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User: WillBraden |
Henri Henri is a haunted kitty. Please feel free to forward this along to anyone you like, Henri loves the attention! if you'd like to see a nice quality version of Henri, it can be found at: http://www.willbraden.com and my blog is here: http://willbraden.wordpress.com/ Tags: henri black cat will braden noir short film comedy kitty visionfest vision fest ennui siff seattle times haunted henry cnn news to me willbraden cute overload cuteooverload funny video french |
User: Videonostalgie |
Henri Salvador - Juanita Banana Scopitone - 1966 Tags: 1966 60s french français music musique scopitone |
User: TOTO31300 |
Henri Salvador: Jardin d'hiver Hommage à Henri Salvador Tags: Henri Salvador Jardin d'hiver |
User: soulrocket |
henri salvador - twist henri salvador - twist Tags: henri salvador twist |
User: Videonostalgie |
Henri Salvador - Minnie Petite Souris scopitone 1963 Tags: silly fun funny humour music musique scopitone 60s 1963 souris |
User: FLORENCOM |
Henri Salvador - Le lion est mort ce soir Henri Salvador, Le lion est mort ce soir Tags: Henri Salvador The Lion Sleeps Tonight Mbube wimoweh Le lion est mort ce soir |
User: skedai |
HENRI TOIVONEN Ending HENRI TOIVONEN Ending Tags: rally WRC groupB lancia delta S4 |
User: CharlieRose |
Charlie Rose - HENRI CARTIER-BRESSON Henri Cartier Bresson, Photographer Tags: charlie_rose tvshow charlie_rose_archive |
User: Tuggle |
Zorro Est Arrivé - Henri Salvador Here is Henri again in costume, this time in drag as a tormented maiden who is repeatedly saved from doom and destruction by "Zorro"?? This is the old Coasters' song "Along Came Jones" sung in French (of course). Very bizarre. Tags: scopitone henri salvador sixties campy comedy music drag |
User: Cybelephotography |
Masters of Photography - Henri Cartier-Bresson (1/2) Photography © The Estate of Henri Cartier-Bresson http://www.henricartierbresson.org/ Henri Cartier-Bresson (1908-2004) was a French photographer considered to be the father of modern photojournalism, an early adopter of 35 mm format, and the master of candid photography. He helped develop the "street photography" style that has influenced generations of photographers that followed. Trained as a painter, he began his career in photography in 1931 on a trip to the Ivory Coast. He was one of the first photographers to shoot in the 35mm format with a Leica camera, and helped to develop the photojournalistic "street photography" style that influenced generations of photographers to come. It was there on the Côte d'Ivoire that he contracted blackwater fever, which nearly killed him. Returning to France, Cartier-Bresson recuperated in Marseille in 1931 and deepened his relationship with the Surrealists. He became inspired by a photograph by Hungarian photojournalist Martin Munkacsi http://artneutre.bitacoras.com/imatges/munkacsi.jpg Cartier-Bresson said: "The only thing which completely was an amazement to me and brought me to photography was the work of Munkacsi. When I saw the photograph of Munkacsi of the black kids running in a wave I couldn't believe such a thing could be caught with the camera. I said damn it, I took my camera and went out into the street." The photograph inspired him to stop painting and to take up photography seriously. He explained, "I suddenly understood that a photograph could fix eternity in an instant.". He acquired the Leica camera with 50 mm lens in Marseilles that would accompany him for many years. He described the Leica as an extension of his eye. Cartier-Bresson is well known for his concept of the "decisive moment" in photography. He defined this moment as "the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which gave that event its proper expression During his photographic career Cartier-Bresson photographed all over the world - Mexico, Canada, USA, Europe, India, Burma, Pakistan, Indonesia, Africa, Burma, China, Japan, Cuba, and the USSR, among other places. He also photographed many famous personalities and artists of the 20th century, including Matisse, Picasso, Coco Chanel, Truman Capote, and Gandhi. His interest in the visual arts also extended to film - he made films with Jean Renoir, Jacques Becker and André Zvoboda and a documentary on Republican Spain (1937). During the Second World War Cartier-Bresson was taken prisoner by the Germans and escaped, then photographed the occupation and liberation of France. During this time rumors reached the USA that he had been killed, and the Museum of