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User: gmmix

FIERY Marisa Galvany - ATTILA - Verdi - Part ONE MARISA GALVANY (1936- ) sings a peppery "Allor che I forti Corrono" from Verdi's ATTILA...as few others sing it. Keep in mind that Galvany also appeared in Wagner and late Puccini. Don't miss PART TWO of this "double aria." Marisa COULD and DID sing just about everything...and made every performance memorable. I sat in the front row at her final public apperance in Carnegie Hall about three years ago, when she was 68. She brought down the house! Some reference books refer to her as a mezzo-soprano. That aside, she COULD and DID sing things within a 3-octave range. Not unlike Callas, whom she admired, she sang an Aida in Mexico City and took the high e-flat ending---and held it---at the end of the Triumphial Scene. The audience went wild. From a sound standpoint, this video is somewhat lacking as the original recording was on a reel-to-reel tape that has begun to deteriorate. The recording itself was done from the audience. NO, Marisa Galvany is no relation to the legendary coloratura soprano, Maria Galvany. Marisa was born Myra Beth Genis in Paterson, New Jersey. She made her debut as Tosca in Seattle in 1968. She then sang with the New York City Opera (1972-74; 1978-1981). She was engaged by the Metropolitan Opera in 1979 where she made her debut as Norma. She was at the Met during the seasons of 1978-'79 and 1984-'85. In the eyes on many, she was one of the most remarkable singers of the century. She appeared in lead roles in Traviata, Lucia, Macbeth, La Juive, Maria Stuarda, Masked Ball, Mefistofele, Medea, Mme Butterfly, Nabucco, Salome, Trovatore, Marino Faliero, Turandot, etc., etc. Tags: gmmix Marisa Galvany Attila soprano Metropolitan Opera

User: gmmix

FIERY Marisa Galvany - ATTILA - Verdi - Part TWO MARISA GALVANY (1936- ) sings "Santo di patria" from Verdi's ATTILA...with a gusto rarely paralleled. It's difficult to believe that when at the Met she was given some Wagnerian roles to sing. Galvany is seen (on the right, in the video) in a dressing room at the Metropolitan Opera House in 1979. The young lady in the blue dress is unknown to gmmix. Marisa COULD and DID sing just about everything...and made every performance memorable. I sat in the front row at her final public apperance in Carnegie Hall about three years ago, when she was 68. She brought down the house! Some reference books refer to her as a mezzo-soprano. That aside, she COULD and DID sing things within a 3-octave range. Not unlike Callas, whom she admired, she sang an Aida in Mexico City and took the high e-flat ending---and held it---at the end of the Triumphial Scene. The audience went wild. From a sound standpoint, this video is somewhat lacking as the original recording was on a reel-to-reel tape that has begun to deteriorate. The recording itself was done from the audience. NO, Marisa Galvany is no relation to the legendary coloratura soprano, Maria Galvany. Marisa was born Myra Beth Genis in Paterson, New Jersey. She made her debut as Tosca in Seattle in 1968. She then sang with the New York City Opera (1972-74; 1978-1981). She was engaged by the Metropolitan Opera in 1979 where she made her debut as Norma. She was at the Met during the seasons of 1978-'79 and 1984-'85. In the eyes on many, she was one of the most remarkable singers of the century. She appeared in lead roles in Traviata, Lucia, Macbeth, La Juive, Maria Stuarda, Masked Ball, Mefistofele, Medea, Mme Butterfly, Nabucco, Salome, Trovatore, Marino Faliero, Turandot, etc., etc. Tags: gmmix Marisa Galvany Attila soprano Metropolitan Opera

User: nicelvant

Maria Galvany: Il flauto magico. Aria della Regina [Zauberfl Maria Galvany: Il flauto magico. Aria della Regina [Zauberflöte. Selections] Tags: Maria Galvany Mozart zauberflöte coloratura extreme voice soprano hölle rache

