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User: Chinazo2007

Johnny mathis & Deniece williams-Too Much Too Little To Late Beautyfull song of the duet Mathis/Williams Tags: JohnnyMathis DenieceWilliams TooMuchTooLittleTooLate

User: msallflavas

Ms D's rendition of Silly by Deniece Williams Hope u like it! Tags: silly deniece williams deniecewilliams denise songs singing

User: kandyman1028

WAITING - Deniece Williams From her ARC/Columbia album "Niecy", this song reached #72 on the R&B chart in late 1982. Tags: Deniece Williams DenieceWilliams Niecy R&B OldSchool 1982

User: kandyman1028

I BELIEVE IN MIRACLES - Deniece Williams From her 1982 ARC/Columbia album "Niecy", written by Kenny Lamar and Dave Raynor, produced by Thom Bell. Tags: Deniece Williams DenieceWilliams Niecy R&B OldSchool 1982

User: kandyman1028

NOW IS THE TIME FOR LOVE - Deniece Williams From her 1982 ARC/Columbia album "Niecy", written and produced by Deniece Williams and Thom Bell. Tags: Deniece Williams DenieceWilliams Niecy R&B OldSchool 1982

User: kandyman1028

A PART OF LOVE - Deniece Williams From her ARC/Columbia album "Niecy", this song was the B-Side to the 1982 hit single "It's Gonna Take A Miracle". Tags: Deniece Williams DenieceWilliams Niecy R&B OldSchool 1982

User: ArchieGe

Deniece Williams - It's your consience - 1981 From the Superb Album My Melody 1981 Thom Bell Producer AlbumReview by Andrew Hamilton Deniece's heavenly soprano is as impressive as ever under the guidance of producer Thom Bell. The sweet Philly sound architect keeps Williams' expressive, high-range vocals under wraps, transforming her into a bel canto singer on eight delightful selections. Highlights include the R&B hit "Silly," "Strangers," and the lovely Stylistics-inflected "You're All That Matters." Bell departs from signature sound on the reggae-drenched "Suspicious," but Williams handles the jerk groove as well as she does the ethereal "Sweet Surrender." ...................................... Biography by Craig Lytle Deniece Williams grew up singing in a Pentecostal church, which was strict on the congregation listening only to gospel music. During the late '60s, she was a candy striper in a Chicago hospital. Outside of wanting a 1959 Thunderbird, she had no serious ambitions. Nontheless, she still had interest in listening to music. Her favorites were Carmen McRae for her diction and Nancy Wilson, who, for Williams, exemplified class and elegance. However, her mother, also a singer, was her idol. The Gary, IN, native was also fond of Stevie Wonder, Earth, Wind & Fire, Minnie Riperton, and Patti LaBelle. (The latter two she tried to emulate before her introduction into the music industry.) In need of employment and with college on the back burner, the fledgling singer was introduced to Wonder by John Harris, her cousin from Detroit, who happened to be on tour as a valet for Wonder (and was also his childhood friend). Her cousin arranged for Williams to meet Wonder backstage at a concert. Six months later, the gifted vocalist was flown into Detroit by Wonder for an audition. Among the 26 who auditioned, Williams, who sang "Teach Me Tonight," was only one of three who was hired by Wonder. The three became known as Wonderlove. Williams being hired by Wonder was a big surprise. Soon after the audition, she toured with Wonder, who was the opening act for the Rolling Stones at the time. Her touring with Wonder lasted for several years. Though her stint with Wonder was a great experience and opportunity, it was also difficult considering Williams had to make many adjustments professionally and personally (she had two sons prior to taking the gig: one 4 months old, the other 18 months). Williams left Wonderlove in 1975 and teamed up with producer Maurice White, the leader of Earth, Wind & Fire. Under White's direction, Williams learned the business of music and was able to unwind and express herself musically. Under the Columbia banner, Williams released her first album entitled This Is Niecey. It featured the Billboard R&B number two single "Free," which also sealed the Top 25 on the pop charts. The song was personal to Williams, who felt restricted while with Wonderlove. The album also featured "Cause You Love Me Baby" and "That's What Friends Are For." In 1977 the album Song Bird was released, and it featured the number 13 single "Baby, Baby My Love's All for You." The following year the dynamic singer scored her first number one song on both the R&B and pop charts with "Too Much, Too Little, Too Late," which was a duet with the legendary Johnny Mathis. The follow-up single, "You're All Need to Get By," was also recorded with Mathis and it was a Top Ten single. Still under White's tutelage, Williams moved over to White's American Recording Company (ARC) and stumbled a few times with several releases before scoring the smash hit "Silly." Written by Williams and produced by famed producer Thom Bell, she sang this song from her own personal experience as well. The single became a Top Ten gem. In 1982 Bell returned the sweet songstress to number one with the single "It's Gonna Take a Miracle." Always writing from her own experience, Williams wrote the Top Ten single "Do What You Feel" based on the ordeals of someone else. (A believer in the song at the time, she no longer employs those beliefs.) In 1984 Williams recorded the number one hit "Let's Hear It for the Boy." Featured on the Footloose soundtrack, the single was produced by music virtuoso George Duke, who initially thought the song was too pop-ish and would not work. However, Duke's production savvy proved to be as paramount as Williams' vocals. In 1984 the sensational singer recorded "Black Butterfly." From a African-American perspective, Williams immediately bonded with the song. The song would become a prelude to the uplifting gospel material Williams would record a few years later. With her label, Columbia, uninterested, Williams released the gospel album From the Beginning on Sparrow Records. The album featured the Grammy Award-winning single "They Say." The same year she also won a Grammy for "I Surrender" and another for "I Believe in You" in 1987. Source Allmusicguide Tags: DenieceWilliams Slowjams Soul Ballads 80's

