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User: marulais

TP Taller de datos Trabajo sobre Bourriaud Tags: bourriaud taller datos UBA

User: charlotteyoung

Relational Athletics - Rust Buckets Legendary art band perform their classic post-Bourriaud hit 'Relational Athletics' to an eager crowd... Tags: "Rust Buckets" "Jon Klein" "Charlotte Young" relational aesthetics olympics 2012 bourriaud visual arts performing

User: miltosmanetas

MIRACLE, 1996 MIRACLE, 1996 By Miltos Manetas. Made with F18 Hornet for Mac. First shown at the exhibition "Joint Ventures", curated by Nicolas Bourriaud at Basilico Gallery, New York, 1996 Tags: Art Machinima Miltos Manetas

User: tate

Altermodern - Nicolas Bourriaud previews his hypothesis that postmodernism is over and that a new type of modern - the altermodern - is emerging. Read Bourriard's manifesto and join the debate at http://blog.tate.org.uk/turnerprize2008/ Tags: art postmodernism modernism aesthetics

User: Chikoff

На вулкане (On the Volcano) It is installation presented within the limits of an exhibition. The information on an exhibition: The Ministry of Culture and Mass Communication, the Federal Agency for Culture and Cinematography and the Moscow Biennale Art Foundation present the Second Moscow Biennale of Contemporary Art. It will be held from March 1 to April 1, 2007. Commissioner: Joseph Backstein. Curators of the main project: Joseph Backstein, Daniel Birnbaum, Iara Boubnova, Nicolas Bourriaud, Fulya Erdemci, Gunnar B. Kvaran, Rosa Martínez and Hans Ulrich Obrist. Advisory Board: Zdenka Badovinac, Director of the 'Galerija Moderna' in Ljubljana, Slovenia; Saskia Bos, Dean of the School of Art at the Cooper Union in New York City; Kasper König, Director of the Museum Ludwig, Köln; Jean-Hubert Martin, Director of the Museum Kunst Palast, Düsseldorf. The exhibition program of the Second Moscow Biennale will comprise 5 main exhibitions, more than 25 special projects and 8 shows of special guests. The main project of the Biennale will be hosted by three exhibition spaces of the Russian capital: the Schusev State Museum of Architecture and the TSUM Shopping Center, the Spiridonov's house. The total exhibition space will be approximately 10,000 sq m. Unlike the First Moscow Biennale, the international team of curators will present a number of shows produced by individual curators or groups of curators instead of a common collective project. All these projects will share the common theme of FOOTNOTES on Geopolitics, Market, and Amnesia, and will present the works of more than 80 artists. The organizers believe that the structure of the main project, which can be figuratively compared to a book divided into chapters, will help spectators review the issues that will be presented from various points of view. Tags: Moscow biennale of contemporary art

User: vodeotv

Du Kinder surprise considéré comme une oeuvre d'art Il y a un marché pour les figurines Kinder, que chacun se souvient avoir découvertes avec émotion à l'intérieur du fameux œuf en chocolat. Aujourd'hui, il en existe des dizaines de milliers et certaines séries rares déchaînent les passions. En voir plus sur : http://www.vodeo.tv/18-22-4465-du-kinder-surprise-considere-comme-une-oeuvre-d-art.html?PARTID=9085 Tags: Art contemporain Kinder surprise oeuf figurine collection collectionneur œuvre d art Thierry de Duve Nicolas Bourriaud Marcel Duchamp artistique musée Arts contemporains surprises œufs figurines collections collectionneurs œuvres artistiques musées Ferrero en chocolat oeufs jouet jouets marketing

User: mctrmt

Relational Aesthetics Song (original) I wrote this during a residency at the Banff Centre in 2006 after reading Claire Bishop's "Antagonism and Relational Aesthetics". It's on the CD "Songs for a Dead Hare" put out by The Cedar Tavern Singers AKA Les Phonorealistes (of which I am one half). All of our songs are about art or art history. http://www.thephonorealistes.com Tags: ukulele relational aesthetics conceptual art Nicolas Bourriaud future of idea

