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User: jre58591 |
Messiaen - Turangalîla Symphonie -IV Pt1- Thibaudet, Chailly Jean-Yves Thibaudet, Takashi Harada, Riccardo Chailly, and the Symphony Orchestra della Scala play Messiaen's Turangalîla Symphonie, 4th Movt "Love Song 2". Part 1 of 2. Tags: messiaen thibaudet jean-yves takashi harada riccardo chailly turangalila symphonie piano ondes martenot |
User: jre58591 |
Messiaen - Turangalîla Symphonie-2nd Mvt-Thibaudet, Chailly Jean-Yves Thibaudet, Takashi Harada, Riccardo Chailly, and the Symphony Orchestra della Scala play Messiaen's Turangalîla Symphonie, 2nd Movt "Love Song 1". Tags: messiaen thibaudet jean-yves takashi harada riccardo chailly turangalila symphonie piano ondes martenot |
User: gab1279 |
Finale of Mahler 8th - Chailly in Rehearsal Riccardo Chailly rehearses the glorious Finale of Mahler's 8th Symphony with the Royal Concertgebouworkest at Mahlerfest 1995 Tags: Gustav Mahler Riccardo Chailly Royal Concertgebouw Orchestra classical |
User: mikimeta |
Dies Irae - Cecilia Chailly Una versione "al femminile" di Dies Irae, che differisce da quelle celeberrime di Mozart e Verdi, così maestose, così corali, che sprigionano potenza come quella che puo' essere una devastazione, una fine del mondo, in questi versi attribuiti a Tommaso da Celano. Questa splendida versione di Cecilia Chailly, viceversa, è più "intima", giocata su un dualismo che unisce due opposti. Questo dualismo è nel colore delle due candele, la bianca e la nera: sacro e profano ma anche demonio e santità, peccato e virtù, amore e odio, eros e thanatos. Tutti aspetti che spesso si sovrappongono fino a coincidere e a confondersi. DIES IRAE Dies irae, dies illa solvet saeclum in favilla: teste David cum Sibylla. Quantus tremor est futurus, quando judex est venturus, cuncta stricte discussurus! Harpa mirum spargens sonum per sepulcra regionum, coget omnes ante thronum. Mors stupebit et natura, cum resurget creatura, judicanti responsura. Nil inultum remanebit Rex tremendae majestatis, qui salvandos salvas gratis, salva me fons pietatis. Confutatis maledictis, flammis acribus addictis: voca me cum benedictis. Gere curam mei finis. Lacrimosa dies illa, qua resurget ex favilla judicandus homo reus. Dies irae, dies illa solvet saeclum in favilla: teste David cum Sibylla. (Trad.) Giorno d'ira, quel giorno distruggerà il mondo nel fuoco, come affermano Davide e la Sibilla. Quanto terrore ci sarà, quando verrà il giudice, per giudicare tutti severamente. Un' arpa che diffonde un suono meraviglioso nei sepolcri di tutto il mondo, chiamerà tutti davanti al trono. La morte e la natura stupiranno, quando la creatura risorgerà, per rispondere al giudice. nulla resterà ingiudicato. Re di tremenda maestà, tu che salvi per tua grazia, salva me, o fonte di pietà. Confusi i maledetti, gettati nelle vive fiamme, chiama me tra i benedetti. Prego supplice e prostrato, abbi cura della mia sorte. Giorno di lacrime, quel giorno, quando risorgerà dal fuoco l'uomo reo per essere giudicato. Giorno d'ira, quel giorno distruggerà il mondo nel fuoco, come affermano Davide e la Sibilla. Tags: dies irae arpa cecilia chailly alone tommaso da celano |
User: jre58591 |
Messiaen - Turangalîla Symphonie -IV Pt2- Thibaudet, Chailly Jean-Yves Thibaudet, Takashi Harada, Riccardo Chailly, and the Symphony Orchestra della Scala play Messiaen's Turangalîla Symphonie, 4th Movt "Love Song 2". Part 2 of 2 Tags: messiaen thibaudet jean-yves takashi harada riccardo chailly turangalila symphonie piano ondes martenot |
User: shakehamlet |
Inverno Cecilia Chailly Cecilia Chailly interpreta la bellissima canzone di de Andrè Tags: Inverno Cecilia Chailly de Andrè |
User: LindoroRossini |
Gioachino Rossini - Guglielmo Tell (Guillaume Tell) - Overture (Chailly) - No. 3 & 4. The call to the dairy cows & The Galop With "Guillaume Tell" Rossini finally offered Parisian audiences an original opera in French, though the public wouldn't be too excited by Rossini's experiment with the genre and the opera; coldly received at the premiere, not often performed after, never truly forgotten, but not a popular favorite, the work has only recently went through a veritable Renaissance on the wave of reappraisal belcanto has enjoyed for the past fifty years and it absolutely deserves our reevaluation. Into its historical panorama based on the play by Schiller Rossini wove pastoral elements, patriotic deeds and superbly drawn characters. He responded imaginatively to the challenge of creating a work for the French Opera without abandoning his Italian roots, integrating the belcanto lyricism and formal refinement of Italian opera (mostly evident in the lovers' music) with the declamatory immediacy and scenic splendor (particularly in the extensive choruses and ballets) of French opera. Carefully written, harmonically daring, purged of melodic ornamentation, orchestrally opulent, "Guillaume Tell" represents a final purification of Rossini's style, possibly his best creation. When I first listened through it, I couldn't believe just how ideal it was: the whole opera is composed on one breath, there are