User: ArchieGe

Deniece Williams - My Melody - 1981 My Melody 1981 Thom Bell Producer AlbumReview by Andrew Hamilton Deniece's heavenly soprano is as impressive as ever under the guidance of producer Thom Bell. The sweet Philly sound architect keeps Williams' expressive, high-range vocals under wraps, transforming her into a bel canto singer on eight delightful selections. Highlights include the R&B hit "Silly," "Strangers," and the lovely Stylistics-inflected "You're All That Matters." Bell departs from signature sound on the reggae-drenched "Suspicious," but Williams handles the jerk groove as well as she does the ethereal "Sweet Surrender." ...................................... Biography by Craig Lytle Deniece Williams grew up singing in a Pentecostal church, which was strict on the congregation listening only to gospel music. During the late '60s, she was a candy striper in a Chicago hospital. Outside of wanting a 1959 Thunderbird, she had no serious ambitions. Nontheless, she still had interest in listening to music. Her favorites were Carmen McRae for her diction and Nancy Wilson, who, for Williams, exemplified class and elegance. However, her mother, also a singer, was her idol. The Gary, IN, native was also fond of Stevie Wonder, Earth, Wind & Fire, Minnie Riperton, and Patti LaBelle. (The latter two she tried to emulate before her introduction into the music industry.) In need of employment and with college on the back burner, the fledgling singer was introduced to Wonder by John Harris, her cousin from Detroit, who happened to be on tour as a valet for Wonder (and was also his childhood friend). Her cousin arranged for Williams to meet Wonder backstage at a concert. Six months later, the gifted vocalist was flown into Detroit by Wonder for an audition. Among the 26 who auditioned, Williams, who sang "Teach Me Tonight," was only one of three who was hired by Wonder. The three became known as Wonderlove. Williams being hired by Wonder was a big surprise. Soon after the audition, she toured with Wonder, who was the opening act for the Rolling Stones at the time. Her touring with Wonder lasted for several years. Though her stint with Wonder was a great experience and opportunity, it was also difficult considering Williams had to make many adjustments professionally and personally (she had two sons prior to taking the gig: one 4 months old, the other 18 months). Williams left Wonderlove in 1975 and teamed up with producer Maurice White, the leader of Earth, Wind & Fire. Under White's direction, Williams learned the business of music and was able to unwind and express herself musically. Under the Columbia banner, Williams released her first album entitled This Is Niecey. It featured the Billboard R&B number two single "Free," which also sealed the Top 25 on the pop charts. The song was personal to Williams, who felt restricted while with Wonderlove. The album also featured "Cause You Love Me Baby" and "That's What Friends Are For." In 1977 the album Song Bird was released, and it featured the number 13 single "Baby, Baby My Love's All for You." The following year the dynamic singer scored her first number one song on both the R&B and pop charts with "Too Much, Too Little, Too Late," which was a duet with the legendary Johnny Mathis. The follow-up single, "You're All Need to Get By," was also recorded with Mathis and it was a Top Ten single. Still under White's tutelage, Williams moved over to White's American Recording Company (ARC) and stumbled a few times with several releases before scoring the smash hit "Silly." Written by Williams and produced by famed producer Thom Bell, she sang this song from her own personal experience as well. The single became a Top Ten gem. In 1982 Bell returned the sweet songstress to number one with the single "It's Gonna Take a Miracle." Always writing from her own experience, Williams wrote the Top Ten single "Do What You Feel" based on the ordeals of someone else. (A believer in the song at the time, she no longer employs those beliefs.) In 1984 Williams recorded the number one hit "Let's Hear It for the Boy." Featured on the Footloose soundtrack, the single was produced by music virtuoso George Duke, who initially thought the song was too pop-ish and would not work. However, Duke's production savvy proved to be as paramount as Williams' vocals. In 1984 the sensational singer recorded "Black Butterfly." From a African-American perspective, Williams immediately bonded with the song. The song would become a prelude to the uplifting gospel material Williams would record a few years later. With her label, Columbia, uninterested, Williams released the gospel album From the Beginning on Sparrow Records. The album featured the Grammy Award-winning single "They Say." The same year she also won a Grammy for "I Surrender" and another for "I Believe in You" in 1987. Source Allmusicguide Tags: DenieceWilliams Slowjams Soul Ballads ThomBell

