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Mehek Rahi Phulwari (Pankaj Mullick) One more song from the film Doctor, by Pankaj Mullick, starring the maestro himself. Tags: Pankaj Mullick Doctor Bollywood Old Hindi Film Music Song Indian Vintage Entertainment |
User: rajshri |
Maine Tum Ko Hi Maa Jana (Debashree Roy & Rakesh Bedi) Click http://www.rajshri.com/musicvideos/moviesongs.asp?PageNo=1 to watch more movie songs Tags: hindi bollywood Phulwari Iftekhar Rajshri Productions Govind Moonis Rajkamal 1984 |
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Jan Marloo Goriya (Shashi, Jayshree & Ashok) Click http://www.rajshri.com/musicvideos/moviesongs.asp?PageNo=1 to watch more movie songs Tags: Phulwari Rajshri Govind Moonis Rajkamal 1984 bhojpuri group dance instruments love village |
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Sikh Missionary College Part I A video submitted by Sikh Missionary College for Sikhnet Film festival. Sikh Missionary College , Ludhiana is the largest institution in India engaged in the field of preaching of Sikh Philosophy , Religion , Sikh Rehat Maryada . It has about 460 circles in India & abroad with about 5200 registered members . It has published about 475 books in English , Punjabi & Hindi on various subjects relating to Sikhism . It is the first & only institution which has started a Two year corrospondence course in English , Punjabi & Hindi . It is managed by Part time professionals , managed & financed by Sangat Daswandh only . It distributes free tracts of about 60,000 in any subject every month . Its monthly magazine Sikh Phulwari has circulation of about 1,00,000 ( One hundred thousand )in Punjabi & Hindi languages & is the largest circulated monthly Sikh magazine in the world today . It takes Religious papers of school children every year & przes of more than 20,00,000 ( Two Million Rupees ) r distributed to meritorious students . About 1,47,000 ( One hundred forty seven thousand ) students gave appers in 2007 & this year the target is for 2,00,000 ( Two hundred thousand ) students . Tags: Sikh Sikhi Khalsa Guru Gobind Singh Dhadi Varra Khalistan Anandpur Sahib Punjab Missionary College Nanak Kirtan |
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Jao Saiyan Aise Na Churao (Debashree Roy) Click http://www.rajshri.com/musicvideos/moviesongs.asp?PageNo=1 to watch more movie songs Tags: Phulwari Phoolwari Phulvari Phoolvari Debashri Rakesh Bedi rajshri rajshree Gustakh rajkamal 1984 love classical |
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Mausam Kitna Pyara Hai (Debashree Roy & Shashi Puri) Click http://www.rajshri.com/musicvideos/moviesongs.asp?PageNo=1 to watch more movie songs Tags: Phulwari Rajshri Rajshree Govind Moonis RajKamal 1984 scenic fun smile wooing |
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Chanchal Naina (Debashree & Benjamin) Click http://www.rajshri.com/musicvideos/moviesongs.asp?PageNo=1 to watch more movie songs Tags: Phulwari Fulwari Shashi Ram Mohan Naaz Rakesh Govind Moonis Rajkamal 1984 |
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Sanwari Saloni Aisi ( Iftekhar Shashi Puri & Debashree Roy) Click http://www.rajshri.com/musicvideos/moviesongs.asp?PageNo=1 to watch more movie songs Tags: Phulwari Shashi Puri Debashree Roy Benjamin Gillani Rakesh Bedi Ram Mohan Iftekhar Jr. Mehmood rajshri rajshree govind |
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Jab Jab (Jayshree T & Ashok Saraf) Click http://www.rajshri.com/musicvideos/moviesongs.asp?PageNo=1 to watch more movie songs Tags: Jab Phulwari Jayshree Ashok Saraf Rajshri R.S.Gustakh Rajkamal 1984 |
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Sikh Missionary College Part II A video submitted by Sikh Missionary College for Sikhnet Film festival. Sikh Missionary College , Ludhiana is the largest institution in India engaged in the field of preaching of Sikh Philosophy , Religion , Sikh Rehat Maryada . It has about 460 circles in India & abroad with about 5200 registered members . It has published about 475 books in English , Punjabi & Hindi on various subjects relating to Sikhism . It is the first & only institution which has started a Two year corrospondence course in English , Punjabi & Hindi . It is managed by Part time professionals , managed & financed by Sangat Daswandh only . It distributes free tracts of about 60,000 in any subject every month . Its monthly magazine Sikh Phulwari has circulation of about 1,00,000 ( One hundred thousand )in Punjabi & Hindi languages & is the largest circulated monthly Sikh magazine in the world today . It takes Religious papers of school children every year & przes of more than 20,00,000 ( Two Million Rupees ) r distributed to meritorious students . About 1,47,000 ( One hundred forty seven thousand ) students gave appers in 2007 & this year the target is for 2,00,000 ( Two hundred thousand ) students . Tags: Sikh Sikhi Khalsa Guru Gobind Singh Anandpur Sahib Punjab Missionary College Ludhiana Kirtan Dhaddi Jatha Nanak |
