Watch Anime Online
Tags : naruto one piece bleach trigun kenichi inuyasha devil may cry deathnote claymore
Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
User: keutahiatsi |
MAYR IEV GOUYS (Mother and Virgin) - A.BARTEVIAN - L.ZAKARIAN LUSINE ZAKARIAN (soprano)(engl.) Born Svetlana Zakarian (*1937,Akhaltsikhe, Georgian SSR - +1992, Armenia), was an armenian opera and academic music singer (soprano). She grew up in the Samtskhe-Javakheti region of southern Georgia. In 1952 she moved with her family to Yerevan, where she attended a secondary music school. She entered the Yerevan Conservatory in 1957 and her singing talent soon became clear. From 1970 to 1983 Zakarian was a soloist with the symphony orchestra of Armenian TV and Radio. She also sang as soloist in the choir of the Armenian Apostolic Church's cathedral at Echmiadzin. Zakarian was known for singing the international opera repertoire as well as armenian traditional and church music. LUCINE ZAKARIAN(soprano)(Fr.) Né Svetlana Zakarian (*1937, Akhaltsikhe, Georgie RSS +1992), elle est connue comment la plus pleine et brillante voix de soprano du XXèm siècle (avec Kohar Kasparian). Zakarian a grandit dans la région de Samtsekhe-Javakheti au sud de la Georgie. En 1952, elle est partie vivre avec sa famille a Erevan, où elle a fait un 2eme cycle dans une école de musique. Elle est entrée au Conservatoire de Erevan en 1957 et rapidement son talent de chanteuse devint évident. De1970 jusqu´á 1983 elle a chanté comme soliste dans l' Orchestre Symphonique de la TV et le Radio Arménienne, ainsi que dans le chœur de l' Eglise Apostolique Arménienne en l´église de Sourp Etchmiadzine (la plus antique église chrétienne du monde). Elle est bien connue comme chanteuse du répertoire operistique international ainsi que la musique traditionnelle et liturgique arménienne. Injustement non encore connue par le public mélomaniaque universel, elle est présente pour votre plaisir spirituel dans l'interprétation de la «Vocalise» composée par Arno Babadjanian. Trad.fr.par Meur.Sahag Doroumian Tags: MAYR IEV GUIS ARMENIAN SACRED MUSIC RAP RABIZ ARA BARTEVIAN LUSINE ZAKARIAN |
User: keutahiatsi |
VORDEGH KDNEM KEZ - MIRTA SATDJIAN - HOVIG BADALIAN Khosk: LUTVIK TURIAN Ierajhshdutiun: KHATCHADUR AVEDISSIAN MIRTA SATDJIAN (Armenian Folkloric Singer) Mirta Satdjian was born in Buenos Aires and grew up in a typical armenian family. She did her musical improvement with professors like Lucy Saborio, Gracia Domínguez and Mari de Camps. In 1977 makes her musical debut in the "Coliseo" theater of Buenos Aires by the hand of the great popular singer Arturo Kouyoumdjian (passed away recently). In the 80´s she was the soloist of the worldwide famous group "Música Armenia 100x100" performing a large folkloric repertoire of armenian selected songs along Brasil, Uruguay and lots of stages in Argentina (cities of Córdoba, Rosario and Buenos Aires). In 1983 was granted with a full scholarship from the Linkage Comitee for Armenia-Diaspora Cultural Relations in Armenia (Spiurkahaiutian hed Mshagutain Gabi Gomide), for the enhancement of her studies in armenian music, studying in Erevan´s "Gomidas" highest conservatoire with teachers like Robert Amirkhanian, Khatchadur Avedissian, Alosha Adjemian. Her classmates were some of the actual most popular musicians and performers of Armenia: Ararat Petrossian (shviahar), Marine Petrossian (singer), Susana Safarian (singer) and Tovmas Boghosian (singer). During her living in Armenia, she recorded and gave many concerts across the country with Aram Merangulian´s Armenian Popular Music Ensemble of the Radio and Television. In 2003 she performed and recorded with "Kusan" Armenian folkloric Ensemble of the city of Córdoba (Argentina). Also she was invited many times to sing in massive concerts with the 35 years old "Nor Arax" Armenian musical group of Buenos Aires. In 2005 gaves a multitudinary recital in "Surp Krikor Lusavoritch" cathedral in Buenos Aires performing popular and folkloric Armenian songs, which repeats by request of her fans in the "Armenia" Auditorium. Actually, besides her artistic career, she is an Armenian Popular Music teacher and, since april 2005, the artistic conductress of the successful teen-musical singing and dancing ensamble "Haistars", performing a large repertoire of armenian popular songs in Armenian. Also, she is the conductress of the armenian cultural radio program "Armenia, un lugar en el mundo" in FM 105.7 (saturdays 12:00 to 13:00 