User: gmmix

MARIA GALVANY -- Edison Blue Amberol - Sonnambula "Cavatina" from the opera bellini's LA SONNAMBULA (actually, "Come per me sereno") by one of the most dazzling coloratura sopranos who ever lived---Maria Galvany (1878-1944). The 4-minute Blue Amberol cylinder is #28123. Born in Granada, Galvany studied at Madrid Conservatory. She made her debut as Lucia at Cartagena in 1897. Specializing in coloratura roles, she sang with great success in Spain and Italy, gaining her greatest popularity in South America. She also toured with a company that performed throughout Europe, including Russia, where she was a favorite singer. In London in 1909, she appeared at Drury Lane as Amina, Rosina, and in the title role of Meyerbeer's Dinorah. In Lisbon she sang uninterruptedly for 15 years at the Coliseu. She gained great success in Parma, Venice, and Genoa. Galvany NEVER appeared at La Scala, the Met, the Teatro Cólon, or Covent Garden. She retired to Brazil and died there in poverty. She recorded a number of Edison Diamond Discs, mostly 12-inchers, none of which ever was released to the public. A few of the brown wax disc masters survive. Collectors probably are wondering what happened to the phonograph's lid. It's been removed temporarity so that an 8-foot brass horn can readily be attached to the reproducer for incredible volume and fullness of sound. You wouldn't believe the difference such a horn makes! More of my Blue Amberols will be added to YouTube. Check "gmmix" from time to time for more. I bought well over 1200 B.A.'s "brand new" years back from the last Edison jobber in the world—-Clarence A. Ferguson of South Center St., Merrill, Wis., who still had a huge warehouse full of "factory fresh" Edison cylinders and discs when I was in my teens. Tags: gmmix Maria Galvany coloratura soprano Amberola Edison Blue Amberol Bellini Sonnambula opera cylinder record

User: ceccopisa

Maria Galvany - Arditi - L'incantatrice - 100% virtuosismo! Luigi Arditi - L'incantatrice Aria da concerto, con accompagnamento strumentale. Rara incisione!!! Soprano: Maria Galvany Fonotipia G&T 1903 raro documento audio. Stupende agilità e sovracuti. Esecuzione suggestiva, molto particolare. Tags: maria galvany soprano virtuosismo luigi arditi incantatrice raro opera

User: Gabba02

Marisa Galvany - Macbeth - Una Macchia Marisa Galvany in the sleepwalking scene of Verdi's Macbeth. 1973. Conductor: Pierre Hetu. Tags: gabba01 opera Marisa Galvany Lady Macbeth Verdi soprano aria

User: gmmix

coloratura soprano MARIA GALVANY - Fado Portuguez MARIA GALVANY sings "Ouvi dizar" by Augusto Neuparth--FADO PORTUGUEZ--Victor record 87061, recorded May 12, 1908. BRILLIANT singing & a BRILLIANT recording. Contrary to what you're thinking, some of you night recognize the latter part of this song, which is very beautiful and lively. This disc was never released in the U.S.A., which explains why it's generally UNKNOWN. Galvany made 22 "G & T Victor" recordings, most of which were not in U.S. catalogs. Marisa Galvany (1878-1944), one of the most dazzling coloratura sopranos who every lived, was born in Granada and studied at Madrid Conservatory. She made her debut as Lucia at Cartagena in 1897. Specializing in coloratura roles, she sang with great success in Spain and Italy, gaining her greatest popularity in South America. She also toured with a company that performed throughout Europe, including Russia, where she was a favorite singer. In London in 1909, she appeared at Drury Lane as Amina, Rosina, and in the title role of Meyerbeer's Dinorah. In Lisbon she sang uninterruptedly for 15 years at the Coliseu. She gained great success in Parma, Venice, and Genoa. Galvany NEVER appeared at La Scala, the Met, the Teatro Cólon, or Covent Garden. She retired to Brazil, taught for a period, and died there in poverty. Tags: gmmix Maria Galvany coloratura soprano Victor Neuparth