virtually no self-borrowings, as Rossini usually did, moreover, each piece has its' logical place in the whole opera, making for a thoroughly delightful experience; the story is exciting and, though not without its' problems (Arnoldo and Matilde being an archetypal pair of lovers), is believable; even running at four hours, the work never grows boring, on the contrary, I found myself almost hoping that something less than charming would pop out, but no, the composer presents us with inspiration on every corner. In short, it's a crowning achievement of Rossini's career. But let us pass onto the music itself. It is truly impossible to choose any favorites from the score, as it has just too many inspired pages; my choices are thus dictated purely by my personal tastes: I've decided to post both ballet sequences and the choruses attributed to them; the first two finales, including the famous meeting of the Swiss at night; three arias, one each for the three main protagonists; a duet for Tell and Arnoldo and, of course, the overture. I do think that these pieces represent the work at its' best, though I would urge you to find yourself a complete version and listen to it from beginning to the very end. It's well worth an evening of your time :). The version of the score that I have chosen to represent it is, in my opinion, the best rendition readily available: recorded with a star cast (Sherill Milnes, Luciano Pavarotti, Mirella Freni are only some of the names appearing in it) in between 1978-1979 under the leadership of Chailly, the recording, though sung in Italian, is, in a word, an ideal representation of the piece, as it captures both the dramatic intensity of the text and the orchestration and the sheer vocal splendor that Rossini provided to his audience. We start with the overture. The overture to "Guillaume", well-known separately from the work, is a forerunner of things to come. Like the opera-proper to follow, it is superbly dramatical, featuring not two or three, as per tradition, but four highly individual movements. The whole overture seems, unlike most Rossini's orchestral opening to his operas, intimately connected with the opera itself, as it is, basically, an invocation of Switzerland. 3. Ranz des Vaches (call to the dairy cows) features a melting solo for the English horn with delightful flute flourishes over sustained strings. Perhaps, Rossini best orchestral movement. 4. The famous galop "cavalry charge" is heralded by trumpets and played by full orchestra. A most fitting ending to a wonderful overture. Hope you'll enjoy :)! Tags: Rossini Guglielmo Tell Guillaume Overture classical belcanto |
User: LindoroRossini |
Gioachino Rossini - Guglielmo Tell (Guillaume Tell) - Overture (Chailly) - No. 1 & 2. The Prelude & The Storm With "Guillaume Tell" Rossini finally offered Parisian audiences an original opera in French, though the public wouldn't be too excited by Rossini's experiment with the genre and the opera; coldly received at the premiere, not often performed after, never truly forgotten, but not a popular favorite, the work has only recently went through a veritable Renaissance on the wave of reappraisal belcanto has enjoyed for the past fifty years and it absolutely deserves our reevaluation. Into its historical panorama based on the play by Schiller Rossini wove pastoral elements, patriotic deeds and superbly drawn characters. He responded imaginatively to the challenge of creating a work for the French Opera without abandoning his Italian roots, integrating the belcanto lyricism and formal refinement of Italian opera (mostly evident in the lovers' music) with the declamatory immediacy and scenic splendor (particularly in the extensive choruses and ballets) of French opera. Carefully written, harmonically daring, purged of melodic ornamentation, orchestrally opulent, "Guillaume Tell" represents a final purification of Rossini's style, possibly his best creation. When I first listened through it, I couldn't believe just how ideal it was: the whole opera is composed on one breath, there are virtually no self-borrowings, as Rossini usually did, moreover, each piece has its' logical place in the whole opera, making for a thoroughly delightful experience; the story is exciting and, though not without its' problems (Arnoldo and Matilde being an archetypal pair of lovers), is believable; even running at four hours, the work never grows boring, on the contrary, I found myself almost hoping that something less than charming would pop out, but no, the composer presents us with inspiration on every corner. In short, it's a crowning achievement of Rossini's career. But let us pass onto the music itself. It is truly impossible to choose any favorites from the score, as it has just too many inspired pages; my choices are thus dictated purely by my personal tastes: I've decided to post both ballet sequences and the choruses attributed to them; the first two finales, including the famous meeting of the Swiss at night; three arias, one each for the three main protagonists; a duet for Tell and Arnoldo and, of course, the overture. I do think that these pieces