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User: dcole74 |
dw vs priincess naya dw vs priincess naya Tags: dw priincessnaya dcole dcole74 darkwarz danceorgohome |
User: ViperXAvailability |
Tony Royster Jr. killing the DW Drums!!! Tony Royster Jr. Playing a HUGE, Bozzio-like DW drum set and killing it!!! For more clips of Tony Royster, Jr., please visit www.fastclips.com Mr. Royster also has a DVD of a live session in Hollywood, CA coming out soon! Tags: tony royster jr drum solo drums DW drummer drumming speed |
User: sted1ent |
dw my boy dw in jackson TN, at west bemis Tags: dw bass |
User: GriffithMovies |
DW GRIFFITH JUDITH OF BETHULIA 1913 Judith of Bethulia 1913 Cast: Blanche Sweet -Judith, Henry B. Walthall -Holofernes's Eunuch Attendant, Robert Harron -Nathan, Mae Marsh -Naomi, Lillian Gish -A Young Mother, Lionel Barrymore, Antonio Moreno, Kate Bruce -Judith's maid, Gertrude Bambrick, Alfred Paget, Gertrude Robinson, Edward Dillon, Harry Carey -A Traitor, Dorothy Gish -The crippled beggar, Charles Hill Mailes, G. Jiguel Lanoe -Holofernes's Eunuch Attendant, William Christy Cabanne, Thomas Jefferson. Frank E. Woods -Screenwriter Billy Bitzer -Cinematographer, James Smith -Editor William Christy Cabanne - First Assistant Director http://www.YouTube.com/DIRECTORSSERIES http://www.YouTube.com/THEATRECORNER http://www.YouTube.com/IRARONA http://www.YouTube.com/TVNETWORKS http://www.YouTube.com/TVDAYS http://www.tvdays.com (400 DVD TITLES ) DW GRIFFITH at BIOGRAPH COMPANY by IRA H.GALLEN Conservative Biograph Studios refused to allow D. W.Griffith to make any film longer than two reels. Ignoring this edict, Griffithallowed his Biblical epic Judith of Bethulia to run four reels, which led to his exit from the studio. Judith of Bethulia tells the story, set in theancient world, of the young widow Judith (Blanche Sweet) offering herself toAssyrian leader Holofernes (Henry B. Walthall) in order to kill the man andavenge the subjugation and slaughter of her countrymen. With that material towork with, and shooting of a 12-square-mile set that allowed him to present the battle scenes, Judith of Bethulia was as big a picture as Griffith was associated with. Griffith did feel compelled to devise a more traditional movie story, involving the rescue of Mae Marsh by Robert Harron, and one can spot such Griffith stalwarts as Lillian Gish, Dorothy Gish, and Harry Carey in small parts. Notes: Griffith's power of concentration had become so great that he could watch a rehearsal, read notes given to him and converse with his staff at the same time. At times, he could look at you without really seeing you. Construction began in Los Angeles' CHATSWORTH PARK on the sets of JUDITH OF BETHULIA. Griffith designs and builds a street of Bethulia, a replica of the city walls and a tract of land was filled with pitched tents for the campsite of the HOLOFERNS. A makeup man helped the fifty or so extras into their wigs, beards and costumes with an assist by whatever Griffith regulars weren't acting that day. Each player was advised to remember his or her costume continuity. J.C. "LITTLE" EPPING, the new company accountant, had the distasteful job of totaling everything to do with daily expenditures and explaining them to the Biograph front office. Mr. Epping is a small, bespectacled man with a perpetually worried expression. In later years, he was a financial advisor for Griffith. After the exterior scenes were completed, the shooting of the interiors was begun back in New York, bringing to a face-to-face argument the building animosity between Griffith and the front office. Griffith's vision of a four-reeler was complicated and the production costs on JUDITH OF BETHULIA would rise to the unheard of figure of $36,000.00 Even before the rumors began, his stock company players knew of the deepseated unhappiness Griffith was feeling. None of them felt that they were a part of Biograph, more a part of the Griffith influence and loyalty. When word was to become generally known of his impending departure, they all awaited being asked to join him. Even Henry B. Walthall, who had come back to work on JUDITH. The front office was not just angry and frantic over the cost of the film. Their fury was aggravated