User: Gabba02

Marisa Galvany - Macbeth - Vieni t'affretta Marisa Galvany makes a formidable Lady Macbeth, here she is in the letter reading scene. Tags: gabba01 opera Marisa Galvany Lady Macbeth Verdi soprano aria

User: beverlysills

Marisa Galvany on Queen Elizabeth I from Maria Stuarda 1981 NYCO "Maria Stuarda" - excerpts with Marisa Galvany Tags: marisa galvany maria stuarda queen elizabeth

User: coloraturafan

Maria Stuarda Contest - Ashley Putnam - Marisa Galvany After seeing a contest for this posted, and then having my comments deleted, I thought it would be a wonderful idea to SEE these wonderful ladies in action! I have tried to brighten up the picture of the Sutherland video, so you could at least see the slap. Again a score of 1-5 for singing/characterization: Edita Gruberova - Agnes Baltsa - 1989 http://www.youtube.com/watch?v=OLDlBS... Montserrat Caballé - Bianca Berini - 1978 http://www.youtube.com/watch?v=a4TqGs... Janet Baker - Rosalind Plowright - 1982 http://www.youtube.com/watch?v=IuwYPo... Katia Ricciarelli - Glenys Linos - 1984 http://www.youtube.com/watch?v=UcvR5t... Tiziana Fabbricini -Gloria Scalchi - 1997 http://www.youtube.com/watch?v=rJxD_h... Gabriele Fontana - Joyce DiDonato - 2005 http://www.youtube.com/watch?v=htmLc6... Joan Sutherland -Huguette Tourangeau - 1977 http://www.youtube.com/watch?v=-OLpZG... Ashley Putnam - Marisa Galvany - 1981 http://www.youtube.com/watch?v=sSrlAN-nq0M Tags: putnam opera donizetti

User: gmmix

coloratura MARIA GALVANY "Valse" Gounod's MIREILLE 1906 G&T Coloratura soprano MARIA GALVANY sings "O legere hirondelle" from Gounod's opera MIREILLE. Recorded in 1906 by G&T (Gramophone and Typewriter Co.), disc number 53483. This disc was not issued in the United States by Victor. Maria Galvany (1878-1944), one of the most dazzling coloratura sopranos who every lived, was born in Granada and studied at Madrid Conservatory. She made her debut as Lucia at Cartagena in 1897. Specializing in coloratura roles, she sang with great success in Spain and Italy, gaining her greatest popularity in South America. She also toured with a company that performed throughout Europe, including Russia, where she was a favorite singer. In London in 1909, she appeared at Drury Lane as Amina, Rosina, and in the title role of Meyerbeer's Dinorah. In Lisbon she sang uninterruptedly for 15 years at the Coliseu. Galvany gained great success in Parma, Venice, and Genoa...but NEVER appeared at La Scala, the Met, the Teatro Cólon, or Covent Garden. She retired to Brazil, taught for a period, and died there in poverty. - - - - - - - - - - - - - - - - IN TIME, I HOPE to post most of the existing Galvany recordings. A year or two ago, a rare early wax 2-minute Galvany cylinder appeared on a record auction. I bid $300...but didn't get it. Tags: gmmix coloratura soprano MARIA_GALVANY Gounod MIREILLE "Valse" G&T Victor

