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User: LindoroRossini

Handel - Acis & Galatea - part 1 While my two votings are still going on, I decided that I should do something new. Each two months I'm going to put out a whole opera on Youtube. The opera of this month (actually, two months) is Handel's gentle Acis and Galatea. A quite short work, Acis and Galatea still has quite a bit of wonderful music: for example, Galatea's "Hush, ye pretty warbling" and "As when the dove laments her love", Polyphemus's "O ruddier than the cherry" and the duet for two lovers "Happy we". I do hope that you enjoy this beautiful pastoral opera (comments are required). There are many versions to choose from, but my favorite one is the Adrian Boult 1960 recording. Although it isn't terribly authentic (some repetitions are just skipped, there aren't any variations), Adrian Boult leads a very commpassionate recording, the soloists (Joan Sutherland, Peter Pears and Owen Brannigan) are top-notch; actually, everything is absolutely right. The first part includes: 1. Ouverture; 2. No. 1 - Chorus: "Oh the pleasure of the the plains". Tags: Handel Joan Sutherland Peter Pears Adrian Boult Coloratura Baroque

User: Pirataraul

BUQUE ESCUELA "GALATEA" Galatea El "Galatea" fue un antiguo buque-escuela de la Armada Española y prestó sus servicios como tal hasta que fue dado de baja en las listas de la Armada en 1969. Este buque había sido adquirido en Italia en 1922 donde navegó durante dos años como "Clarastella". Fue botado en Glasgow en 1896 como "Glenlee" y dedicado a ltráfico comercial a finales del siglo XIX entre el Reino Unido yAustralia; nadie podía imaginar que volvería a su lugar de nacimiento casi un siglo después de su construcción, convertido en museo flotante y restaurado hasta en sus mínimos detalles. Tags: Ship Buque Marina Navy

User: LindoroRossini

Handel - Acis & Galatea - part 2 While my two votings are still going on, I decided that I should do something new. Each two months I'm going to put out a whole opera on Youtube. The opera of this month (actually, two months) is Handel's gentle Acis and Galatea. A quite short work, Acis and Galatea still has quite a bit of wonderful music: for example, Galatea's "Hush, ye pretty warbling" and "As when the dove laments her love", Polyphemus's "O ruddier than the cherry" and the duet for two lovers "Happy we". I do hope that you enjoy this beautiful pastoral opera (comments are required). There are many versions to choose from, but my favorite one is the Adrian Boult 1960 recording. Although it isn't terribly authentic (some repetitions are just skipped, there aren't any variations), Adrian Boult leads a very commpassionate recording, the soloists (Joan Sutherland, Peter Pears and Owen Brannigan) are top-notch; actually, everything is absolutely right. The second part includes: 3. Recitative: "Ye verdant plains"; 4. No. 2 - Aria: "Hush ye pretty warbling". Tags: Handel Joan Sutherland Peter Pears Adrian Boult Coloratura Baroque

User: FringeNYC

Galatea At the Fringe NYC Tags: Fringe

User: LindoroRossini

Handel - Acis & Galatea - part 3 While my two votings are still going on, I decided that I should do something new. Each two months I'm going to put out a whole opera on Youtube. The opera of this month (actually, two months) is Handel's gentle Acis and Galatea. A quite short work, Acis and Galatea still has quite a bit of wonderful music: for example, Galatea's "Hush, ye pretty warbling" and "As when the dove laments her love", Polyphemus's "O ruddier than the cherry" and the duet for two lovers "Happy we". I do hope that you enjoy this beautiful pastoral opera (comments are required). There are many versions to choose from, but my favorite one is the Adrian Boult 1960 recording. Although it isn't terribly authentic (some repetitions are just skipped, there aren't any variations), Adrian Boult leads a very commpassionate recording, the soloists (Joan Sutherland, Peter Pears and Owen Brannigan) are top-notch; actually, everything is absolutely right. The third part includes: 5. No. 3 - Aria: "Where shall I seek"; 6. Recitative: "Stay, shepherd, stay"; 7. No. 4 - Aria: "Shepherd, what art thou". Tags: Handel Joan Sutherland Peter Pears Adrian Boult Coloratura Baroque

