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User: Trapp1993 |
School of masters kumite Kamil Hejmanowski fight 2 Scotland 2008 WUKO Tags: Kamil Hejmanowski Scotland 2008 WUKO School of masters kumite karate shotokan |
User: Trapp1993 |
School of masters kumite Kamil Hejmanowski Scotland 2008 WUKO Tags: Kamil Hejmanowski Scotland 2008 WUKO School of masters kumite karate shotokan |
User: Trapp1993 |
School of masters kumite Kamil Hejmanowski fight 3 Scotland 2008 WUKO Tags: Kamil Hejmanowski Scotland 2008 WUKO School of masters kumite karate shotokan |
User: doopcia18 |
jska hampshire karate championships lalal Tags: kamil hejmanowski |
User: benydebney |
Bernard Herrmann - Greatest Hits Some of the best music from legendary composer Bernard Herrmann. Buy the CD's of Bernard Herrmann! Tags: Bernard Herrmann |
User: gourmeterotico |
Key to Reserva: Martin Scorsese, Alfred Hitchcock, Herrmann The Key to Reserva: Scorcese films a "lost" Hitchcock script. A briliant advertisement and a complex homage to Alfred Hitchcock and Bernard Hermmann. " - But the trick is to preserve a film that has NOT been made. That's never been done." " - That's never been done?" " - No. Never been done." References: North by Northwest, The Man Who Knew Too Much, Rear Window, Notorious, Rope, Saboteur, The Birds. Freixenet Tags: Key to Reserva english Martin Scorsese Alfred Hitchcock Bernard Herrmann Freixenet Navidad 2007 |
User: kachzvi18 |
music composed by BERNARD HERRMANN "VERTIGO" (1958) "Vertigo" is one of the most analyzed films in the history of cinema, and is one of cinemas greatest collaborations; that of Bernard Herrmann and Alfred Hitchcock. An undisputed work of movie art, it is considererd possibly Herrmann's finest work! Its melodic content is unusually rich and tightly interwoven as well as the scores harmonies and orchestral colorations. The OPENING TITLES use a 'triadic' figure, ascending and descending punctuated by phrases and chords all of which are extremely musical, capturing the full emotions of the title. THE NIGHTMARE sequence uses a 'Tempo di habanera, giving it a terrifying reading as well as dissonant chords; displayed whenever Herrmann depicts trauma or death. In the 'SCENE D' AMOUR, he comes through with a completely self contained presentation of the 'love theme'. This beautiful music brings forth anticipation, tension and anxiousness as it blossoms to the final resolution of the scene. It is a testament to his genius that he could sustain us with such music for over 3 minutes ; virtually without any dialogue!! When the film first opened it was met with mixed and contraversial reviews. However, over the years, critics have now concluded that it is, arguably, one of the 10 best films ever made! Tags: Herrmann Bernard Vertigo classic film music composers Alfred Hitchcock |
User: kachzvi18 |
music by BERNARD HERRMANN "7TH VOYAGE OF SINBAD" (1958) "The 7th Voyage of Sinbad" was definitely a 'sleeper' of 1958, being amongst the top grossing films of that year! It was also the height of Bernard Herrmann's orchestral genius having just finished "Vertigo". This was the 1st of 4 fantasy films he was to make for Ray Harryhausen of stop-motion animation fame. Most of the composers stylistic traits are evident; moving minor chords, a penchant for woodwinds, repeated rythmic and harmonic sequences and huge dynamics. The lively OVERTURE is a straight forward, beautifully melodic account of the film's main theme; a 2 bar motiff treated sequentially with colorful orchestration and is the unifying factor of the score. BAGDAD is an ingenuously wonderful and thematic work for strings with a lovely oriental, middle eastern flare. THE COBRA DANCE displays Herrmann's fondness for woodwinds in their lowest registers. For one of the most famous sequences ,THE DUEL WITH THE SKELETON, Herrmann features xylophones as well as other numerous percussion instruments in this rousing dance. THE FINALE combines the OVERTURE and BAGDAD for a triumphant finish! "The 7th Voyage of Sinbad" soundtrack recording became a rare COLLECTORS item many years after the films initial release. Many consider it one of his FINEST, if not slightly overlooked pieces of film music that the composer ever wrote!! Tags: Herrmann Bernard 7th Voyage of Sinbad fantasy film music Ray Harryhausen hollywood composers |
User: gab1279 |