User: ArtMenagerie

Cortando el Melón Cutting the Melon took place in Venezuela in May 2006. Four pairs of volunteers were asked to cut a melon to explain an aspect of the political situation in Venezuela. This participative event was recorded from above using digital video and photography. Tags: conceptual art relativism bourriaud language deconstruction contemporary constructivism conversation

User: nbourriaud

Prenez l'espace ! Video clip for http://laguerreddelespace.free.fr urban instaallation with plastic soldiers Tags: la guerre de espace soldier plastic soldat nicolas bourriaud

User: neilmulhollandcouk

Grad (Ohne Titel) (2008) PowerPoint Presentation for Sticks without Walls: Art Vanderlay Projects, 1/6 4th Syromyantichesky Per, Moscow 12th November 2007-12th January 2008 Artist Alexandr Petrovsky was the director of this innovative project that combined sticks leaning against walls with rigorous debate. For this event, Petrovsky hosted over 70 national and international artists. A keynote address was given by Georg Stipell whose internationally renowned work has helped to expand the notions of stick based art practices for over a decade. The artists involved in Sticks without Walls challenged our traditional ideas of what sticks are and do. These artist's stick based projects mediate the contemporary frameworks of sticks as service, as social sticks (e.g. clothes poles), as activism (for holding up banners), as interactions (communal toothpicks), and as relationships (erotic sticks). This conference was situated in the space between theory and sticks, where participants and audiences engaged with sticks. The topics explored included: What would new relational models of sticks, theory, and writing look like? What is the social role of the stick leaning against a wall? What happens when people really connect with each other or with sticks? What could we do in our daily lives to form meaningful connections and build bigger better more leaning sticks? What should sticks do? Can sticks provide an alternative? Can sticks provide an answer? The three-week conference focused on stick-based practices- post-Bourriaud: striving for sticks that desire for something real to happen--not just the imitation of something real. The goal of Sticks without Walls was to bring together identikit-minded individuals (artists and audience) to confer on sticks leaning against walls and forge lasting connections. This was an intense, immersive, around the clock experience. It was a conference, an exhibition/performance venue, a mini-residency, and a workshop. Participants partook in experiences that connected them with each other: artists, art institutions, audiences, and arts communities. Each out-of-town presenter was billeted with a member of the local community. Participants made meals together, shared meals together, and were encouraged to thank their hosts by leaving a stick leaning against something that isn't a wall. Tags: neil mulholland sticks

User: EmergencyRoomPS1

the artist as a visual expert / video dictionary by Colonel from the ABC News interview at PS1 MOMA 05/03/2007 EXPERTISE [fr. expertice] The artist is an expert in visual information and conceptual representation. Those who are in control of images rules the world. The importance of production, distribution and consumption of pictures should be obvious. The artist, who is supposed to have a certain degree of expertise in the production, distribution and consumption of visual information and conceptual representation, is curiously absent from the battlefield in the War of Images or the Clash of Icons. This, we believe, is no coincidence. The artist is consciously being withheld from the battlefield. The artist is put to his isolated studio to produce already made pictures of yesterday to be exhibited tomorrow and viewed when they are already too late. The visual expertise of the artist is disarmed as a logic in the production of art. The Emergency Artist can't obey this imposed logic of art production. The Emergency Artist has to use his expertise where it is of real use. This means breaking with the notion of art's autonomy. It means breaking with the function of art's institutions. And it means breaking with art's history. Essentially it means breaking with the very concept of art as it has evolved since the Renaissance. Don't you think so too? the dictionary emergency room http://www.emergencyrooms.org/dictionary/words/ emergency room officiel home page http://www.emergencyrooms.org/ emergency room at PS1/MOMA ; http://www.emergencyrooms.org/ps1.html the 05mars 2007 state of the exhibition that day at PS1/MOMA http://www.ps1.org/emergencyroom/36/ press coverage : http://conclusionism.com/ps1/coverage.html ABC News broadcasted result of the recording http://abclocal.go.com/wabc/story?section=local&id=5104707 http://colonel web site www.colonel.dk Tags: artist art politic PS1 MOMA activist kunst contemporain media museum New York role Nicolas Bourriaud Fred Forest modern