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Ghalib by Ejaz Hussain Hazravi - Ishq Mujh ko Nahi Wehshut I was reading a book Sur Sansaar and when i saw Ejaz Hussain Hazravi in it i remembered i had a 90 min recording of that gem of a singer from the past. A bit about the book am reading too.. Sur Sansaar By Shahbaaz Ali Published by Ali Publications, Rawalpindi,2007. Price Rs.200 Pages 217 In the first edition Shahbaaz Ali had covered such greats as Bhai Lal Muhammad, Ustad Ashiq Ali Khan Ustad Barre Ghulam Ali Khan, Ustad Abdul Qadir Piyarung, Mian Nabi Buksh Kalrewale, Ustad Firoz Khan Nishiwale, Rafiq Ghaznavi, Qazi Zahurul Haq, Ustad Latafat Hussain Khan, Master Muhammad Sadiq Pindiwale, Ustad Ghulam Hussain Shaggan, Ustad Barkat Ali Khan, Mukhtaar Begum, Tufail Niazi, Noor Jehan, Ijaz Hussain Hazravi, Zahida Parveen, Fareeda Khanum, Mehdi Hasan, Iqbal Bano and Ghulam Ali. In the second edition, besides revising and adding to the list mentioned above, he has also included write-ups on Ustad Jhande Khan and Begum Akhter. If there is any scholarship of music in Pakistan it is limited to classical musical forms like the dhrupad and kheyal because probably there has been a tradition of placing music in the spiritual and material totality of human existence. Even in the last thousand years or so, as the unity of the classical world, between the spiritual calling and the mundane necessities started to show a dichotomous divide, the force of tradition continued its attempt at comprehending the change in musical expression with the tools and canons at hand. This visibly led to widening the gap between theory and practice of music, a characteristic of the period that preceded the colonisation by the western powers of the entire subcontinent. Z.A Bokhari, Rafeeq Ghaznavi, Firoze Nizami, Khurshid Anwar, Abid Ali Abid, Khadim Mohyeddin, Aziz Sheikh, S.M Shahid, Daud Rehbar, Prof.Israr , Rasheed Malik, Muhammad Hasan Askari, Saeed Malik, Badruzzaman, Shahid Ahmed Dehlavi, Shah Muhammad Jaffar Phulwari, Rafiullah Shahab, M.A Sheikh, Munir Ahmed Qureshi, Pervez Paras, Ghulam Haider, Afzal Pervez, Inayat Illahi Malik, N.A Baloch, Saleem Gilani, Mehfooz Khokar, Khalid Malik, Ustad Salamat Ali Khan, Adeeb Sohail, Aqeel Rubi, to name a few have written on music. A few of these have been scholars as well as practising musicians while others have just been scholars with second-hand knowledge of music. But nearly all of them concentrated on the higher forms of music and the place of music in our society viz a viz our ideological moorings. But where the more popular forms or folk musical expression was concerned it was considered sufficient to let the musical expression be rendered with no effort made to evaluate critically the low forms of musical expression. And despite a collapsing system of traditional artistic values that trend has persisted. The reason may be baffling as to why this appeal and popularity could not become the subject of scholarly concern. In the last few years the changes in the music scene have been traumatic and the debate has gone much beyond the relationship of the classical and folk forms. Sur Sansaar attempts to redress and creates some kind of balance between the Ustads and singers practicing lighter and popular genres. Usually Ustads are treated as demi gods and women singers' life sketches are full of trivia. By maintaining a fine balance Sahbaaz Ali has narrowed the gap. He has also included in his writeups artistes who have made significant contributions but are not that well-known even among the discerning sections. Especially those who live away from the centres of culture always suffer on one count or the other. Pindi and Potohari musicians have been treated with candour. Enjoy the Ghazal of GhaliB by our unsung Hero Ejaz Hussain Hazravi. Regards Dr.Bukhari Tags: Ghalib Ejaz Hussain Hazravi Pakistani Urdu Geet aur Ghazal Dr.Bukhari Rare Gem |