Music of Bernard Herrmann - LA Philharmonic From the inaugural concerts of Walt Disney Concert Hall, Bernard Herrmann's beautiful "Scene d'Amour" from Vertigo and rousing "The Death Hunt" from On Dangerous Ground, performed by the Los Angeles Philharmonic, conductor Esa-Pekka Salonen. Tags: Bernard Herrmann Los Angeles Philharmonic film music |
User: skeleion |
Twisted Nerve-Bernard Herrmann. a classic song from the most scary conducter Bernard Herrmann. Tags: Classical Bernard Herrmann twistednerve |
User: YAGE001 |
Bernard Herrmann - Farenheit 451 Prelude Farenheit 451 Prelude by Bernard Herrmann (1966). Tags: BERNARD HERRMANN FARENHEIT 451 ORIGINAL MOTION PICTURE SOUNDTRACK |
User: kachzvi18 |
music composed by BERNARD HERRMANN: "PSYCHO" (1960) To the average person, one could argue that "Psycho" was Hitchcock's most famous film, and the film score most associated with BERNARD HERRMANN!. Herrmann insisted on scoring the film entirely for strings to accompany its stark black and white photography which the director intentionally took upon himself. It shows again Herrmann's unique and intense philosophy when it came to his work! "Psycho" is an unsettling musical score; alternately moody and shocking. The opening credit music is played fiercely 'pizzicato' to the notorious shower scene accompaniment with the violin bows literally 'cutting' to the fret bars. Also, one does not have to be a musician to notice a marked absence of times or melodies in the sense in which they are normally used. A Hallmark of Herrmann's style is the use of small motiffs which are often of an individual rythmic character. Interestingly, even the motiffs have a definite thematic quality, particularly in this film. One can safely say that the composer was just following his own customery practice in this respect; thereby creating one of his most UNIQUELY impressive works! Tags: Herrmann Bernard Psycho Alfred Hitchock classic films music composers hollywood fiilm |
User: Soundtrackcollector |
CAPE FEAR 'Max' - Bernard Herrmann (HQ) Cape Fear is a 1991 film, directed by Martin Scorsese. It is a remake of the 1962 film of the same name and tells the story of a family man, a former public defender, whose family is threatened by a convicted rapist who wants vengeance for having been imprisoned for 14 years because of the lawyer's purposefully faulty defense tactics, prejudicing the accused. It received Academy Award nominations for Best Actor (Robert De Niro) and Best Supporting Actress (Juliette Lewis). Sam Bowden (Nick Nolte) is a former Atlanta public defender who seeks to start a life in corporate law for him and his family in the quiet resort town of New Essex, North Carolina. Max Cady (Robert De Niro) is a client Sam defended prior to the setting of the movie. Cady, who was being tried for the rape and battery of a 16-year-old girl, was illiterate at the time of the trial and was unable to read a report Sam kept hidden from him and the court that could have lightened his sentence or acquitted him. Now a well-read, recently-released ex-convict, Cady stalks Bowden and plans to seek vengeance for his imprisonment. The movie's climax has the two men engaging in a showdown during a severe thunderstorm on Cape Fear. Mitchum, Peck, and Balsam all starred in the 1962 original but in different roles for the 1991 version. In the original, Mitchum was Cady and Peck was Bowden. Although a remake of the original Cape Fear, Scorsese's update is also greatly influenced by another Mitchum film, The Night of the Hunter (1955), and the work of Alfred Hitchcock (signaled by the opening credits by regular Hitchcock collaborator Saul Bass and its score by another, Bernard Herrmann). Tags: Robert-De-Niro Nick-Nolte Jessica-Lange Juliette-Lewis Robert-Mitchum Gregory-Peck Martin-Balsam Illeana-Douglas Joe-Don-Baker |
User: issurdemsky |
Julianne Moore & Bernard Herrmann The divine Julianne Moore (in Neil Jordan's The End Of The Affair, 1999). With a Bernard Herrmann score !! N.S : Please don't suit me... Tags: julianne moore bernard herrmann neil jordan |
User: EdwardHerrmann101 |
Edward Herrmann - Gilmore Girls - Cigars Richard Gilmore (Edward Herrmann) et al smoking cigars from episode 4x18 of Gilmore Girls. Tags: edward herrmann kelly bishop gilmore girls richard emily jason cigars clip |
User: EdwardHerrmann101 |