User: LindoroRossini

Handel - Acis & Galatea - part 4 While my two votings are still going on, I decided that I should do something new. Each two months I'm going to put out a whole opera on Youtube. The opera of this month (actually, two months) is Handel's gentle Acis and Galatea. A quite short work, Acis and Galatea still has quite a bit of wonderful music: for example, Galatea's "Hush, ye pretty warbling" and "As when the dove laments her love", Polyphemus's "O ruddier than the cherry" and the duet for two lovers "Happy we". I do hope that you enjoy this beautiful pastoral opera (comments are required). There are many versions to choose from, but my favorite one is the Adrian Boult 1960 recording. Although it isn't terribly authentic (some repetitions are just skipped, there aren't any variations), Adrian Boult leads a very commpassionate recording, the soloists (Joan Sutherland, Peter Pears and Owen Brannigan) are top-notch; actually, everything is absolutely right. The fourth part includes: 8. Recitative: "Lo! here my love"; 9. No. 5 - Aria: "Love in her eyes"; 10. Recitative: "Oh! didst thou know". Tags: Handel Joan Sutherland Peter Pears Adrian Boult Coloratura Baroque

User: LindoroRossini

Handel - Acis & Galatea - part 5 While my two votings are still going on, I decided that I should do something new. Each two months I'm going to put out a whole opera on Youtube. The opera of this month (actually, two months) is Handel's gentle Acis and Galatea. A quite short work, Acis and Galatea still has quite a bit of wonderful music: for example, Galatea's "Hush, ye pretty warbling" and "As when the dove laments her love", Polyphemus's "O ruddier than the cherry" and the duet for two lovers "Happy we". I do hope that you enjoy this beautiful pastoral opera (comments are required). There are many versions to choose from, but my favorite one is the Adrian Boult 1960 recording. Although it isn't terribly authentic (some repetitions are just skipped, there aren't any variations), Adrian Boult leads a very commpassionate recording, the soloists (Joan Sutherland, Peter Pears and Owen Brannigan) are top-notch; actually, everything is absolutely right. The fifth part includes: 11. No. 6 - Aria: "As when the dove laments her love"; 12. No. 7 - Duet: "Happy we". Tags: Handel Joan Sutherland Peter Pears Adrian Boult Coloratura Baroque

User: LindoroRossini

Handel - Acis & Galatea - part 6 While my two votings are still going on, I decided that I should do something new. Each two months I'm going to put out a whole opera on Youtube. The opera of this month (actually, two months) is Handel's gentle Acis and Galatea. A quite short work, Acis and Galatea still has quite a bit of wonderful music: for example, Galatea's "Hush, ye pretty warbling" and "As when the dove laments her love", Polyphemus's "O ruddier than the cherry" and the duet for two lovers "Happy we". I do hope that you enjoy this beautiful pastoral opera (comments are required). There are many versions to choose from, but my favorite one is the Adrian Boult 1960 recording. Although it isn't terribly authentic (some repetitions are just skipped, there aren't any variations), Adrian Boult leads a very commpassionate recording, the soloists (Joan Sutherland, Peter Pears and Owen Brannigan) are top-notch; actually, everything is absolutely right. The sixth part includes: 13. No. 8 - Chorus: "Wretched lovers"; 14. Recitative: "I rage, I burn, I melt". Tags: Handel Joan Sutherland Peter Pears Adrian Boult Coloratura Baroque

User: LindoroRossini

Handel - Acis & Galatea - part 7 While my two votings are still going on, I decided that I should do something new. Each two months I'm going to put out a whole opera on Youtube. The opera of this month (actually, two months) is Handel's gentle Acis and Galatea. A quite short work, Acis and Galatea still has quite a bit of wonderful music: for example, Galatea's "Hush, ye pretty warbling" and "As when the dove laments her love", Polyphemus's "O ruddier than the cherry" and the duet for two lovers "Happy we". I do hope that you enjoy this beautiful pastoral opera (comments are required). There are many versions to choose from, but my favorite one is the Adrian Boult 1960 recording. Although it isn't terribly authentic (some repetitions are just skipped, there aren't any variations), Adrian Boult leads a very commpassionate recording, the soloists (Joan Sutherland, Peter Pears and Owen Brannigan) are top-notch; actually, everything is absolutely right. The seventh part includes: 15. No. 9 - Aria: "O ruddier than the cherry"; 16. Recitative: "Whither, fairest, art thou running". 17. No. 10 - Aria: "Cease to beauty". Tags: Handel Joan Sutherland Peter Pears Adrian Boult Coloratura Baroque