Modern Art began to prepare a "posthumous" show. Cartier-Bresson later spent a year in the US helping to prepare this show. In 1947 Cartier-Bresson co-founded the photographic cooperative Magnum along with fellow photographers Robert Capa, George Rodger, David Seymour, Bill Vandivert and others. Valuing his anonymity as a tool for capturing decisive moments with his camera, Cartier-Bresson did not like to be photographed, and shot with a Leica camera which was smaller, quieter and less intrusive than other cameras. Cartier-Bresson retired from photography in the early 1970s and by 1975 no longer took pictures other than an occasional private portrait; he said he kept his camera in a safe at his house and rarely took it out. He returned to drawing and painting. After a lifetime of developing his artistic vision through photography, he said, "All I care about these days is painting — photography has never been more than a way into painting, a sort of instant drawing." Cartier-Bresson is regarded as one of the art world's most unassuming personalities. He disliked publicity and exhibited a ferocious shyness since his days in hiding from the Nazis during World War II. He hated to be photographed and treasured his privacy above all. Photographs of Cartier-Bresson do exist, but they are scant. When he accepted an honorary degree from Oxford University in 1975, he held a paper in front of his face to avoid being photographed. He did recall that he once confided his innermost secrets to a Paris taxi driver, certain that he would never meet the man again. The Henri Cartier-Bresson Foundation was created by Cartier-Bresson and his wife and daughter in 2002 to preserve and share his legacy. http://www.henricartierbresson.org/ ----------------------------------- Video Interview with Charlie Rose, July 6, 2000 http://www.youtube.com/watch?v=c2mQWi8476I --------------------------------------------- Tags: Henri Cartier-Bresson Photograph B&W Magnum love memory past present youth photo remember |
User: montex23 |
HENRI CHOPIN LIVE IN FRANCE 2005 the pioneer of sound poetry Live at ESPACE GANTNER - Bourogne - France 2005 - at 84 years old. infos on henri chopin : http://www.erratum.org/old/chopin/index.html http://www.ubu.com/sound/stein.html Henri Chopin, explorer of the body's voices. For the last forty years, with his sound poetry revue OU (1964-1974), then through his participation in various international sound poetry festivals, through his personal experience in the experimental studios of radio stations in Köln, Paris, Australia, Canada or Sweden and in his concert/performances throughout Europe, Henri Chopin has consistently and unceasingly opened the ways to unexplored spaces beyond all known languages. Thanks to the systematic use of microphones, amplifiers, tape recorders, editing and mixing consoles, he has given a voice to realms beyond modern or experimental music, beyond any note system and headed for spaces without norms, categories, definitions or limits: spaces of permanent metamorphosis. But despite misleading appearances, Henri Chopin is not merely doing a new kind of music; he is not just a consequence of Pierre Schaeffer's concrete music principles and Pierre Henry's experiments in the fifties. Henri Chopin is an individual (in Stirner's sense: the ego and its own) who has always resisted absurd attempts to reduce him to part of a movement, a school, an academism; what one perceives are Henry Chopin's bio-psychical vibrations, that he himself constructed by electronically recording, then modifying, amplifying and transforming the energies of his own body. This language is beyond institutionalised language or indeed beyond any language, it precedes all idioms (sound signs, playful energy signs like those of whales and dolphins), it is a breath language, a soul language (the language of anima), the unfettered respiration of the cosmic energies we are, who belong neither to factions nor clans. The energy of live beings, whose individuality is irreducible, and impossible to break down. Solitary and strange cosmic creatures, mysterious yet showing solidarity, resonating with all those who dared breach shackles and rules, escape vile obedience, submission and compromise, reject complacency and blind allegiance to traditional or experimental academism. With Henri Chopin let go and bid farewell to all that: here's a plunge into the unknown, an exploration of the inside of voice, of the other side of voice, a sort of submarine navigation, of potholing into the unmapped tunnels and grottoes of the glottis, oesophagus, stomach and lungs, the places where pneuma (breath) is formed. Henri Chopin uses electronic devices to explore the pneumatic body relentlessly, but never gives way to the temptation of artificially fiddling with noises. He remains a-live, energetic vibration of the pulsating, cosmic soul. Tags: soundpoetry poesie art noise poetry action sound performance poesiesonore pioneer experimental |