by the picture itself; its length and the depiction of the barbaric HOLOFERNS, not to mention the gory beheading scenes. Rumor had it that Adolph Zukor had tendered an offer to Griffith that was for $50,000.00 per year, and Griffith had turned it down. The film industry was not yet a decade old and little had been done to make the products easily accessible to exhibitors. The few film producers who existed at that time simply could not keep up with the demand. While the creative people were still groping to fashion a technique for this crude form of communication, business was stepping in and taking ruthless control. In the race to keep their nickelodeons filled, owners now had to outbid one another for the newest films. While David Wark Griffith is finally told that another director will be brought in to make their longer productions, Biograph informs him that from now on, he would make only films of one or two reels. The decision to leave is therefore assured.... Tags: dwgriffith judithofbethulia blanchesweet biograph biographfilms |
User: GriffithMovies |
DW GRIFFITH INTOLERANCE PART 5 eee Tags: INTOLERANCE dwgriffith |
User: fcthpoland |
DW-TV - popXport (20.04.2007) [owner DW-TV] http://www.fctokiohotel.pl Tags: Tokio Hotel Warschau popXport |
User: Adlerangriffe |
Birth of a Nation by D.W. Griffith - Trailer (1915) Two brothers, Phil and Ted Stoneman, visit their friends in Piedmont, South Carolina: the family Cameron. This friendship is affected by the Civil War, as the Stonemans and the Camerons must join up opposite armies. The consequences of the War in their lives are shown in connection to major historical events, like the development of the Civil War itself, Lincoln's assassination, and the birth of the Ku Klux Klan. Tags: War of Northern Aggression Confederacy Yankee Ku Klux Klan KKK |
User: redant53 |
Mr. DW MR. D.W. 词曲唱：redant 好的身体 很重要 虽然一切浮躁又无聊 放一把火 烧一烧 顺便洗洗我七窍 幻听中他做梦 阳谋阴谋都无谋 不一定 不一定 高级动物 噢乖 donot break my heart 靠近我 春去春来 还有你 别去糟蹋 别说无所谓 怕你为自己流泪 童和音乐很重要 念上帝保佑 平安到老 拆掉未知的脸谱 谁主暮良与文王 什么黑豹唐朝 我走我的独木桥 黄昏悲伤的梦 出游还是艳阳天 donot break my heart 靠近我 春去春来 还有你 别去糟蹋 别说无所谓 怕你为自己流泪 说不出的感觉 明天更漫长 原美丽的期待 消失的影像 子夜二时是你 是你推醒我 你说声从命吧 我无地自容 说不出的感觉 恍惚的白昼 哪跟哪的事儿 别来纠缠我 哦 子夜二时是你 是你推醒我 你说声从命吧 我无地自容 是不是 梦醒后 昨夜的誓言都忘记 你远去高飞 是不是 漓江水 窗外的风景都是雨 我黑色梦中 是不是 失空引 两分零三秒的距离 幸福在哪里 是不是 眼光里 暮春和秋色不一样 我看花了眼 Tags: redant 窦唯 dou wei 黑豹 放火 摇滚 无地自容 窗外 douwei |
User: STIQUEgurl592 |
D.W. Washburn - Micky Dolenz Tribute I don't know what posessed me to use this song, but here it is! I finished it a lot quicker than I thought I would. Hope you like it!! Tags: micky dolenz dw washburn monkees |
User: jamblog |
Sound Check - dw maple, acrylic Dw maple x acrylic Depois de várias sugestões produzi um vídeo em meu pequeno estúdio comparando o som da dw collector's maple, acabamento original em 'finishply' e os tambores de acrílico nas mesmas medidas com ferragens dw. O resultado me surpreendeu, principalmente pela semelhança nos timbres. O processo Fiz uma base usando um bumbo de 20x16, uma caixa de 12x7 e chimbal, sobre a base gravei os 'overdubs' com as duas bateras. O tema central é em 'pergunta e resposta' entre os dois kits acompanhados pela base, há alguns improvisos procurando valorizar a sonoridade dos tambores. Como na edição de imagens, na mixagem procurei deixar as duas bateras sutilmente deslocadas para cada lado: maple à esquerda, acrílico à direita. Nos dois kits com medidas, 10,12,14,16 e 22 usei as mesmas peles (remo emperor). No bumbo e respostas, as peles originais. Usei caixas diferentes, acompanhando a 'dw acrylic' uma caixa em birch 14x5 e acompanhando a dw maple sua caixa original 14x5. Microfones Usei os mesmos microfones tentando manter as mesmas posições. Bumbo: Eletrovoice RE27 Caixa: Shure SM57 Tons: Le Son LB-4 Overs: Superlux ECO-H6A Tags: dw renato almeida maple acrylic sound check just beatles solo drum |
User: zefilho |
DW - Zé Filho www.zefilho.com.br www.myspace.com/zefilho2008 Música : DW Autor : Zé Filho Álbum : Guitar Performance (1997) Gravado na Sala de Cultura do Shopping Sul em João Pessoa-PB no dia 24/08/2006. Músicos : Adriano Ismael - baixo Dennis Luis - Bateria Fábio Giovanni - teclado Tags: Zé Filho Ze guitarrist DW ao vivo Music Guitarrist Guitarra Solo Música Instrumental Brasil Guitar nig music |