User: LindoroRossini

Handel - Acis & Galatea - part 8 While my two votings are still going on, I decided that I should do something new. Each two months I'm going to put out a whole opera on Youtube. The opera of this month (actually, two months) is Handel's gentle Acis and Galatea. A quite short work, Acis and Galatea still has quite a bit of wonderful music: for example, Galatea's "Hush, ye pretty warbling" and "As when the dove laments her love", Polyphemus's "O ruddier than the cherry" and the duet for two lovers "Happy we". I do hope that you enjoy this beautiful pastoral opera (comments are required). There are many versions to choose from, but my favorite one is the Adrian Boult 1960 recording. Although it isn't terribly authentic (some repetitions are just skipped, there aren't any variations), Adrian Boult leads a very commpassionate recording, the soloists (Joan Sutherland, Peter Pears and Owen Brannigan) are top-notch; actually, everything is absolutely right. Part eight includes: 18. No. 11 - Aria: "Would you gain the gentle creature"; 19. Recitative: "His hideous love provokes my rage". 20. No. 12 - Aria: "Love sounds the alarm". Tags: Handel Joan Sutherland Peter Pears Adrian Boult Coloratura Baroque

User: OedipusColoneus

4. Handel: Aci, Galatea e Polifemo (HWV 72) Stereo: http://br.youtube.com/watch?v=RuWlRpxYFrE&fmt=18 George Frideric Handel (1685 - 1759). Aci, Galatea e Polifemo (HWV 72): 1. Aria: Verso già l'alma col sangue. London Baroque. Emma Kirkby (Soprano). Dir: Charles Medlam. Aci, Galatea e Polifemo (HWV 72) is a dramatic cantata - also called a serenata - by George Frederic Handel. It was first performed at Naples on 19 July 1708; the completed score is dated to 16 June 1708. The serenata was commissioned most probably by Donna Aurora Sanseverino, Duchess of Laurenzano. It is likely that the work was composed for the wedding festivities of the Duke of Alvito, Tolomeo Saverio Gallo, and Beatrice Tocco di Montemiletto, Princess of Acaja and nephew of Aurora Sanseverino. The plot is virtually the same as in Handel's later English-language pastoral opera Acis and Galatea. The role of Polifemo, a cyclops whose actions have lethal consequences for Aci, is particularly notable for the vast range and singular vocal agility required. The part ranges from the D below the bass stave to the A above it - and that in one aria, "Fra l'ombre e gl'orrori". The libretto was written by Nicola Giuvo, private secretary and literature adviser of Duchess Sanseverino. Tags: Handel Aci Galatea Polifemo HWV 72 London Charles Medlam Baroque Emma Kirkby

User: GreekMythsAnimated

Myth Of Polytheme, Acis and Galatea Myth Of Polytheme, Acis and Galatea Acis was the spirit of the Acis River in Sicily, beloved of the nereid, or sea-nymph, Galatea. Galatea returned the love of Acis, but a jealous suitor, the Sicilian Cyclops Polyphemus, killed him with a boulder. Distraught, Galatea then turned his blood into the river Acis. The Acis River flowed past Akion. Tags: Myth Of Polytheme Acis and Galatea

User: OedipusColoneus

3. Handel: Aci, Galatea e Polifemo (HWV 72) George Frideric Handel (1685 - 1759). Aci, Galatea e Polifemo (HWV 72). 1. Aria: Qui l'augel de pianta in pianta. Le Concerd d'Astrée. Sandrine Piau (Soprano). Dir. Emmanuelle Haim. Aci, Galatea e Polifemo (HWV 72) is a dramatic cantata - also called a serenata - by George Frederic Handel. It was first performed at Naples on 19 July 1708; the completed score is dated to 16 June 1708. The serenata was commissioned most probably by Donna Aurora Sanseverino, Duchess of Laurenzano. It is likely that the work was composed for the wedding festivities of the Duke of Alvito, Tolomeo Saverio Gallo, and Beatrice Tocco di Montemiletto, Princess of Acaja and nephew of Aurora Sanseverino. The plot is virtually the same as in Handel's later English-language pastoral opera Acis and Galatea. The role of Polifemo, a cyclops whose actions have lethal consequences for Aci, is particularly notable for the vast range and singular vocal agility required. The part ranges from the D below the bass stave to the A above it - and that in one aria, "Fra l'ombre e gl'orrori". The libretto was written by Nicola Giuvo, private secretary and literature adviser of Duchess Sanseverino. Tags: Handel Aci Galatea Polifemo HWV 72 Le Concerd d'Astrée Emmanuelle Haim Sandrine Piau