User: gmmix

Maria Galvany & Titta Ruffo -- HAMLET Love Duet -- Victor 2 Legendary coloratura soprano MARIA GALVANY and baritone Titta Ruffo, known for having one of the most stentorian operatic voices of all times, perform "Nega se puoi la luce" (Love Duet from Act 1) from Ambroise Thomas's HAMLET....Victor #92500. Check my other videos for biographical data on Galvany (1878-1944). TITTA RUFFO (1877-1953), whose real name was Ruffo Cafiero Titta, was born in Pisa, the son of a metal worker who grew up in poverty. Though he learned the trade of an iron worker and worked at it for a period, his vocal talent had become evident and several mentors enabled him to study at the Academia di Santa Cecilia in Rome. His debut took place when 21 in 1898---as the Herald in Lohengrin. In subsequent years he toured the Italian provinces as Rigoletto, Barnaba, Carlos and Rigoletto. He was triumphantly successful at Covent Garden, Egypt, South America, and Imperial Russia. In 1905 he debuted in his most famous role, AMLETO in Thomas' opera HAMLET, which he sang at various opera houses; frequently the opera was staged only for him. Though he sang several times opposite Enrico Caruso, it's alleged he used his influence to prevent Ruffo's appearance at the Met. That aside, the two got along well together. Ruffo made his Met debut in 1922, a year after Caruso's death. It's said that by that time, his voice was already in decline. Nevertheless, he stayed until 1929. After ending his operatic career, Ruffo lived in Italy but, as a vehement opponent of the Mussolini regime, he was ostracised for many years. His brother-in-law was a socialist who was murdered by the fascists. THIS RECORDING is quite different from most of GALVANY's other discs in that there is no display of her customary vocal pyrotechnics. THE TALKING MACHINE is a VICTOR 2 (#9363), c. 1906. Purists will readily notice that the Exhibition sound box was replaced with a later Victrola #2 sound box. The original flower-type horn is in attic storage. I also have an Orthophonic sound box to use with this machine. This is a one-wind one-play unit that I purchased at age 11 for $1 at Hope Rescue Mission's store in Reading, PA. As is obvious from its surroundings, this machine has been in "dead storage." Tags: gmmix Galvany Ruffo HAMLET opera Victor classical

User: ceccopisa

Maria Galvany - Dinorah - Ombra leggera Il grande soprano spagnolo Maria Galvany, in una rara registrazione Pathè del 1908. Con accompagnamento orchestrale. Tags: maria galvany soprano dinorah virtuosismo high notes opera

User: gmmix

coloratura MARIA GALVANY "Proch Air and Variations" 1907 Vic Coloratura soprano MARIA GALVANY sings "Variazioni di Proch" ("Deh, torna, mio bene"), recorded in November 1907--- Victor disc #87058 (Orchestra acc.) - - - - - - - - - - - - - - - - Maria Galvany (1878-1944), one of the most dazzling coloratura sopranos who every lived, was born in Granada and studied at Madrid Conservatory. She made her debut as Lucia at Cartagena in 1897. Specializing in coloratura roles, she sang with great success in Spain and Italy, gaining her greatest popularity in South America. She also toured with a company that performed throughout Europe, including Russia, where she was a favorite singer. In London in 1909, she appeared at Drury Lane as Amina, Rosina, and in the title role of Meyerbeer's Dinorah. In Lisbon she sang uninterruptedly for 15 years at the Coliseu. Galvany gained great success in Parma, Venice, and Genoa...but NEVER appeared at La Scala, the Met, the Teatro Cólon, or Covent Garden. She retired to Brazil, taught for a period, and died there in poverty. - - - - - - - - - - - - - - - - IN TIME, I HOPE to post most of the existing Galvany recordings. A year or two ago, a rare early wax 2-minute Galvany cylinder appeared on a record auction. I bid $300...but didn't get it. Tags: gmmix coloratura soprano MARIA GALVANY Proch variations variazioni