User: GriffithMovies |
DW GRIFFITH A CORNER IN WHEAT 1909 A Corner in the Wheat 1909 Cast: Owen Moore ,George Nichols ,Charles Hill Mailes ,Jeanie Macpherson, Blanche Sweet, Frank Powell Mack Sennett Billy Quirk Henry Walthall Kate Bruce William J. Butler Linda Arvidson, James Kirkwood, Arthur V. Johnson, Edward Dillon, Grace Henderson, Frank Evans, D.W. Griffith - Screenwriter, Frank E. Woods - Screenwriter, Billy Bitzer - Cinematographer This is the first film in which Griffith attempts social commentary. The scenario parallels the problems of a poor farmer and the dealings of an ill-fated "wheat king." Based on the novel "The Pit" by FRANK NORRIS http://www.YouTube.com/DIRECTORSSERIES http://www.YouTube.com/THEATRECORNER http://www.YouTube.com/IRARONA http://www.YouTube.com/TVNETWORKS http://www.YouTube.com/TVDAYS http://www.tvdays.com (400 DVD TITLES) DW GRIFFITH AT BIOGRAPH COMPANY BY IRA H. GALLEN New York City - 1908 - While David Wark Griffith was looking for work on the theatre circuit, he meets Max Davidson, an actor friend with whom he had worked years before in the Louisville Stock Company. At Davidson's suggestion, D.W. Griffith accompanies him to a nickelodeon movie parlor in lower Manhattan, where Griffith encounters moving pictures for the first time. Afterwards, it becomes apparent that Davidson's reasoning was simply to show Griffith where he could earn some extra money until some work on the legitimate stage could be secured. Davidson himself had already begun accepting acting jobs in moving pictures and stressed to Griffith that the standard rate of pay was five dollars a day with the added incentive of a fifteen dollar fee if you could sell them a scenario. To David Wark Griffith, with the Southern heritage and scholarly attitudes, he couldn't see himself condescending to the level of moving picture acting. An additional consideration was that legitimate actors could be placed on a "blacklist" by appearing in moving pictures, a policy implemented by some Broadway producers, such as David Belasco, who held to the opinion that the moving pictures were a degradation of legitimate theatre. Where moving pictures once shared the bill on the vaudeville stage; upper class patrons who had once accepted the form as entertainment now were of a scornful opinion and left moving pictures for the lower classes to derive whatever enjoyment they could find from the medium. Griffith and his wife, Linda, decide to try it out with Griffith beginning first. He used the stage name of Lawrence Griffith, preferring to leave his real name until he could associate it with some-thing more dignified, and attempts to sell a script to the American Mutoscope & Biograph Company. Tags: GRIFFITH BIOGRAPHFILMS DWGRIFFITH GRIFFITHFILMS |
User: GriffithMovies |
DW GRIFFITH THE ADVENTURES OF DOLLIE 1908 DW GRIFFITH BY IRA GALLEN It was an era that laid the foundation upon which was built the Golden Age of Cinema; an era whose development and advancement of the moving picture as an art form was inextricably tied to one man's creative and innovative genius. The man's name is D. W. Griffith--David Wark Griffith--and his story is that of the period between 1908 and 1913 when he created a method of storytelling in purely cinematic terms that was to raise the moving picture permanently out of the category of a scientific curiosity. This he did by the use of techniques that broke precedents and created a vocabulary of visual devices for the emergence of film as art as well as by the development of a stock company of actors and actresses with him at the American Mutuscope and Biograph Company in New York, who would later emerge as some of the greatest individual talents during the glory years of the Golden Age David Wark Griffith's film creation, THE BIRTH OF A NATION, was to make history and achieve immortality when released in 1914. With THE BIRTH, Griffith was to bring together the words "art" and "film" as a permanent equation for the first time. Only five years after his initial explorations into the then crude world of moving picture images, his epic, THE BIRTH, was both an historical creation as well as a history making event in its own right. The American artist, whom the world would