Edward Herrmann - Gilmore Girls - Golfing (Part I) Richard Gilmore (Edward Herrmann) golfing (first game) from episode 4x18 of Gilmore Girls. Created by: Herrmann Headquarters (HHQ) at http://edwardherrmann.starszz.com Tags: edward herrmann kelly bishop gilmore girls richard emily jason golf clip |
User: EdwardHerrmann101 |
Edward Herrmann - The Great Gatsby - Piano (Short) Ed playing the piano and singing "Ain't We Got Fun" from The Great Gatsby (1974). Created by: Herrmann Headquarters (HHQ) at http://edwardherrmann.starszz.com Tags: edward herrmann piano singing ain't we got fun robert redford mia farrow 1974 song movie clip the great gatsby |
User: thesfsolution |
Taxi Driver Theme Music Taxi Driver Theme Music opening title Tags: Taxi Driver Herrmann Bernard |
User: kachzvi18 |
music by BERNARD HERRMANN: "3 WORLDS OF GULLIVER" (1960) "The 3 Worlds of Gulliver" was Bernard Herrmann's 2nd assingment of 4 from Ray Harryhausen's filmaking enterprise. He started work on Gulliver just 5 days after completing Hitchcock's "Psycho" which could hardly be a more unlikely juxtaposition! The score unviels a smorgasbord of moods, styles and orchestral textures from the Victorian period in England. There are pastiches of 18th century dance forms(Overture March, Minuetto, The trees) and a striking love theme in the style of an English Folksong (before the END titles). The beauty of this music is not only an apparant result of the time in which the story takes place (18th century) but also due to Herrmann being enamored with this particular period in time! "The 3 Worlds of Gulliver" is a triumphant film music accomplishement and the score has recently been re-recorded with excellent sound quality. The original soundtrack was at one time a highly valued 'COLLECTORS' item along with its even more 'rare' and prized younger brother, "The Seventh Voyage of Sinbad". ENJOY! Tags: Herrman Bernard Herrmann Worlds of Gulliver Ray Harryhausen classic hollywood film music stop motion animation |
User: davidhakan |
Jim Herrmann - That One Jim Herrmann performs his original song, That One, inspired by the video on WeAreTheOne.org. Video clips by Jim Herrmann, editing by David Hakan. Firefighter photos are creative commons license from these Flickr photographers:Archie4oz, MetalCowboy, and Rossco. Here are the lyrics: Chorus I am That One, You are That One She is That One, He is That One The whole is greater than the sum Together we are all That One Together we are all That One Verses I am the black child, playing in an empty lot I am the white man, playing a round of golf I am the Asian, opening up my store I am the Mexican, immigrant working poor chorus I am the beat cop, trying to keep you safe I am the pastor, helping to keep your faith I am the organizer, trying to lift folks higher I am the fireman, putting out the fire chorus I work at Wal-Mart, greeting you at the door I work the shelters, helping feed the poor I work at GM, assembling the cars I work in theater, hoping that I'll go far chorus Together we are all That One That One Words and music by Jim Herrmann under Creative Commons Non-commercial share alike license. Tags: obama that one music political activism folk |
User: tomproductionsVEN |
HANAU - Manny Herrmann - WENSKE BLUES The beat goes on . . . -------------------------------------------- traducción en español de tom.productions ________________________________________ Buch-Tipps: Chris Hyde - ROCK'N ROLL TRIPPER Archiv der Jugendkulturen e.V. ISBN 978-3-940213-17-4 ------------------------------------------- Wenske/Hyde - SCHEISS DRAUF ! Archiv der Jugendkulturen e.V. ISBN 978-3-940213-18-1 ____________________________________________ ++Vïdeo producido por tom.productions Venezuela 2008++ ____________________________________________ www.thetumblingdice.de info@thetumblingdice.de ____________________________________________ Tags: xxx Hanau Chris Hyde Rock 'n Roll Tripper The Tumbling Dice shit babe train station Buch Tipp |
User: sparksterknight |
Herrmann Fallers Dickbauch Es soll ja Leute geben, die auf dicke Bäuche stehen. Naja! Jedem das seine :-) Tags: herrmann faller wolfgang hepp |
User: issurdemsky |
Julianne Moore & Bernard Herrmann II A little clip with my favorite actress and my favorite composer. Please Universal, don't suit me ! Tags: Steven Spielberg Julianne Moore Bernard Herrmann |
User: kachzvi18 |