User: gmmix

coloratura MARIA GALVANY - "Lo non son piu" (Ricci) Coloratura coprano MARIA GALVANY sings "Lo non son piu" from Ricci's opera CRISPINO E LA COMARE, which was recorded and released in Europe. - - - - - - - - - - - - - Maria Galvany (1878-1944), one of the most dazzling coloratura sopranos who every lived, was born in Granada and studied at Madrid Conservatory. She made her debut as Lucia at Cartagena in 1897. Specializing in coloratura roles, she sang with great success in Spain and Italy, gaining her greatest popularity in South America. She also toured with a company that performed throughout Europe, including Russia, where she was a favorite singer. In London in 1909, she appeared at Drury Lane as Amina, Rosina, and in the title role of Meyerbeer's Dinorah. In Lisbon she sang uninterruptedly for 15 years at the Coliseu. Galvany gained great success in Parma, Venice, and Genoa...but NEVER appeared at La Scala, the Met, the Teatro Cólon, or Covent Garden. She retired to Brazil, taught for a period, and died there in poverty. - - - - - - - - - - - - - - - - IN TIME, I HOPE to post most of the existing Galvany recordings. A year or two ago, a rare early wax 2-minute Galvany cylinder appeared on a record auction. I bid $300...but didn't get it. Tags: gmmix coloratura soprano MARIE GALVANY Ricci Crispino_e_la_Comare

User: gmmix

MARIA GALVANY -- Pathe Disc - Dinorah "Shadow Song" Coloratura soprano MARIA GALVANY sings "Valzer: Ombra Legcera" (Shadow Song) from Meyerbeer's opera DINORAH......Pathe, outside-start 11 ¼-inch disc #10095,which plays at 80 r.p.m. The machine is a PATHE Actuelle "diffuser-type" player that uses a paper cone to amplify the sound. A sapphire ball is the "stylus" used to actuate sound vibrations that pass through a metalic straw-like tube that runs through the center of the larger gold-colored "tone arm" tube, back to the center of the cone....not unlike a radio speaker. NOTE: The sound would have been more pleasing if I hadn't been boxed in and could have gotten further away from the cone....and....if I could have boosted the humidity of the room closer to 40 percent, rather than the 8 percent it was. The paper cone---and it IS paper---is extremely sensitive and reactive to humidity. An extremely dry room renders sound eminating from the cone somewhat strident. When humidified, the cone produces a much more mellow sound. PROBABLY, I WILL REMAKE THIS VIDEO NEXT SUMMER, WITH ALL THE ROOM-WINDOWS OPENED, ON A HUMID DAY to show the difference in sound. Tags: gmmix Shadow Galvany coloratura Pathe Meyerbeer Dinorah hill-and-dale sapphire

User: gmmix

coloratura MARIE GALVANY - Romeo & Julliet "Waltz" The legendary coloratura MARIA GALVANY sings "Valzer" from Gounod's "Giulietta e Romeo," on a 12-inch red label Gramophone Monarch Record. Carlo Sabaino conducts the orchestra. This "angel-back" disc, numbered 053163, was recorded in Milan in 1907. It was not issued in the United States. This recording has clear sound but rather heavy surface hiss. When a disc appears in beautiful condition but produces considerable hiss, the problem can often be traced to playings using a cactus needle or a bamboo stylus--which once were popular. - - - - - - - - - - - Marisa Galvany (1878-1944), one of the most dazzling coloratura sopranos who every lived, was born in Granada and studied at Madrid Conservatory. She made her debut as Lucia at Cartagena in 1897. Specializing in coloratura roles, she sang with great success in Spain and Italy, gaining her greatest popularity in South America. She also toured with a company that performed throughout Europe, including Russia, where she was a favorite singer. In London in 1909, she appeared at Drury Lane as Amina, Rosina, and in the title role of Meyerbeer's Dinorah. In Lisbon she sang uninterruptedly for 15 years at the Coliseu. Galvany gained great success in Parma, Venice, and Genoa...but NEVER appeared at La Scala, the Met, the Teatro Cólon, or Covent Garden. She retired to Brazil, taught for a period, and died there in poverty. Tags: gmmix coloratura soprano Maria Galvany Gounod Romeo Juliet

User: Gabba02

Marisa Galvany - Macbeth - La luce langue Marisa Galvany in Verdi's Macbeth. Tags: gabba01 opera Marisa Galvany Lady Macbeth Verdi soprano aria