User: brendafohio |
Henri de Toulouse-Lautrec Henri de Toulouse-Lautrec, French Post-Impressionist Painter and Printmaker, 1864-1901 and Offenbach's Hell's Gallop / The Beautiful Helene from Orpheus in the Underworld. For educational purposes only! Tags: Henri de Toulouse Latrec Offenbach Hell's Gallop Beautiful Helene art artist paintings music chalk |
User: EDERYCKEL |
Bossa Nova: WHEN ROSA PASSOS MEETS HENRI SALVADOR http://www.bossa-mag.com , visot our site, everything you want to know about Henri Salvador and the Bossa Nova is there as well as on http://www.50anosbossanova.com/ Video exclusive of the recording in studio of the duets between Henri Salvador and Rosa Passos published on the CD "Amorosa" of Rosa Passos. If you want to get this video just tell me at ederyckel@hotmail.com. EVERYTHING YOU WANT TO KNOW ABOUT BOSSA NOVA, SAMBA, HENRI SALVADOR IS ON THE SITE: http://www.bossa-mag.com Tags: BOSSA NOVA Henri Salvador Bossa-mag Rosa Passos Joao Gilberto |
User: zozomusic69 |
Henri Salvador - Syracuse serie salvador Tags: music humour |
User: sundroid |
Henri Matisse Matisse (1869 - 1954) used colors like nobody else. Modern commercial art is heavily influenced by the way he constructed his paintings with seemingly simple, yet entirely brilliant, strokes. The soundtrack is "Lyric Waltz" by Dmitri Shostakovich (1906 - 1975). Tags: Henri Matisse Dmitri Shostakovich |
User: eisiishai |
Henri Toivonen Tribute Another tribute to Henri Toivonen. Music is Nightwish and song is "Ever-dream". Made by Antti. Tags: henri toivonen rally |
User: CharlieRose |
Charlie Rose - Bernard-Henri Levy / Senator Ron Wyden (D-OR) Segment 1: Bernard-Henri Levy is the author of "American Vertigo". Segment 2: Senator Ron Wyden (D-OR) discusses his flat tax proposal. Credits: Host:Charlie Rose, Guest:Bernard-Henri Levy, Guest:Ron Wyden Tags: charlie_rose tvshow sv_charlierose sv hp |
User: enlacemultimedia |
HENRI CARTIER BRESSON EL FOTOGRAFO VIDEO DE EL MAESTRO HENRI CARTIE BRESSON CON MUSICA DE ST.GERMAIN Tags: henri cartier bresson short videoclip fotografias photography st.germain musica fotos |
User: ZekiSWE |
♫ 1590 - Royal Anthem - Long Live Henry IV ♪ Histoire et Musée sur Henri IV: http://www.musee-chateau-pau.fr/pages/page_id18052_u1l2.htm (pour les infos sur "La Marche d'Henri IV" qui est l'air de la chanson, voir la vidéo bleu liée je ne peux pas tout écrire ici) Sources: -Le quid -La cellule patrimoine du conservatoire militaire de musique -France Production -Serp Production ------------ Vive Henri IV ------------ Date : 1590-1770-1774-1800 à 1899 Joué sur l'air de "La Marche de Henri IV", On attribue le premier couplet de 1590 à "Du Caurroy", maître de la chapelle de "François II, Charles IX, Henri III et Henri IV" ; Du Caurroy lui donnera donc sa forme politique. Le chant devient vite connu et chanté dans tout le Royaume durant des centaines d'années grâce à la popularité du Roi Henri IV. En 1717, édité dans la clé des Chansoniers, il sert à une " mazarinade " Grétry l'intercarle dans un de ses opéras. En 1770, deux autres couplets ont été écrits par le grand chansonnier lettré "Charles Collé" ceux commençant par ("J'aimons les filles" et "Vive la France"), Il les fait chanter dans sa pièce intitulée "La partie de chasse d'Henri IV" le succès fut tel que les représentations furent multipliées et les nouveaux couplets dans la bouche de tous. Un peu plus tard vers 1774 fut écrit un troisième couplet toujours par "Charles Collé" en l'honneur de Louis XVI, celui commençant par ("Chantons l'antienne") Car un de ses premiers actes de règne avait été l'autorisation au Théâtre-Français de représenter « La partie de chasse d'Henri IV », tolérée seulement dans les spectacles de province, sous le règne précédent (Louix XV). Tout ce complément de chanson eut un énorme succès sur le peuple Français en 1774 à l'avènement de Louis XVI, à qui l'on souhaitait ainsi de ressembler au bon Roi Henri. Sous la revolution, la chanson sert de timbre au tombeau des aristocrates. La chanson fut harmonisé en 1826 à l'opéra-comique, sous le même titre par François-Henri Castil-Blaze