music composed by BERNARD HERRMANN: "WALKING DISTANCE" (1959 "THE TWILIGHT ZONE" is probably the best remembered work from Bernard Herrmann's career in television and easily stands up with his pioneering work on the CBS Radio Workshop and Orson Welles Mercury Theater from the 1930's. Of the 7 scores commisioned to Herrmann for the series, 'Walking Distance" is arguably the finest and best remembered, being episode #5 of the 1st season in 1959. He scored the episode for strings, harp and vibrophones, visualizing the sentimental journey back to the past of Martin Sloane. The beautiful music expresses isolation, yearning and lonlieness, and is semi-autobiographical for Rod Serling; being his favorite script of the series! The wonderful "ELEGY" at the finish with the childrens merry-go round displays the sadness of Martin, craving to stay and re-live the past where he grew up, but realizing it is only a dream of all men. As the episode concludes with the OPENING motiff, Martin drives back to N.Y., this time hoping to find some brighness he misses currently, instead of looking to the past for fullfilment. The Twilight Zone END TITLE music (and beginning) was writen by Herrmann but used for only the first season, being replaced with the now recognizable 'COMMERCIAL' theme of Maurice Constant. Herrmann's music was much more insightfully deep, if not energetic, giving us a sense of psychological danger, fear and anxiety as to what mysterious encounters we may find in the deep recesses of our MIND, (which is what the series was really all about) and not unfamiliar to this 'great' film music composer. Tags: Herrmann Bernard Walking Distance Twilight Zone Rod Serling TV drama of sixties |
User: mtlclaf |
Nina Hagen - Herrmann Hiess Er Song from Unbehagen album 1979. Tags: Nina Hagen Punk Rock |
User: issurdemsky |
Kirk Douglas & Bernard Herrmann Clip from David Miller's Magnificent western. With a Berny Herrmann score. Tags: Kirk Douglas Bernard Herrmann Western |
User: chriscarioca |
Haicais - Chris Herrmann ["A Thing going on"] Haicais e imagens (arte digital) de Christina Magalhaes Herrmann (Chris Herrmann). Música de fundo: "A Thing going on" (J. J. Cale) http://chrisherrmann.blogspot.com -- Haicai é um poema de origem japonesa, que chegou ao Brasil no início do século 20 e hoje conta com muitos praticantes e estudiosos brasileiros. No Japão, e na maioria dos países do mundo, é conhecido como haiku. Segundo Harold G. Henderson, em Haiku in English, o haicai clássico japonês obedece a quatro regras: * Consiste em 17 sílabas japonesas, divididas em três versos de 5, 7 e 5 sílabas * Contém alguma referência à natureza (diferente da natureza humana) * Refere-se a um evento particular (ou seja, não é uma generalização) * Apresenta tal evento como "acontecendo agora", e não no passado. No transplante do haicai para outros países, algumas das regras anteriores são seguidas com maior ou menor fidelidade, enquanto outras podem ser mesmo ignoradas, dependendo de cada poeta ou da escola seguida. POESIA DA NATUREZA O haicai sempre nasce de uma cena ou objeto natural. Mesmo nos instantes em que cita assuntos humanos, isto se dá através de uma grande reviravolta filosófica, em que o homem não é mais considerado o centro do universo, ou uma entidade separada da natureza, como é habitualmente colocado pela cultura ocidental. Em verdade, o homem é parte integrante da natureza, submisso a ela, e assim passível de se transformar em assunto de haicai. É assim que pensa o haicaísta (poeta de haicai). POESIA DO PRESENTE O haicai sempre exprime um momento vivenciado no presente. Sendo baseado na natureza, obrigatoriamente fala de coisas concretas, com existência física. E ao falar do presente através de coisas concretas, necessariamente alude à temporalidade, ao provisório e ao efêmero, marcas do mundo terreno. Fonte: kakinet.com . Tags: Haicai Haicais Haikai Haiku Poesia Chris Magalhães Herrmann J.J.Cale AThingGoingOn |
User: jigsmave |
Vertigo Montage from Hitchcock's classic Tags: hitchcock classic hollywood movies film james stewart kim novak thriller music score bernard herrmann |
User: thinbluemime |
Day of the Dolphin - Edward Herrmann Interview Day of the Dolphin - Edward Herrmann Interview on Mike Nicols God & Universe Communication between Species http://www.lostdude.com Tags: Dolphin Edward Herrmann Interview LOST GOD Species |
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