User: ArchieGe

Deniece Williams - Suspicious 1981 From the Superb Album My Melody 1981 Thom Bell Producer AlbumReview by Andrew Hamilton Deniece's heavenly soprano is as impressive as ever under the guidance of producer Thom Bell. The sweet Philly sound architect keeps Williams' expressive, high-range vocals under wraps, transforming her into a bel canto singer on eight delightful selections. Highlights include the R&B hit "Silly," "Strangers," and the lovely Stylistics-inflected "You're All That Matters." Bell departs from signature sound on the reggae-drenched "Suspicious," but Williams handles the jerk groove as well as she does the ethereal "Sweet Surrender." ...................................... Biography by Craig Lytle Deniece Williams grew up singing in a Pentecostal church, which was strict on the congregation listening only to gospel music. During the late '60s, she was a candy striper in a Chicago hospital. Outside of wanting a 1959 Thunderbird, she had no serious ambitions. Nontheless, she still had interest in listening to music. Her favorites were Carmen McRae for her diction and Nancy Wilson, who, for Williams, exemplified class and elegance. However, her mother, also a singer, was her idol. The Gary, IN, native was also fond of Stevie Wonder, Earth, Wind & Fire, Minnie Riperton, and Patti LaBelle. (The latter two she tried to emulate before her introduction into the music industry.) In need of employment and with college on the back burner, the fledgling singer was introduced to Wonder by John Harris, her cousin from Detroit, who happened to be on tour as a valet for Wonder (and was also his childhood friend). Her cousin arranged for Williams to meet Wonder backstage at a concert. Six months later, the gifted vocalist was flown into Detroit by Wonder for an audition. Among the 26 who auditioned, Williams, who sang "Teach Me Tonight," was only one of three who was hired by Wonder. The three became known as Wonderlove. Williams being hired by Wonder was a big surprise. Soon after the audition, she toured with Wonder, who was the opening act for the Rolling Stones at the time. Her touring with Wonder lasted for several years. Though her stint with Wonder was a great experience and opportunity, it was also difficult considering Williams had to make many adjustments professionally and personally (she had two sons prior to taking the gig: one 4 months old, the other 18 months). Williams left Wonderlove in 1975 and teamed up with producer Maurice White, the leader of Earth, Wind & Fire. Under White's direction, Williams learned the business of music and was able to unwind and express herself musically. Under the Columbia banner, Williams released her first album entitled This Is Niecey. It featured the Billboard R&B number two single "Free," which also sealed the Top 25 on the pop charts. The song was personal to Williams, who felt restricted while with Wonderlove. The album also featured "Cause You Love Me Baby" and "That's What Friends Are For." In 1977 the album Song Bird was released, and it featured the number 13 single "Baby, Baby My Love's All for You." The following year the dynamic singer scored her first number one song on both the R&B and pop charts with "Too Much, Too Little, Too Late," which was a duet with the legendary Johnny Mathis. The follow-up single, "You're All Need to Get By," was also recorded with Mathis and it was a Top Ten single. Still under White's tutelage, Williams moved over to White's American Recording Company (ARC) and stumbled a few times with several releases before scoring the smash hit "Silly." Written by Williams and produced by famed producer Thom Bell, she sang this song from her own personal experience as well. The single became a Top Ten gem. In 1982 Bell returned the sweet songstress to number one with the single "It's Gonna Take a Miracle." Always writing from her own experience, Williams wrote the Top Ten single "Do What You Feel" based on the ordeals of someone else. (A believer in the song at the time, she no longer employs those beliefs.) In 1984 Williams recorded the number one hit "Let's Hear It for the Boy." Featured on the Footloose soundtrack, the single was produced by music virtuoso George Duke, who initially thought the song was too pop-ish and would not work. However, Duke's production savvy proved to be as paramount as Williams' vocals. In 1984 the sensational singer recorded "Black Butterfly." From a African-American perspective, Williams immediately bonded with the song. The song would become a prelude to the uplifting gospel material Williams would record a few years later. With her label, Columbia, uninterested, Williams released the gospel album From the Beginning on Sparrow Records. The album featured the Grammy Award-winning single "They Say." The same year she also won a Grammy for "I Surrender" and another for "I Believe in You" in 1987. Source Allmusicguide Tags: DenieceWilliams ThomBell Soul SLowJams 80's Sloul R&B RGG