Le 3 Avril 1814 à l'Opéra en présence des souverains pour fêter le retour de la Monarchie une variante de "Vive Henri IV" ayant comme nom "Le retour des Princes Français à Paris" est Chanté par Lays. Toujours en 1814 le cortège Royale fut accueilli à son arrivé dans Paris par le chant Vive Henri IV. La chanson est chanté à la fin du film Russe de 1965 retracant le roman de Léon Tolstoï "guerre et paix" la chanson célèbrant dans le film la défaite de l'Empire Français et le retour du Roi de France pour une paix en Europe. En 1815 durant les Cent-Jours, les paroles de Vive Henri IV sont transformées pour en faire une chanson contre L'empereur. En 1814 le Roi Louis XVIII interdit "La Marseillaise" et la remplace par "Vive Henri IV" La chanson aura alors comme surnom « La Marseillaise des honnêtes gens » et fera figure de chant légitimiste national sous la Restauration (Hymne Nationale), hors de la présence royale. On évitait de jouer la chanson devant les personnes royales, à cause de son refrain : « J'aimons les filles et j'aimons le bon vin. » Au XIX ème Siècle fut trouvé dans un recueil anonyme lui aussi du XIX ème deux autres couplet que l'on ajouta à "Vive Henri IV", d'où les dates de 1590-1770-1774-1800 à 1899. La particularité de ce chant c'est qu'il peut se chanter de quatre façons différentes tout en gardant le même air. Couplet 1 et 2 x2 ; couplet 5 et 6 x2 ; couplet 1 et 2 x2 + couplet 5 et 6 x2 ; ou être chanté en antienne. "Vive Henri IV" que tous les Français connaissaient par coeur, fut l'un des chants les plus connus de l'histoire de France, mais tombant dans l'oubli depuis 150 ans. 1590 Vive Henri IV Vive ce Roi vaillant ! Ce diable à quatre A le triple talent De boire et de battre, Et d'être un vert-galant. De boire et de battre, Et d'être un vert-galant. 1800-1899 Au diable guerres, Rancunes et partis. Comme nos pères, Chantons en vrais amis Au choc des verres, Les roses et les lys ! Au choc des verres, Les roses et les lys ! 1774 Chantons l'antienne Qu'on chantera dans mille ans, Que Dieu maintienne En paix ses descendants Jusqu'à ce qu'on prenne, La lune avec les dents. Jusqu'à ce qu'on prenne, La lune avec les dents. 1770 Vive la France, Vive le roi Henri ! Qu'à Reims on danse, En disant comme Paris Vive la France, Vive le roi Henri ! Vive la France, Vive le roi Henri ! 1590 Vive Henri IV Vive ce roi vaillant ! Vive Henri IV Vive ce roi vaillant ! Ce diable à quatre A le triple talent De boire et de battre, Et d'être un vers galant. 1770 J'aimons les filles, Et j'aimons le bon vin J'aimons les filles, Et j'aimons le bon vin De nos bons drilles Voilà tout le refrain J'aimons les filles Et j'aimons le bon vin ! 1800-1899 Moins de soudrilles Eussent troublé le sein Moins de soudrilles Eussent troublé le sein De nos familles Si l'ligueux plus humain Eût ainsi aimé les filles Eût aimé le bon vin ! Tags: roi king roy royal anthem hymne royaliste royalist monarchy himno monarchie kingdom france |
User: anthdb45 |
Henri Texier Sonjal Septet - Live.. 1995 #1 Henri Texier Sonjal Septet - Desaparecido Henri Texier : bass Sebastien Texier : alto saxophon Julien Lourau : tenor saxophon Francois Corneloup : soprano saxophon Bojan Zulfikarpasic : piano Noel Akchote : guitar Jacques Mahieux : drums Tags: Henri Texier Francois Corneloup Sebastien texier Julien Lourau Noel Akchote jazz Free Jazz Avant Garde Modern Creative |
User: montex23 |
HENRI CHOPIN LIVE IN FRANCE 1995 the pioneer of sound poetry Live at LE GARAGE - Besançon - France 1995, filmed by masahiro handa Tags: noise soundpoetry performance art poesiesonore poetry experimental |
User: Quickmick83 |
Henri Salvador - Chambre avec vue ... Tags: Music Henri Vue Salvador |
User: zozomusic69 |
Henri Salvador - Le travail c'est la sante (1965) serie salvador Tags: music humour |
User: ghaile123 |
Henri Matisse Henri Matisse was born at Le Cateau-Cambrésis in the North of France on December 31, 1869. His parents, Emile Matisse and Héloise Gérars, had a general store selling household goods and seed. Henri planned on a legal career, and in 1887/88 studied law in Paris, in 1889 he was employed as a clerk in a solicitor’s office. It was in 1890 that he was first attracted to painting. Confined to his bed for nearly a year (1890) after an intestinal operation, he chose drawing as a pastime. Tags: Matisse |
User: mingshu59 |
Henri Salvador - Une chanson douce Henri Salvador - Une chanson douce. Hommage à son âme ! Tags: salvador henri chansondouce chanson douce |
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