User: EmergencyRoomPS1

AWARENESS MUSCLE /video dictionary by Colonel from the ABC News interview at PS1 MOMA 05/03/2007 AWARENESS [fr. conscience] Awareness is an active state. It is a willed state, an effort of receptivity, an intention. In biological psychology, awareness describes a human or animal's perception and cognitive reaction to a condition or event. Awareness does not necessarily imply understanding. Awareness is just an ability to be conscious of, feel or perceive. Awareness is a relative concept. An animal may be partially aware, may be subconsciously aware, or may be acutely aware of an event. Awareness may be focused on an internal state, such as a visceral feeling, or on external events by way of sensory perception. Awareness provides the raw material from which animals develop qualia, or subjective ideas about their experience. Researchers have debated what minimal components are necessary for animals to be aware of environmental stimuli, though all animals have some capacity for acute reactive behavior that implies a faculty for awareness. Popular ideas about consciousness suggest the phenomenon describes a condition of being aware of one's awareness. Efforts to describe consciousness in neurological terms have focused on describing networks in the brain that develop awareness of the qualia developed by other networks. Neural systems that regulate attention serve to attenuate awareness among complex animals, whose central and peripheral nervous system provides more information than cognitive areas of the brain can assimilate. Within an attenuated system of awareness, a mind might be aware of much more than is being contemplated in a focused extended consciousness. When a patient goes for a surgical operation, it is desirable to temporarily make the patient unaware. Anaesthesiologists specialise in this. It is also a major responsibility is to prevent awareness during an operation. This is achieved by giving anesthetic drugs through the veins and through the lungs. Awareness is also a concept used in CSCW, albeit its definition has not yet reached a consensus in the scientific community. In art it is maybe the capacity to be present. Not seldom one can get the impression that artist are a profession which is currently undergoing an operation. By an anaethesiologist. Could the anaesthetic used be the notion of conceptual art? We might be wrong here. Anyway. To be aware is to be in contact with everything around. The ego as well as the public. To include the search for the oeuvre and the meteorological condition, as well as the emotional and political context. The awareness is a total disposition to be informed, and to integrate everything at once. For the artist to redistribute this awareness in an immediate art work (which is a combination of everything which is perceived), an awareness muscle is a good thing to have. AWARENESS MUSCLE [fr. muscle de conscience] In the same sense memory can be trained, an awareness muscle can be developed by an effort. To develop the awareness muscle, the artist has to reduce his business. When an artist is busy, he is not very aware. A daily training is necessary. But how to train? Scanning the news in a critical way could be one exercise. Daily debating politics with others could be another. Looking at other point of views usually produces significant improvements. Fighting prejudice is an excellent exercise. Many other forms of training could also produce beneficial effects for the awareness muscle. Continuous and daily training is important. If not, the awareness muscle can develop into atrophy. But, to develop the awareness muscle do require will. the dictionary emergency room http://www.emergencyrooms.org/dictionary/words/ emergency room officiel home page http://www.emergencyrooms.org/ emergency room at PS1/MOMA ; http://www.emergencyrooms.org/ps1.html the 05mars 2007 state of the exhibition that day at PS1/MOMA http://www.ps1.org/emergencyroom/36/ press coverage : http://conclusionism.com/ps1/coverage.html ABC News broadcasted result of the recording http://abclocal.go.com/wabc/story?section=local&id=5104707 http://colonel web site www.colonel.dk Tags: PS1 MOMA artist art political activist media museum awarness muscle role Bourriaud conscience emergency room training

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