User: takemetomedani

Deniece Williams - Silly I'm taking requests now! Hope you enjoy! I'm sorry if I mess up anything. Just send me a message and I'll be sure to correct my errors. Thank you! Tags: Deniece Williams Silly

User: shelbythefish

Deniece Williams: Black Butterfly This track is originally from Deniece's album entitled Let's Hear It For the Boy but in 1996 it was released on her The Best of Deniece Williams CD. The song was originally recorded in 1984. Enjoy!! Lyrics Below: Morning light, silken dream to flight As the darkness gave way to dawn You've survived, now your moment has arrived Now your dream has finally been born Chorus: Black Butterfly, sailed across the waters tell your sons and daughters what the struggle brings Black Butterfly, set the skies on fire rise up even higher so the ageless winds of time can catch your wings ooh...ooh While you slept, the promise was unkept But your faith was as sure as the stars Now you're free, and the world has come to see Just how proud and beautiful you are Chorus Let the current lift your heart and send it soaring Write the timeless message clear across the sky So that all of can read it and remember when we need it That a dream conceived in truth can never die Butterfly Cause now that you're free and the world has come to see Just how proud and beautiful you are Chorus Fly Butterfly Yeah, yeah, yes Fly Tags: deniece williams 1984 lets hear it for the boy original

User: mindslife

Healing by Deniece Williams Now that we have gotten through One more fall I can just admit I've got it all Cause I do Cause I've got you We've crossed these battle lines to many times It passes throught the heart But it never leaves a mark Tags: healing deniece williams christian inspirational

User: zinistersix

Let's Hear It For The Boy - Deniece Williams 1984 Hit song by Deniece Williams naruto manga shippuden one piece bleach dragon ball 398 399 400 401 402 403 404 405 406 407 408 409 410 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 Tags: deniece williams denise 80's

User: DiscoLoverMiami

Deniece Williams - Free classic song from a great singer Tags: Deniece Williams Free

User: LUVNHAPPINESS

Free / Deniece Williams What a sweet voice. Tags: r&b soul

User: ralph1998

deniece williams - it's gonna take a miracle deniece williams - it's gonna take a miracle Tags: deniece williams it's gonna take miracle r&b