represent the work at its' best, though I would urge you to find yourself a complete version and listen to it from beginning to the very end. It's well worth an evening of your time :). The version of the score that I have chosen to represent it is, in my opinion, the best rendition readily available: recorded with a star cast (Sherill Milnes, Luciano Pavarotti, Mirella Freni are only some of the names appearing in it) in between 1978-1979 under the leadership of Chailly, the recording, though sung in Italian, is, in a word, an ideal representation of the piece, as it captures both the dramatic intensity of the text and the orchestration and the sheer vocal splendor that Rossini provided to his audience. We start with the overture. The overture to "Guillaume", well-known separately from the work, is a forerunner of things to come. Like the opera-proper to follow, it is superbly dramatical, featuring not two or three, as per tradition, but four highly individual movements. The whole overture seems, unlike most Rossini's orchestral opening to his operas, intimately connected with the opera itself, as it is, basically, an invocation of Switzerland. 1. The opening prelude is a slow passage with low-pitch instruments such as cello and bass, setting a very romantic mood of a dawn over the mountains, possibly representing both the pastoral setting of the whole work and the oppressed atmosphere in which the Swiss are forced to live under the Austrian dictatorship. 2. A storm suddenly breaks over the scenery in a highly dynamic section played by full orchestra. Not only does the section represent an actual storm but also the aggression against the invaders that the Swiss are harboring inside themselves, waiting to explode at any minute. It leads naturally, through a "bird call" into the next piece. Hope you'll enjoy :)! Tags: Rossini Guglielmo Tell Guillaume Overture classical belcanto |
User: romain145 |
Demo PIN² Chailly 2008 PIN² : PINball PC INterface. How to control a real Pinball with a computer ! The first playable Pinball with the PIN² system !! Tags: vierzon flipper chailly pin² pin2 flippers romain projet interface |
User: simplyros |
Cecilia Chailly in concerto COncerto al Museo delle palafitte di Molina di Ledro dell'arpista Cecilia Chailly e della ballerina Antonella Morassutti Tags: cecilia chailly morassutti molina di ledro caldini romeo arpa danza concerto |
User: totaldynamix |
Shostakovich's The Counterplan, op.33 - Chailly/Concertgebouw Shostakovich's The Counterplan, op. 33: Three Orchestral Fragments. I.Presto II.Andante III. The Song Of The Counterplan Orchestra: Concertgebouw Orchestra Amsterdam Conductor: Riccardo Chailly Composer: Dmitry Shostakovich Tags: Shostakovich The Counterplan Chailly Concertgebouw |
User: angers7 |
Angers / Handball : Teddy Chailly enfin de retour ! Angers / Handball : Teddy Chailly enfin de retour ! - Angers - Julien De La Bretéche , coéquipier de Teddy Chailly à Angers Noyant commente le retour de ce dernier. (Pour obtenir les droits d’exploitation commerciale de cette vidéo, veuillez contacter contact@wizdeo.com) Tags: Angers blessure Bretéché Chailly championnat De handball Julien La match Noyant retour Teddy |
User: angers7 |
Angers / Handball : Retour de Teddy Chailly Angers / Handball : Retour de Teddy Chailly - Angers - Teddy Chailly le joueur d'Angers Noyant est de retour après près de dix moi d'arrêt pour cause de blessure. (Pour obtenir les droits d’exploitation commerciale de cette vidéo, veuillez contacter contact@wizdeo.com) Tags: Angers Chailly handball match meneur Noyant parquet retour Teddy équipe |
User: Pablo77130 |
Soiree de Chailly en Biere1 formation de tango Tags: tango formation chailly en biere pablo |
User: creativharp |
Cecilia Chailly prove in casa Cecilia Chailly Prove di ama Tags: electric harp Cecilia Chailly |
User: creativharp |
Cecilia Chailly new mix session Cecilia Chailly new mix session Tags: Cecilia Chailly new mix session electric harp |
User: extrariccio |
cecilia chailly - Lucciole L. Ciao Tags: Lucciole |
User: Kipone350 |
CHAILLY VSM CDM PH FOOTBALL Tags: 350 |
User: cdm350 |
ES villiers - chailly championnat foot ph Tags: 350 |
User: ballyballo |
Chailly MIB L'ambiance de samedi soir au salon de Chailly Tags: MIB pinball crazy flipper chailly |
User: romain145 |
Demo PIN² Chailly 2007 PIN² : PINball PC INterface. How to control a real playfield Pinball with a computer ! Tags: vierzon flipper chailly pin² pin2 flippers romain projet interface |
User: jessica0201 |
Gym Chailly Entrainement de la Gym de Chailly! Tags: Gym Chailly |
User: Flippermania888 |
Chailly 2008 -1 Petite vidéo psychédélique faite avec un eeePC 701 Tags: flipper chailly 2008 |
User: AWANAWEIMBO |
Inverno - Cecilia Chailly FABER Faber Amico Fragile Genova 12/03/00 Tributo a Fabrizio De André Tags: Faber Amico Fragile Genova 12 2000 Tributo Fabrizio De André |
User: romain145 |
Plateau PIN² Chailly 2007 PINball PC INterface : PIN² How to play pinball with a computer on a real playfield ! Tags: vierzon flipper chailly pin² pin2 flippers interface romain |
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