User: gmmix

coloratura MARIA GALVANY "Bell Song" LAKME (Delibes) Coloratura soprano MARIA GALVANY sings the famous BELL SONG (Dov'e l"indiana bruna) from Delibes opera "Lakme." Orchestra accompanied. Recorded January 12, 1908. G&T #053193 Released in the United States as Victor disc #88218. - - - - - - - - - - Maria Galvany (1878-1944), one of the most dazzling coloratura sopranos who every lived, was born in Granada and studied at Madrid Conservatory. She made her debut as Lucia at Cartagena in 1897. Specializing in coloratura roles, she sang with great success in Spain and Italy, gaining her greatest popularity in South America. She also toured with a company that performed throughout Europe, including Russia, where she was a favorite singer. In London in 1909, she appeared at Drury Lane as Amina, Rosina, and in the title role of Meyerbeer's Dinorah. In Lisbon she sang uninterruptedly for 15 years at the Coliseu. Galvany gained great success in Parma, Venice, and Genoa...but NEVER appeared at La Scala, the Met, the Teatro Cólon, or Covent Garden. She retired to Brazil, taught for a period, and died there in poverty. - - - - - - - - - - - - - - - - IN TIME, I HOPE to post most of the existing Galvany recordings. A year or two ago, a rare early wax 2-minute Galvany cylinder appeared on a record auction. I bid $300...but didn't get it. Tags: gmmix coloratura soprano MARIA_GALVANY Bell_Song Lakme Delibes

User: gmmix

MARIA GALVANY - Queen of Night - PATHE disc - Magic Flute Coloratura soprano MARIA GALVANY sings the "Queen of the Night" aria from The Magic Flute by Mozart....Pathe, INSIDE-start etched-label disc #20, which plays at 80 r.p.m. The machine is a PATHE Actuelle "diffuser-type"player that uses a paper cone to amplify the sound. A sapphire ball is the "stylus" used to actuate sound vibrations that pass through a metalic straw-like tube that runs through the center of the larger gold-colored "tone arm" tube, back to the center of the cone....not unlike a radio speaker. NOTE: The sound would have been more pleasing if I hadn't been boxed in and could have gotten further away from the cone....and....if I could have boosted the humidity of the room closer to 40 percent, rather than the 8 percent it was. The paper cone---and it IS paper---is extremely sensitive and reactive to humidity. An extremely dry room renders sound eminating from the cone somewhat strident. When humidified, the cone produces a much more mellow sound. Tags: gmmix GALVANY Queen of the Night coloratura soprano PATHE hill-and-dale opera

User: festiman

GRUPO INFANTIL UEE Clot de Galvany 25 Feb 07 La primera salida del Grupo Infantil de la Unión Excursionista de Elche. Excursión al Clot de Galvany (Elche), donde mas de 70 personas se lo pasaron muy bien con el grupo de la Unión Excursionista de Elche. Tags: Unión Excursionista Elche grupo Infantil senderismo Clot Galvany naturaleza niños lifer montaña

User: juan2004carrasco

C. P. Joaquín Sorolla de Alicante. Clot de Galvany El AMPA del C.P. Joaquín Sorolla celebró el DÍA DEL ÁRBOL en el CLOT DE GALVANY (ELX). 27/01/2008. Ha sido otra excursión fabulosa para pasar un día muy agradable, conviviendo los padres y alumnos (faltaron los profes) en un paraje muy bonito de la provincia de Alicante Tags: Arbol Educación

User: christianespinel

GALVANY SAN PERE Reunion de amigos Tags: Alex Galvany Guitarra rosendo mi atista preferido

User: alexgalvany

Alex Galvany Melodia el SolM Guitarra en directo Tags: Alex Galvany

User: alexgalvany

Alex Galvany "Dalston Lane" Recordando London City (Invierno 1999) Tags: Alex Galvany

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