come to recognize simply as D.W. Griffith, became as much a household name as any of his creations on film, and for him the status of "genius" was to be given; a father figure in the birth of film art. To describe "genius" in finite terms as it applies to the methods of D.W. Griffith is to seek after that which is beyond precise definition. He felt degraded by motion pictures and therefore sought to raise the level of the medium by breaking all of the conventions and existing practices of filmmaking as they then existed. Despite the overwhelming importance of D.W. Griffith to the development of cinema art; his name, his work and the work of those who helped him create his moving pictures have become a generally unknown commodity amongst the American public. http://www.YouTube.com/DIRECTORSSERIES http://www.YouTube.com/THEATRECORNER http://www.YouTube.com/IRARONA http://www.YouTube.com/TVNETWORKS http://www.YOUTUBE.com/TVDAYS http://www.tvdays.com (400 DVD TITLES) Tags: DWGRIFFITH GRIFFITH BIOGRAPHFILMS ADVENTURES OF DOLLIE THEADVENTURESOFDOLLIE |
User: wiley207 |
YouTube Poop - D.W.'s Fire Drill (Redux) NOTE: The old version needed to be taken down due to encoding problems, and the other accidentally had a duplicated scene in it that I'm sure you wouldn't want to see twice in a row. But don't worry, it's in better quality now, and I retained pretty much all of the same things from the old one, and also added a few new surprises. If you favorited the old one, please favorite this one now. And comments would be greatly appreciated, since the old one had many of them. My second YouTube poop, and the first one I'm doing on "Arthur," which is one of my favorite cartoons. Based on the episode "D.W. All Fired Up," the school is conducting a "fire" as they all refer to (and the Tibbles make D.W. even more nervous), leading into nightmares, vomiting just to get out of school, attempting to play hooky, and more! And on the day of the fire drill, everything turns out different than what D.W. expected! SONGS FEATURED IN THIS VIDEO: "Light My Fire" - The Doors "Chariots of Fire Theme" - Vangelis "We Like To Party" - The Vengaboys "D.W. All Fired Up," "D.W. Blows the Whistle," "Play it Again D.W," "The Last of Mary Moo Cow" and "Arthur's Lost Library Book" and "April 9th" are copyrighted 1996, 1998, 2002 by PBS Kids/WGBH/Cookie Jar Entertainment/Marc Brown Studios "Mountain of Madness" is copyright 1997 by 20th Century Fox and Gracie Films. And of course, I do not own these properties or are affiliated with them. I hope I don't get in trouble over this! :P Tags: alarm arthur buzzer danger drill dw fire flames GI joe mario nadine Pinnacle poop safety scary Studio tibbles Ultimate |
User: tanssiin |
Eugenia Volodina DW-TV Eugenia Volodina DW-TV Tags: eugenia volodina model |
User: kafetzon |
Active Member - Fyge apo dw (Live)-'99 Skai Active member. Lowbap group from Greece in a supporting concert for solidarity to Kurdistans leader Ochalan Live @ Syntagma-Athens 1999 Skai TV Tags: Active member low bap bdfoxmoor xray Fyge apo dw |
User: GriffithMovies |
DW GRIFFITH THE MOTHERING HEART 1913 LILLIAN GISH The Mothering Heart 1913 cast: Lillian Gish -The Young Wife, Joseph McDermott ,Mae Marsh ,Peggy Pearce, Adolphe Lestina, Walter Miller, Charlie Murray, Charles H. West, Viola Barry,Gertrude Bambrick ,Blance Sweet, Mae Marsh, Josephine Crowell, Kate Bruce , Donald Crisp Billy Bitzer - Cinematographer Summary: The Mothering Heart was one of six films Griffith was producing and directing at the same time in California 1913, and the first major roll for Lillian Gish. Against her better judgment the young women(Lillian Gish), marrys a man shes not sure is the right person(Walter Miller). During the hard times together the wife takes on jobs doing laundry until better days come for her husband. But the Husband starts to do well and becomes discontent with his wife and unhappy the way she looks. Its while he takes his wife out for dinner that he starts to flirt with a women(Peggy Pearce) at another table and soon takes up with her after a chance meeting.Its when Lillian whos now expecting a baby finds the womens gloves in the husbands jacket that her suspicions are aroused. She leaves him to have her baby at