User: pieroangelo1

DENIECE WILLIAMS-i found a love Born June Deniece Chandler in 1950 (some sources list her birth year as 1951) in Gary, Indiana, Williams' career began in the 1970s when she became a backup vocalist for Stevie Wonder as part of "Wonderlove", along with Minnie Riperton. She left Wonder in 1975 and teamed up with producer Maurice White, who was the leader of Earth, Wind & Fire. After signing to Columbia Records, her 1976 debut album entitled This Is Niecy was released. The single "Free" reached #2 on the Black Singles chart, #25 on the Billboard Hot 100, and #1 on the British Singles chart. The album also featured "Cause You Love Me Baby" (which charted separately on the R&B chart as the flip side of "Free") and "That's What Friends Are For". She also shared a #1 hit on the Billboard Hot 100 chart with pop singer Johnny Mathis in 1978 with the duet "Too Much, Too Little, Too Late". The duet also topped the Black Singles and Adult Contemporary charts. Williams also topped the dance charts with her disco single "I've Got The Next Dance". Williams moved on to the American Recording Company (ARC) in the early 1980s where she scored the top ten R&B smash hit "Silly." in 1981. The following year, famed producer Thom Bell helped Williams score another #1 R&B chart-topper with her remake of The Royalettes' "It's Gonna Take a Miracle," which became a Top 10 pop hit as well, reaching #10. In 1984, Williams released the album Let's Hear It for the Boy, in which the title track reached #1 on the Billboard Hot 100 and was featured on the soundtrack to the motion picture, Footloose. Williams continued releasing albums during the 1980s such as Hot On The Trail (1986), Water Under The Bridge (1987), and As Good As It Gets (1988), which featured her last Top Ten hit to date, "I Can't Wait", written by Skylark. However, in part due to a lack of promotion from her record company, her mainstream popularity faded. From 1996 to 2004, Williams presented her own BBC radio show in the UK, showcasing the best in new gospel and inspirational music. Tags: deniece williams soul

User: Drew1914

Deniece Williams - Free Deniece Williams who grew up in Gary, Indiana, is a Grammy Award-winning singer, songwriter and record producer who achieved success in the 1970s and 1980s. Williams' career began in the 1970s when she became a member of Stevie Wonder's backup singing group, 'Wonderlove'. Williams, whose music has been influenced by pop, soul, gospel, R&B and dance, is known for her hits from the late 70s through mid 80s such as "Let's Hear It for the Boy," "It's Gonna Take a Miracle", Never Say Never, Baby Baby, Free, Silly, and Black Butterfly and for her duets with Johnny Mathis. Deniece Williams has a four-octave range and distinctive soprano voice that has often been described as birdlike and angelic. After her mainstream popularity faded in the late 80s, show returned to her Gospel Music roots, were her career reflourished from the late 80s through now in the 21 century. She has won various Grammy Awards for Best Female Gospel, Best Gospel Group Performance, and Gospel Contemporary categoies. Tags: Deniece Williams Free Black Butterfly Lets Hear It For The Boy Never Say never Do What you Feel Silly Strangers Its Gonna Take Miracle Love Wont Let Me Wait Baby baby Stevie Wonder Wonderlove Johnny Mathis Pop Gospel R&B

User: ArchieGe

Deniece Williams - I'm So Proud 1983 From the 1983 Album I'm So Proud Biography by Craig Lytle Deniece Williams grew up singing in a Pentecostal church, which was strict on the congregation listening only to gospel music. During the late '60s, she was a candy striper in a Chicago hospital. Outside of wanting a 1959 Thunderbird, she had no serious ambitions. Nontheless, she still had interest in listening to music. Her favorites were Carmen McRae for her diction and Nancy Wilson, who, for Williams, exemplified class and elegance. However, her mother, also a singer, was her idol. The Gary, IN, native was also fond of Stevie Wonder, Earth, Wind & Fire, Minnie Riperton, and Patti LaBelle. (The latter two she tried to emulate before her introduction into the music industry.) In need of employment and with college on the back burner, the fledgling singer was introduced to Wonder by John Harris, her cousin from Detroit, who happened to be on tour as a valet for Wonder (and was also his childhood friend). Her cousin arranged for Williams to meet Wonder backstage at a concert. Six months later, the gifted vocalist was flown into Detroit by Wonder for an audition. Among the 26 who auditioned, Williams, who sang "Teach Me Tonight," was only one of three who was hired by Wonder. The three became known as Wonderlove. Williams being hired by Wonder was a big surprise. Soon after the audition, she toured with Wonder, who was the opening act for the Rolling Stones at the time. Her touring with Wonder lasted for several years. Though her stint with Wonder was a great experience and opportunity, it was also difficult considering Williams had to make many adjustments professionally and personally (she had two sons prior to taking the gig: one 4 months old, the other 18 months). Williams left Wonderlove in 1975 and teamed up with producer Maurice White, the leader of Earth, Wind & Fire. Under White's direction, Williams learned the business of music and was able to unwind and express herself musically. Under the Columbia banner, Williams released her first album entitled This Is Niecey. It featured the Billboard R&B number two single "Free," which also sealed the Top 25 on the pop charts. The song was personal to Williams, who felt restricted while with Wonderlove. The album also featured "Cause You Love Me Baby" and "That's What Friends Are For." In 1977 the album Song Bird was released, and it featured the number 13 single "Baby, Baby My Love's All for You." The following year the dynamic singer scored her first number one song on both the R&B and pop charts with "Too Much, Too Little, Too Late," which was a duet with the legendary Johnny Mathis. The follow-up single, "You're All Need to Get By," was also recorded with Mathis and it was a Top Ten single. Still under White's tutelage, Williams moved over to White's American Recording Company (ARC) and stumbled a few times with several releases before scoring the smash hit "Silly." Written by Williams and produced by famed producer Thom Bell, she sang this song from her own personal experience as well. The single became a Top Ten gem. In 1982 Bell returned the sweet songstress to number one with the single "It's Gonna Take a Miracle." Always writing from her own experience, Williams wrote the Top Ten single "Do What You Feel" based on the ordeals of someone else. (A believer in the song at the time, she no longer employs those beliefs.) In 1984 Williams recorded the number one hit "Let's Hear It for the Boy." Featured on the Footloose soundtrack, the single was produced by music virtuoso George Duke, who initially thought the song was too pop-ish and would not work. However, Duke's production savvy proved to be as paramount as Williams' vocals. In 1984 the sensational singer recorded "Black Butterfly." From a African-American perspective, Williams immediately bonded with the song. The song would become a prelude to the uplifting gospel material Williams would record a few years later. With her label, Columbia, uninterested, Williams released the gospel album From the Beginning on Sparrow Records. The album featured the Grammy Award-winning single "They Say." The same year she also won a Grammy for "I Surrender" and another for "I Believe in You" in 1987. Tags: DenieceWililams GeorgeDuke R&B Soul 80's