User: refrescatuverano

Galatea - refrescatuverano.com Galatea Tags: galatea refrescatuverano

User: felixpetrar

Acis y Galatea (5 to 7 of 25) The CD is not available on the market so I thought to upload it and give people a chance to listen it. If there are some copyright problems, I'll not hesitate to remove the videos. Theoretical, Acis should be interpreted by a countertenor but it is very nice with mezzo soprano. :) "De Literes' Acis is a characterful alternative to the French, Italian and English versions with a vivid portrayal of the grotesquely libidinous Polyphemus. The group's exuberance sometimes strays into rhythmic chaos but the delicious laments of lead sopranos Lola Casariego and Marta Almajano offset the castanet-heavy dances perfectly." - The Independent (London), Mar 25, 2001 by Anna Picard Acis y Galatea Release Date : 11/04/2003 Re-release? : No Label : DHM Deutsche Harmonia Mundi Number of Discs : 1 Runtime : 0h : 59m Mono/Stereo : Stereo SPAR Code : DDD Composer: Antonio Literes (circa 1670 - 1747) Date Written: 1708 Period: Baroque Country: Spain Language: Spanish From Genre: Zarzuela Track Time: 59m : 49s Studio/Live: Studio Venue: Deia Church, Mallorca, Spain Date Recorded: 05/1999 Conductor: Banzo, Eduardo Lopez Ensemble: Al Ayre Español Performer: Almajano, Marta Instrument: Soprano Artist Notes: Galatea Performer: Alvarez, Maria-Luz Instrument: Soprano Artist Notes: Nereida Performer: Bordas, Ricard Instrument: Countertenor Performer: Casariego, Lola Instrument: Mezzo Soprano Artist Notes: Acis Performer: Meijer, Xenia Instrument: Mezzo Soprano Artist Notes: Glauco Performer: Pardo, Marina Instrument: Mezzo Soprano Artist Notes: Tisbe Performer: Ricart, Jordi Instrument: Baritone Artist Notes: Polyphemus Performer: Roca, Marisa Instrument: Mezzo Soprano Artist Notes: Doris 01. Non hay otras iras que deban temerse ........0:20 02. Ay de aquel que desprecia! .............................2:13 03. Suspende las iras ...........................................0:20 04. Sientan los que sienten ...................................7:51 05. Muda copia ........................................................2:49 06. Pues que Polifemo ..........................................0:57 07. Confiado jilguerillo ...........................................6:50 08. Divina Galatea ...................................................2:38 09. Joven galán ........................................................2:29 10. Con que en tu nobleza...? ................................2:27 11. Al aire de los suspiros ......................................0:22 12. Estrafalaria deidad ...........................................3:26 13. Ayer, cuando la tarde ........................................2:16 14. Dulce Galatea ....................................................1:40 15. Estos duces cánticos .......................................1:55 16. Ten el acento! ....................................................2:52 17. Al ameno silencio .............................................1:41 18. Qué poco a asustar llega .................................3:01 19. Aunque contra mí indignado ...........................3:54 20. Huid de las iras del monstruo indignado .....0:36 21. Qué demonios es esto? ..................................1:17 22. Qzeda en paz .....................................................1:39 23. Númenes del mar sagrado .............................1:27 24. Acis dichoso .......................................................2:10 25. Viva quien hace siglos de dichas sus anos 1:29 Tags: zarzuela baroque Antonio Literes Acis Galatea