her mothers home as the man dates the other women. Its at dinner one night that the women meets another man flirting with her from another table(Charlie Murry) and runs off with him.The husband goes back to Lillian for forgivenes to learn that his baby has died. For what every reason Lillian will forgive him, and they hug and hope to start over the right way. Take note of Henry Walthal and Mae Marsh as extras having dinner, as well as Donald Crisp and Blanche Sweet dancing together as performers on the stage in the resturant. http://www.YouTube.com/DIRECTORSSERIES http://www.YouTube.com/THEATRECORNER http://www.YouTube.com/IRARONA http://www.YouTube.com/TVNETWORKS http://www.YouTube.com/TVDAYS http://www.tvdays.com (400 DVD TITLES ) DW GRIFFITH AT BIOGRAPH BY IRA H. GALLEN What soon ends Griffith's association with the Biograph Company will be the events surrounding the production of three films: THE BATTLE OF ELDERBUSH GULCH, THE MOTHERING HEART and JUDITH OF BETHULIA. All three are being made at the same time, each one was different and highly involved in scope and production value. They're made with the same cunning he used in his other battles with the front office. The question on the audiences lips was now reaching across all class boundaries; the D.W. Griffith method riveted them in their seats or had them sitting up on the edge of the seats, awaiting the outcome. Moving picture audiences were now coming to feel as well as see the stories on the nickelodeon or movie parlor screens in front of them. Griffith's acting company would soon be operating in such a fashion as to be completely independent of any one actress or actor. Each category of character was staffed in depth by Griffith. He had the practice of alternating casts which kept any one player from becoming too important. This kept them from knowing their importance with the public for a period of better than three years. In this fashion, salaries were kept quite low. Moving pictures were still produced in a highly improvised manner. Griffith would never be found using a shooting script of any sort which outlined the action. The synopsis was carried in his head. If one scenic background that was called for in the story was unavailable, he changed the background and altered the story to fit. Production problems as well as the continuity of the story that was being shot were also kept in Griffith's head. What makes it all work was that those who stayed on to learn and work with Griffith soon became a permanent part of his stock company and assisted him in his decisions as well as in carrying out his orders. Whenever an actor or actress was not actually appearing in a story, they might be seen in the background, working on a Griffith errand or carrying a prop. Tags: dwgriffith biographfilms lilliangish griffithfilms |
User: tiggerdabounce21 |
DW-tv TH on dw-tv Tags: us |
User: JackieTyler |
Onko Vielä Aikaa - DW A bit of Katri Ylander. This is so made for the Doctor and Rose and yet it isn't. It sounds like it though. Rose is crying because of him and wonders if he's moved on which, judging by the pictures, he obviously has done. + a picture of Tallulah. it seemed appropriate for that part of the song. Lyrics: istun hiljaa, sjatukset vievät minut pois vaikeroiden hengitän ja nään hymysi kun katsoit minuun viimeistä kertaa antaisin mun sydämestä kaiken onko vielä aikaa? en tiedä missä meet, haaveet kadonneet mä tarviin sua niin, jätit syvyyksiin sä elämäni teit ja kaiken multa veit ootanko mä turhaan, vai onko vielä aikaa? varjelen sun päiväkirjaa pöly peittää kansikuvan avainkin on kadoksissa en löydä sitä mistään suojelen kuin enkeli sun muistoja mielessäni kyynelillä pahat henget poistan onko vielä aikaa? en tiedä missä meet... ehkä joskus vielä kahdestaan jospa kaikki löytyy uudestaan en tiedä missä meet... And the same in english: i sit silently, my thoughts take me away i try to breathe and i see your smile the last time you looked at me i'd give anything for my heart is there still time? i don't know where you're going my dreams are lost i need you so much, you left me in the depths you made my life, you took everything from me am i waiting for nothing, or is there still time? i'm guarding your diary, it's covered in dust the key's lost, i can't find it anywhere i protect like an angel your memories in my mind i drive the bad spirits away with tears is there still time? i don't know where... maybe just the two of us someday maybe we'll find it all again i don't know where... (ok, i know the translation sucks, but hey! i'm freakin' tired, man!) Tags: doctor who rose tyler katri ylander onko vielä aikaa |