User: Ichnos71x2

Deniece Williams - Let's hear it for the boy (Footloose soundtrack) 1984) Deniece Williams grew up singing in a Pentecostal church, which was strict on the congregation listening only to gospel music. During the late '60s, she was a candy striper in a Chicago hospital. Outside of wanting a 1959 Thunderbird, she had no serious ambitions. Nontheless, she still had interest in listening to music. Her favorites were Carmen McRae for her diction and Nancy Wilson, who, for Williams, exemplified class and elegance. However, her mother, also a singer, was her idol. The Gary, IN, native was also fond of Stevie Wonder, Earth, Wind & Fire, Minnie Riperton, and Patti LaBelle. (The latter two she tried to emulate before her introduction into the music industry.) In need of employment and with college on the back burner, the fledgling singer was introduced to Wonder by John Harris, her cousin from Detroit, who happened to be on tour as a valet for Wonder (and was also his childhood friend). Her cousin arranged for Williams to meet Wonder backstage at a concert. Six months later, the gifted vocalist was flown into Detroit by Wonder for an audition. Among the 26 who auditioned, Williams, who sang "Teach Me Tonight," was only one of three who was hired by Wonder. The three became known as Wonderlove. Williams being hired by Wonder was a big surprise. Soon after the audition, she toured with Wonder, who was the opening act for the Rolling Stones at the time. Her touring with Wonder lasted for several years. Though her stint with Wonder was a great experience and opportunity, it was also difficult considering Williams had to make many adjustments professionally and personally (she had two sons prior to taking the gig: one 4 months old, the other 18 months). Williams left Wonderlove in 1975 and teamed up with producer Maurice White, the leader of Earth, Wind & Fire. Under White's direction, Williams learned the business of music and was able to unwind and express herself musically. Under the Columbia banner, Williams released her first album entitled This Is Niecey. It featured the Billboard R&B number two single "Free," which also sealed the Top 25 on the pop charts. The song was personal to Williams, who felt restricted while with Wonderlove. The album also featured "Cause You Love Me Baby" and "That's What Friends Are For." In 1977 the album Song Bird was released, and it featured the number 13 single "Baby, Baby My Love's All for You." The following year the dynamic singer scored her first number one song on both the R&B and pop charts with "Too Much, Too Little, Too Late," which was a duet with the legendary Johnny Mathis. The follow-up single, "You're All Need to Get By," was also recorded with Mathis and it was a Top Ten single. Still under White's tutelage, Williams moved over to White's American Recording Company (ARC) and stumbled a few times with several releases before scoring the smash hit "Silly." Written by Williams and produced by famed producer Thom Bell, she sang this song from her own personal experience as well. The single became a Top Ten gem. In 1982 Bell returned the sweet songstress to number one with the single "It's Gonna Take a Miracle." Always writing from her own experience, Williams wrote the Top Ten single "Do What You Feel" based on the ordeals of someone else. (A believer in the song at the time, she no longer employs those beliefs.) In 1984 Williams recorded the number one hit "Let's Hear It for the Boy." Featured on the Footloose soundtrack, the single was produced by music virtuoso George Duke, who initially thought the song was too pop-ish and would not work. However, Duke's production savvy proved to be as paramount as Williams' vocals. In 1984 the sensational singer recorded "Black Butterfly." From a African-American perspective, Williams immediately bonded with the song. The song would become a prelude to the uplifting gospel material Williams would record a few years later. With her label, Columbia, uninterested, Williams released the gospel album From the Beginning on Sparrow Records. The album featured the Grammy Award-winning single "They Say." The same year she also won a Grammy for "I Surrender" and another for "I Believe in You" in 1987. ~ Craig Lytle, All Music Guide Tags: Deniece Williams Let's hear it for the boy Footloose classic video videoclips videomusic clip music musica song retro 80 80s

