January 8, 1735. Soprano Anna Maria Strada and mezzo-soprano castrato Giovanni Carestini were Ginevra and Ariodante in the first cast. Ginevra: Núria Rial, soprano. Ariodante: Philippe Jaroussky, countertenor. Ensemble Artaserse, conducted by Philippe Jaroussky. Église des Minimes - Brussells, Belgium, February 26, 2008. Performed at "Baroque pitch" (a semitone lower than modern pitch). At the end of a concert that was rather average, in my opinion (they would do much better four days later in Paris), the singers managed to surpass themselves in the last two works of the program. Philippe Jaroussky sang a gorgeous "Ombra cara" (I have not found any recording coming close), which I have already posted. Then, with Núria Rial, he sang this duet, which could easily make your head spin. You can find it on YouTube with Anne Sofie von Otter and Lynne Dawson (from Marc Minkowski's 1997 recording), and also with Angelika Kirchschlager and Danielle de Niese (from a 2007 performance conducted by Christophe Rousset); I also have Nicholas McGegan's 1995 recording with Lorraine Hunt and Juliana Gondek; I very much like all those artists but, in my opinion, Jaroussky and Rial gave here the best version of the four. This seems amazingly difficult to sing, and they do it with "easy virtuosity". Once again, we find nice and tasteful ornamentations, and there's a very beautiful conclusion. Note: the score (Chrysander edition) has "haver" (old spelling) instead of "aver" (short for "avere", to have). I've adopted the modern spelling for the title of this video, like I always do. *** ARIODANTE Bramo aver mille vite per consacrarle a te. GINEVRA Bramo aver mille cori per consacrarli a te. ARIODANTE e GINEVRA Ma in questo che ti dono, più ch'in mille, vi sono amor, costanza e fé. My translation: ARIODANTE I would love to have a thousand lives, to dedicate them to you. GINEVRA I would love to have a thousand hearts, to dedicate them to you. ARIODANTE and GINEVRA But, in this one that I give you, more than in a thousand, there are love, constancy and faith. Ma traduction: ARIODANTE J'aimerais avoir mille vies, pour les consacrer à toi. GINEVRA J'aimerais avoir mille cœurs, pour les consacrer à toi. ARIODANTE et GINEVRA Mais, dans celui-ci que je te donne, plus que dans mille, se trouvent l'amour, la constance et la foi. *** M.D. Tags: Handel Bramo aver mille vite Ariodante Ensemble Artaserse Nuria Rial Philippe Jaroussky |
User: BaroqueFever |
Philippe Jaroussky: Pianti Sospiri live (Vivaldi) An extract of the last aria from the Vivaldi cantata "Pianti Sospiri". Philippe Jaroussky & Ensemble Artaserse. Tags: Philippe Jaroussky Pianti Sospiri Vivaldi countertenor baroque cantata |
User: MehdiCaps |
Castrats, la voix des anges - 6/6 Castrats, la voix des anges, a film by Stéphane Ghez (2006) SIXTH PART 0:02 Philippe Jaroussky, before a concert in Paris, salle Gavaud (29 March 2005), with the ensemble Artaserse; 0:21 rehearsing the aria "Placido in letto ombroso" from Antonio Vivaldi's cantata Care selve, amici prati, RV 671; 1:19 talking about the difficulty for a countertenor to sing arias written for castrati; 1:56 rehearsing the aria "Cor ingrato, dispietato" from Antonio Vivaldi's cantata Pianti, sospiri, RV 676; 2:33 talking about the private life of the castrati; 3:08 just before entering the stage; 4:01 performing "Placido in letto ombroso". Claire Antonini, theorbo Emilia Gliozzi, violoncello Yoko Nakamura, harpsichord ___ The last cello note and the last theorbo arpeggio were shortened in the original video, so I edited the sound track: I copied the conclusion that you can hear at the 1:15 time mark, and pasted it at the end, in place of the shortened one. ___ M.D. Tags: Castrats voix anges castrati |
User: essenciademusica |
Aris Christofellis 'Se Al Labro Mio' Homenagem a Farinelli, de Aris Christofellis! Tags: Artaserse- Air D'Arbace se Al Labro Mio ricardo broschi farinelli Aris Christofellis sopranist baroque barroco |
User: lisou40 |
Philippe Jaroussky :"cor ingrato" (Vivaldi) Une aria TRES rapide extraite des "virtuoso cantatas".Epoustouflant! à écouter absolument. Tags: philippe jaroussky contreténor virtuoso cantatas vivaldi artaserse carestini heroes spinosi |
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