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Ab ke hum bichhRay - Ejaz Hussain Hazravi - OriginaL Version I was reading a book Sur Sansaar and when i saw Ejaz Hussain Hazravi in it i remembered i had a 90 min recording of that gem of a singer from the past. Ahmed Faraz ki ye ghazal pehlay Radio kay liay banai gai thi aur Ghazal style mein hi compose ki gai. Baad mein Mehdi Hassan nay isay film Angaray mein gaya aur phir apni har concert mein gaya..aur khoob daad paai. But i want my viewers to have a taste of the original too. so here it is. A bit about the book am reading too.. Sur Sansaar By Shahbaaz Ali Published by Ali Publications, Rawalpindi,2007. Price Rs.200 Pages 217 In the first edition Shahbaaz Ali had covered such greats as Bhai Lal Muhammad, Ustad Ashiq Ali Khan Ustad Barre Ghulam Ali Khan, Ustad Abdul Qadir Piyarung, Mian Nabi Buksh Kalrewale, Ustad Firoz Khan Nishiwale, Rafiq Ghaznavi, Qazi Zahurul Haq, Ustad Latafat Hussain Khan, Master Muhammad Sadiq Pindiwale, Ustad Ghulam Hussain Shaggan, Ustad Barkat Ali Khan, Mukhtaar Begum, Tufail Niazi, Noor Jehan, Ijaz Hussain Hazravi, Zahida Parveen, Fareeda Khanum, Mehdi Hasan, Iqbal Bano and Ghulam Ali. In the second edition, besides revising and adding to the list mentioned above, he has also included write-ups on Ustad Jhande Khan and Begum Akhter. If there is any scholarship of music in Pakistan it is limited to classical musical forms like the dhrupad and kheyal because probably there has been a tradition of placing music in the spiritual and material totality of human existence. Even in the last thousand years or so, as the unity of the classical world, between the spiritual calling and the mundane necessities started to show a dichotomous divide, the force of tradition continued its attempt at comprehending the change in musical expression with the tools and canons at hand. This visibly led to widening the gap between theory and practice of music, a characteristic of the period that preceded the colonisation by the western powers of the entire subcontinent. Z.A Bokhari, Rafeeq Ghaznavi, Firoze Nizami, Khurshid Anwar, Abid Ali Abid, Khadim Mohyeddin, Aziz Sheikh, S.M Shahid, Daud Rehbar, Prof.Israr , Rasheed Malik, Muhammad Hasan Askari, Saeed Malik, Badruzzaman, Shahid Ahmed Dehlavi, Shah Muhammad Jaffar Phulwari, Rafiullah Shahab, M.A Sheikh, Munir Ahmed Qureshi, Pervez Paras, Ghulam Haider, Afzal Pervez, Inayat Illahi Malik, N.A Baloch, Saleem Gilani, Mehfooz Khokar, Khalid Malik, Ustad Salamat Ali Khan, Adeeb Sohail, Aqeel Rubi, to name a few have written on music. A few of these have been scholars as well as practising musicians while others have just been scholars with second-hand knowledge of music. But nearly all of them concentrated on the higher forms of music and the place of music in our society viz a viz our ideological moorings. But where the more popular forms or folk musical expression was concerned it was considered sufficient to let the musical expression be rendered with no effort made to evaluate critically the low forms of musical expression. And despite a collapsing system of traditional artistic values that trend has persisted. The reason may be baffling as to why this appeal and popularity could not become the subject of scholarly concern. In the last few years the changes in the music scene have been traumatic and the debate has gone much beyond the relationship of the classical and folk forms. Sur Sansaar attempts to redress and creates some kind of balance between the Ustads and singers practicing lighter and popular genres. Usually Ustads are treated as demi gods and women singers' life sketches are full of trivia. By maintaining a fine balance Sahbaaz Ali has narrowed the gap. He has also included in his writeups artistes who have made significant contributions but are not that well-known even among the discerning sections. Especially those who live away from the centres of culture always suffer on one count or the other. Pindi and Potohari musicians have been treated with candour. Enjoy the Ghazal of Ahmed Faraz by our unsung Hero Ejaz Hussain Hazravi. Regards Dr.Bukhari Tags: Ahmed Faraz Ejaz Hussain Hazravi Pakistani Urdu Old Classic Ghazal Dr.Bukhari Rare Gem |
User: sabrina25101 |
Jagriti Yatra- Hukamnama at Sisganj Sahib, New Delhi. The First Hukamnama expressed by Veer Amarjeet Singh ji of Guru Nanak Phulwari (New Delhi)on 24th May'08 at 3am When Jagriti Yatra arrived at Sisganj Sahib Gurudwara, Chandni Chowk, Delhifrom the Beed Sahib handwritten by Baba Deep Singh ji when Guru Gobind Singh ji ordered Baba Deep Singh ji to send five copies of the Original Beed Sahib of Guru Granth Sahibji to the Five Takhat Sahibs. At present the Beed Sahib is with the Jagriti Yatra from Takht Hazoor Sahib. Hukamnama is from Ang 705 and 706. Tags: Jagriti Yatra 2008 Hukamnama Sisganj Sahib Gurudwara Chandni Chowk Delhi |
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