User: felixpetrar

Acis y Galatea (13 to 16 of 25) The CD is not available on the market so I thought to upload it and give people a chance to listen it. If there are some copyright problems, I'll not hesitate to remove the videos. Theoretical, Acis should be interpreted by a countertenor but it is very nice with mezzo soprano. :) "De Literes' Acis is a characterful alternative to the French, Italian and English versions with a vivid portrayal of the grotesquely libidinous Polyphemus. The group's exuberance sometimes strays into rhythmic chaos but the delicious laments of lead sopranos Lola Casariego and Marta Almajano offset the castanet-heavy dances perfectly." - The Independent (London), Mar 25, 2001 by Anna Picard Acis y Galatea Release Date : 11/04/2003 Re-release? : No Label : DHM Deutsche Harmonia Mundi Number of Discs : 1 Runtime : 0h : 59m Mono/Stereo : Stereo SPAR Code : DDD Composer: Antonio Literes (circa 1670 - 1747) Date Written: 1708 Period: Baroque Country: Spain Language: Spanish From Genre: Zarzuela Track Time: 59m : 49s Studio/Live: Studio Venue: Deia Church, Mallorca, Spain Date Recorded: 05/1999 Conductor: Banzo, Eduardo Lopez Ensemble: Al Ayre Español Performer: Almajano, Marta Instrument: Soprano Artist Notes: Galatea Performer: Alvarez, Maria-Luz Instrument: Soprano Artist Notes: Nereida Performer: Bordas, Ricard Instrument: Countertenor Performer: Casariego, Lola Instrument: Mezzo Soprano Artist Notes: Acis Performer: Meijer, Xenia Instrument: Mezzo Soprano Artist Notes: Glauco Performer: Pardo, Marina Instrument: Mezzo Soprano Artist Notes: Tisbe Performer: Ricart, Jordi Instrument: Baritone Artist Notes: Polyphemus Performer: Roca, Marisa Instrument: Mezzo Soprano Artist Notes: Doris 01. Non hay otras iras que deban temerse ........0:20 02. Ay de aquel que desprecia! .............................2:13 03. Suspende las iras ...........................................0:20 04. Sientan los que sienten ...................................7:51 05. Muda copia ........................................................2:49 06. Pues que Polifemo ..........................................0:57 07. Confiado jilguerillo ...........................................6:50 08. Divina Galatea ...................................................2:38 09. Joven galán ........................................................2:29 10. Con que en tu nobleza...? ................................2:27 11. Al aire de los suspiros ......................................0:22 12. Estrafalaria deidad ...........................................3:26 13. Ayer, cuando la tarde ........................................2:16 14. Dulce Galatea ....................................................1:40 15. Estos duces cánticos .......................................1:55 16. Ten el acento! ....................................................2:52 17. Al ameno silencio .............................................1:41 18. Qué poco a asustar llega .................................3:01 19. Aunque contra mí indignado ...........................3:54 20. Huid de las iras del monstruo indignado .....0:36 21. Qué demonios es esto? ..................................1:17 22. Qzeda en paz .....................................................1:39 23. Númenes del mar sagrado .............................1:27 24. Acis dichoso .......................................................2:10 25. Viva quien hace siglos de dichas sus anos 1:29 Tags: zarzuela baroque Antonio Literes Acis Galatea

User: portablefilmfestival

PAPHOS & GALATEA by Philip Koch This film is part of www.portablefilmfestival.com An experimental silent, black and white film. It recalls the old Greek mythological story of Pygmalion who fell in love with a sculpture of a woman he made. The film puts the ancient story into test in the modern times. Tags: short film

User: Blackmoon04210

Claymore Character Song: Galatea This is Galatea's song from the album 'Claymore Intimate Persona' Song name: Hangyaku (Japanese name)/Rebellion (English name) Singer: Voice actress - Ai Orisaka I think this song matches Galatea well. Bleh, I should've put in a clip/pic of Galatea mentioning beauty in some form, because it's part of her character, but oh well. Lyric translation by Ismu34 (thanks!): Hankyaku (Rebellion) Beneath the excited rubble the epilogue quietly being told only lasted till the opening curtain of the battle that is beginning Controlling a distant, faint consciousness a prayer resembling meditation peels off the mask within deceit and the voice of my heart is heard, so clearly that it is cruel My spikes peeled off by everything deceived and led astray By the act of rebelling I thought I protected myself I turned my eyes away from the present, reflected in them not turning my face to the truth I must be a fool... Rotted by the poisonous moth the sinner is burnt by the blaze both hands folded, burning red, giving the last confession The thorny whip, blooming with black roses piercing, as if frozen to The earth, withering away cries out in an abyss called despair, the bell of hope is rung If reborn yield your body to the flow don't rebel against anything live as it is With these eyes watching over one place where I can return to, to someday get back my smile I walk on though the "now" Even if these eyes one day lose the light, I don't think that I will regret this moment that I turned my face to the truth Tags: claymore character song galatea intimate persona hangyaku

User: Onegin65

Victoria de los Angeles sings Aria from Acis & Galatea With The RTVE Orchestra. Odón Alonso conductor. Madrid, 1972 Tags: Opera Haendel Acis and Galatea Victoria de los Angeles