User: stillgotit01

Johnny Mathis & Deniece Williams - Love Won't Let Me Wait Love Won't Let Me Wait, I know this was made popular by Major Harris but I like the way Johnny and Deniece sing it. The song is from his album Johnny Mathis, A Special Part Of Me, he's singing here with Deniece Williams. Johnny also recorded "Too Much, Too Little, Too Late" with Deniece. Tags: Johnny Mathis Deniece Williams Pop

User: samboxed

Deniece Williams / Tom Jones - Too Much, Too Little, Too Lat Too Much, Too Little, Too Late performed Live for a TV show by Deniece Williams & Tom Jones this time around. Deniece Williams Originally recorded the song with Johnny Mathis. A Great Song! Tags: Deniece Williams Duet Tom Jones johnny mathis

User: HavenMediaGroup

Deniece Williams - One Kiss - 2008 Produced by Haven MediaGroup Deniece "Niecy" Williams (born June 3, 1950) is a Grammy Award-winning American singer, songwriter and record producer who achieved success in the 1970s and 1980s. Williams, whose music has been influenced by pop, soul, gospel, R&B and dance, is known for her hits such as "Let's Hear It for the Boy," "It's Gonna Take a Miracle", and for her many vocal duets with Johnny Mathis. Learn more at: http://en.wikipedia.org/wiki/Deniece_Williams Tags: Deniece Williams One Kiss Haven Music Video r&b

User: sonybmg

Deniece Williams - Never Say Never Deniece Williams Never Say Never (C) 1987 SONY BMG MUSIC ENTERTAINMENT Tags: Deniece Williams Never Say Pop Music Video

User: SOULLOVERs28

Deniece Williams - Black Butterfly Motown Live Tags: DENIECE WILLIAMS BLACK BUTTERFLY

User: 19urban72

Deniece Williams - watching over http://www.myspace.com/spokenoshow Tags: Deniece Williams watching over

User: sivatmin

Deniece Williams & Sandi Patti - They Say Here is the audio of Deniece Williams & Sandi Patti singing they're grammy award winning gospel single, "They Say." Tags: deniece williams sandi patti gospel r&b

User: sivatmin

Deniece Williams & Philip Bailey - They Say (1983) Here is the audio of Deniece Williams and Philip Bailey singing THEY SAY from Deniece's album "I'm So Proud." I got this amazing clip from a good friend I met on Youtube. Hey Ronnie!!! Enjoy! Tags: deniece williams philip bailey gospel they say

User: coljaz

Deniece Williams - That's What Friends Are For (1976) After the exquisite 'Free' soared to #1 in the UK in short order, this follow-up peaked at #8 in August 1977. Tags: Deniece Williams That's What Friends Are For Free

User: cga1126

My Soul Desire (Deniece Williams) My Soul Desire (Deniece Williams) Tags: soul

User: SweetDaddyBugg

Do What You Feel- Deniece Williams Niecy has always had a beautiful voice, and she lends it to this great tune. Tags: r&b soul Deniece Williams Do What You Feel SWCW Texas wrestling

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