User: Wolfman12395 |
2008 PBA Exempt Doubles Classic - DW/MF vs. JC/RR (1) CHAMPIONSHIP MATCH: Here is part 1 between Danny wiseman/Michael Fagan against Joe ciccone and ronnie Russell. Enjoy :D Tags: 2008 PBA Exempt doubles classic joe ciccone ronnie russel Danny wiseman Michael Fagan bowling strike spare split |
User: shimon71 |
DW-Kharkov_1941 Kharkov under Nazi occupation, end Oct.- beg.Nov. 1941 Tags: WWII |
User: Wolfman12395 |
2008 PBA Exempt Doubles Classic - DW/MF vs. JC/RR (2) CHAMPIONSHIP MATCH: The SHOCKING finale of the match between Danny Wiseman/Michael fagan facing Joe ciccone and Ronnie Russell. Also, if anyone wants to donate to help me with college then go to paypal and send a donation to coolforever4537@yahoo.com Enjoy :D Tags: 2008 PBA Exempt doubles classic joe ciccone ronnie russel Danny wiseman Michael Fagan bowling |
User: GriffithMovies |
D.W. GRIFFITH's ISN'T LIFE WONDERFUL PART 1 CAROL DEMPSTER ISN'T LIFE WONDERFUL was D.W. Griffith's last independent production before he was forced to sell his Mamaroneck studio to help pay off mounting debts from his Revolutionary War epic AMERICA and his bad business practices. It incorporates the best elements of intimate dramas like BROKEN BLOSSOMS with a large scale backdrop like HEARTS OF THE WORLD. This story of a poor family's trials and tribulations in inflation ravaged post World War I Germany is remarkably grim and is presented realistically. Griffith came under heavy criticism for presenting a sympathetic portrait of a family in Germany (they were changed from German to Polish although one character tears up a picture of the Kaiser) and for shooting the film in Germany itself. His protégé' Carol Dempster gives the performance of her brief career showing what she could have been capable of had Griffith used better judgment as to what he put her in. She plays Inga, a poor girl trying to keep her family's spirits up while trying to realize her own dreams. As the wounded veteran Paul who hopes to marry Inga, Neil Hamilton (who would play Commissioner Gordon on TV's BATMAN 40 years later) gives a sensitive and engaging performance. The film plays like an early neorealist drama and had an impact on later filmmakers such as G.W. Pabst, Sergei Eisenstein, and even Vittoria De Sica. It is starkly but beautifully photographed and full of social criticism which did not go down well at all with Jazz Age audiences. http://www.YouTube.com/DIRERECTORSSERIES http://www.YouTube.com/THEATRECORNER http://www.YouTube.com/IRARONA http://www.YouT http://www.YouTube.com/DIRERECTORSSERIES http://www.YouTube.com/THEATRECORNER http://www.YouTube.com/IRARONA http://www.YouTube.com/TVNETWORK http://www.YouTube.com/TVDAYS http://www.YOUTUBE.com/GALLENMOVIES http://www.tvdays.com (400 DVD TITLES ) DAVID WARK GRIFFITH at BIOGRAPH by IRA H. GALLEN. He was already thirty-three years old when he began with the Biograph Company. He was born in Crestwood, Kentucky, on January 22, 1815, the son of Jacob Wark Griffith, a former colonel in the Army of the Confederacy. The Civil War was a decade past when he was born; yet his family, his home and the entire social and cultural atmosphere of the Confederacy were to help shape the man who would become the father of all moving picture making. His deep chest and his articulate, compelling voice, complete with a touch of the Southern accent, completed the portrait of a logical and very rational mind. His first and last ambition, until fate would turn his attention into picture, was to be a writer, a dream that he had nurtured since he was six years old. His Southern background, aided and abetted by his father's military career, added a martial air to Griffith's character, but with the war but a memory, he turned himself to more scholarly pursuits. He dreamed of becoming a great literary figure, a dream that was to