User: galateadancer

Galatea - Habibi Ya Eini Galatea of Galatea Middle Eastern Dance performs to the Lebanese classic, Habibi Ya Eini, at the Kimahri Workshop Showcase in Milwaukee, WI. www.galateadancer.com Tags: Galatea Belly Dance bellydance Habibi Ya Eini

User: rickviera

S/V Galatea iroko transom frame testing USCG testing of oak & iroko transom frames for the S/V Galatea Tags: Boatbuilding Sail Shipwrights boats S/V Galatea

User: OedipusColoneus

2. Handel: Aci, Galatea e Polifemo (HWV 72) Stereo: http://br.youtube.com/watch?v=-DdrzLk9X84&fmt=18 George Frideric Handel (1685 - 1759). Aci, Galatea e Polifemo (HWV 72): 1. Aria: Qui l'augel. London Baroque. Emma Kirky (Soprano). Dir: Charles Medlam. Aci, Galatea e Polifemo (HWV 72) is a dramatic cantata - also called a serenata - by George Frederic Handel. It was first performed at Naples on 19 July 1708; the completed score is dated to 16 June 1708. The serenata was commissioned most probably by Donna Aurora Sanseverino, Duchess of Laurenzano. It is likely that the work was composed for the wedding festivities of the Duke of Alvito, Tolomeo Saverio Gallo, and Beatrice Tocco di Montemiletto, Princess of Acaja and nephew of Aurora Sanseverino. The plot is virtually the same as in Handel's later English-language pastoral opera Acis and Galatea. The role of Polifemo, a cyclops whose actions have lethal consequences for Aci, is particularly notable for the vast range and singular vocal agility required. The part ranges from the D below the bass stave to the A above it - and that in one aria, "Fra l'ombre e gl'orrori". The libretto was written by Nicola Giuvo, private secretary and literature adviser of Duchess Sanseverino. Tags: Handel Aci Galatea Polifemo HWV 72 London Baroque Charles Medlam Emma Kirky

User: OedipusColoneus

3. Handel: Aci, Galatea e Polifemo (HWV 72) Stereo: http://br.youtube.com/watch?v=hayh_m1CrfQ&fmt=18 George Frideric Handel (1685 - 1759). Aci, Galatea e Polifemo (HWV 72): 1. Aria: Del mar fra l'onde. London Baroque. Carolyn Watkinson (Mezzosoprano). Dir: Charles Medlam. Aci, Galatea e Polifemo (HWV 72) is a dramatic cantata - also called a serenata - by George Frederic Handel. It was first performed at Naples on 19 July 1708; the completed score is dated to 16 June 1708. The serenata was commissioned most probably by Donna Aurora Sanseverino, Duchess of Laurenzano. It is likely that the work was composed for the wedding festivities of the Duke of Alvito, Tolomeo Saverio Gallo, and Beatrice Tocco di Montemiletto, Princess of Acaja and nephew of Aurora Sanseverino. The plot is virtually the same as in Handel's later English-language pastoral opera Acis and Galatea. The role of Polifemo, a cyclops whose actions have lethal consequences for Aci, is particularly notable for the vast range and singular vocal agility required. The part ranges from the D below the bass stave to the A above it - and that in one aria, "Fra l'ombre e gl'orrori". The libretto was written by Nicola Giuvo, private secretary and literature adviser of Duchess Sanseverino. Tags: Handel Aci Galatea Polifemo HWV 72 London Baroque Charles Medlam Carolyn Watkinson

User: GreekMythsAnimated

Myth Of Polytheme, Acis and Galatea, part 2 Myth Of Polytheme, Acis and Galatea Acis was the spirit of the Acis River in Sicily, beloved of the nereid, or sea-nymph, Galatea. Galatea returned the love of Acis, but a jealous suitor, the Sicilian Cyclops Polyphemus, killed him with a boulder. Distraught, Galatea then turned his blood into the river Acis. The Acis River flowed past Akion. Tags: Myth Of Polytheme Acis and Galatea

User: vilbobaggins666

Galatea: Rebel Supergirl fast-paced Green Day video on Galatea, Supergirl's clone from Justice League. This is really a back to basics for me after that crazy Darkseid video and my recent slow ones. Tags: Galatea Justice League Unlimited Supergirl tribute Superman Cadmus Hamilton Green Day She's Rebel

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