turn more specifically to the interest of becoming a dramatist. In furtherance of this goal, he started acting to better his feel of and for the theatre. Griffith was very young when his father passed away; with the family wealth also gone, he looked for work along with the other able members of his family. Jobs ranged from the indignity of a wire elevator operator to the somewhat more refined status as a salesman for Encyclopedia Britannica; but eventually his interests would join hands with economic need and Griffith turned to acting. But survival as an actor meant that he would dig ditches and pick hops among other odd jobs to survive the periods of unemployment that are so characteristic of theatre work. During this time in his life, free moments were spent reading, writing and in dreaming of goals yet unachieved. Griffith was a dreamer; when it came to his future, he had an ego matching his confidence in himself and his future. His dreams and attitudes brought LINDA ARVIDSON into his life. They were traveling together in a road show company and she was taken up in the Griffith personality and dreams. She shared his dreams and wanted to develop with him. After they had been married for two years, a time of continued traveling with theatre troupes, finds them back in New York City. Even as a youth, Griffith seemed an unlikely candidate for marriage. Within him there was that certain something that rendered him larger than the conventional concept of marriage seemed to require. Yet now he's married and new responsibilities goaded old ambitions. Tags: dwgriffith isn'tlifewonderful caroldempster neilhamilton griffithfilms griffithmovies |
User: animemangamania |
DW Animation-Western Show In Mario World-Diao Chan Version Dynasty warriors 6 (真・三國無双5) Animation Based On Western Show on Super Mario World (スーパーマリオでウエスタン ショー) Western Show on Super Mario World is animation created by Hyadain using character in Super Mario like Mario, Bowser Koopa,Peach princess, & Luigi. In the video Mario and Bowser Koppa Fight to get Princess Peach, but Peach doesn't want with both of them. Luigi comes join but get lost by Mario and Bowser Koppa In the last scene of this vid Peach go with Mario. Original Mario Video: http://www.youtube.com/watch?v=tv-dEz9HW10 Original Title: 【書き直し】董卓と呂布でウエスタンショー【真・三國無双５】 Original Description: 不調だったペンタブが治り、スムーズに動くようになったので、sm3342905を書き直しました。付けてくださった歌詞も使わせて頂きました。すいません。今回も画質／(＾0＾)＼低クオリティなのは相変わらずですが！ペンタブまだ慣れてないんで大目に見てやってください・・。妲己可愛いよ妲己 The Link on Nicovid: http://www.nicovideo.jp/watch/sm3716721 Casting and Character Appeared -Lu Bu as Mario -Dong Zhuo as Bowser Koopa -Diao Chan as Peach princess -Zhang liao as Luigi -Chen Gong as Yoshi -Zhou Yu -Cao Pi Song: Western Show on Super Mario World by Hyadain Lyrics (English Translation): -Lu Bu: Hey Bowner Koopa, give up Princess Peach You're too persistent. She's tired Of You -Dong Zhuo: Don't tell a lie. I know your evil mind I'm the only man of her destiny -Diao Chan Please stop arguing, both of you. Look at your faces in the mirror. -Lu Bu & Dong Zhuo: Don't say that 'Cause we fight with our heart' -Dong Zhuo: My sweetest peach girl, I do love you. Be my girl, or i abduct and conline you again -Lu Bu: I'll risk my life to rescue you. But your heart doesn't rescue me -Diao Chan: Don't talk to me. Im tired of you both -Lu Bu & Dong Zhuo: Hey lovely! She is so Tsundere 'we fight with our heart' -Zhang Liao I'm Luigi. Don't forget me. Here come I, Luigi. Thank you for waiting -Dong Zhuo: KY, KY,read between the lines -Lu Bu: I Stomp you If you get carried away. -Diao Chan: I'm enough with one mushroom eater. Don't act like a lead actor, Luigi. Know your place. -Lu Bu & Dong Zhuo: We look Third-Class looking. But We Fight With our heart. -Diao Chan: Please fight with your face. Enjoy and REMEMBER, NOT MINE I JUST FOUND IT ON NICOVID Tags: dynasty warriors shin sangoku musou 真・三國無双 スーパーマリオでウエスタン ショー Western Show on Super Mario World koei luigi peach diao lu animation manga anime art documentary tutorial trailer short film interview filmmaker reel experimental |
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Anna Vissi - Apopse Leipeis Apo Dw Anna Vissi Live Tags: anna vissi |
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