Buenos Aires MT) www.la1057.com.ar HOVHANNES BADALIAN Hovhannes Badalian was born in 1924 in the village of Shavarin near the city of Hamadan, Iran. His parents were from the ancient Armenian village of Gardabad near the city of Urmia. They came to Shavarin as refugees when the Turkish army invaded northwestern Iran. The Armenians of the region, well aware of the genocide of their kin in eastern Anatolia, fled further south, hoping to find safety with the British army which occupied Baghdad, Iraq, and was poised to move north. Despite hardships and uncertainties, young Hovhannes was able to attend an Armenian school in Baghdad until he was a teenager. In 1936 he returned to Iran where he started singing first in social gatherings and then in choirs. In Tehran, he studied and performed with maestro Hambarsoom Grigorian but was not satisfied with his prospects in Iran. He wanted to achieve more, hence, when the opportunity was offered to him at age 22, Badalian left for the Armenian SSR with a group of students to study music and train his voice. In Yerevan he attended the Romanos Melikian Music College and joined the Folk Music Instruments Ensemble of the Armenian Radio. His voice began to echo throughout the diaspora and soon he was among the favorite performers on the Armenian Radio. In 1949 pressures from the Soviet regime forced him to leave the Radio Ensemble and join the Tatoul Altunian Folk Dance and Song Ensemble but five years later he returned to the Radio program where he worked until the end of his life. In 1980 he also began to teach at Yerevan State Musical Conservatory. In 1957 Badalian received the title of Honored Artist of Armenia and in 1961 he earned the title of the People's Artist of Armenia. Catholicos Aram the First presented him with the Saint Mesrop Mashtots Medal and the title of Singer of All Armenians in 2000. A year later his achievements were recognized with the Movses Khorenatsi Medal from the President of the Republic of Armenia. Hovhannes Badalian passed away on August 19, 2001 in Yerevan after a short illness. Throughout his life Hovannes performed on many world stages from the Middle Eastern countries to Europe, Australia, Canada, US and countless tours within the Soviet Union and Armenia. He displayed an unparalleled enthusiasm whenever and wherever he walked on the stage. He left behind his distinctive school of singing a delightful collection of Armenian folk and patriotic songs and a living legacy in the minds of his contemporaries. Tags: VORDEGH KDNEM KEZ HOVHANNES BADALIAN MIRTA SATDJIAN ARMENIAN FOLK MUSIC RABIZ RAP |
User: keutahiatsi |
GABUID TRCHUN (Bluebird) remake -KUSAN - M. SATDJIAN GABUID TRCHUN (Bluebird) - REMAKE Khosk: LUTVIK TURIAN Ierajhshdutiun: KHATCHADUR AVEDISSIAN Parí luis im gabuid trchun, Akh, tu gardzes sirdn es im, Vor djakhrum es ierkov trchun, Tebi im luis sirelis, Achkes heru djampaneri sirds nran e ganchum. Asa nran vor ir siradz varte patzvel e shaghod, Asa nran vor tev aradz tri kez het, ka intz mod, Kna trchun, togh ko djampan lini miain arevod. Akh na inchu, inchu tartzav, Ainkan heru iev odar, Ko teverov shogh teverov, Nran pari lusnin dag. Karn el kare ais ashkharhum tartzeal dkhur e menag, Ies vor siro asdgher unem, akh ies menak vontz mnam, Ies vor hazar garod unem, asa menak vontz mnam. Asa menak vontz mnam, Asa menak vontz mnam. MIRTA SATDJIAN (Armenian Folkloric Singer) Mirta Satdjian was born in Buenos Aires and grew up in a typical armenian family. She did her musical improvement with professors like Lucy Saborio, Gracia Domínguez and Mari de Camps. In 1977 makes her musical debut in the "Coliseo" theater of Buenos Aires by the hand of the great popular singer Arturo Kouyoumdjian (passed away recently). In the 80´s she was the soloist of the worldwide famous group "Música Armenia 100x100" performing a large folkloric repertoire of armenian selected songs along Brasil, Uruguay and lots of stages in Argentina (cities of Córdoba, Rosario and Buenos Aires). In 1983 was granted with a full scholarship from the Linkage Comitee for Armenia-Diaspora Cultural Relations in Armenia (Spiurkahaiutian hed Mshagutain Gabi Gomide), for the enhancement of her studies in armenian music, studying in Erevan´s "Gomidas" highest conservatoire with teachers like Robert Amirkhanian, Khatchadur Avedissian, Alosha Adjemian. Her classmates were some of the actual most popular musicians and performers of Armenia: Ararat Petrossian (shviahar), Marine Petrossian (singer), Susana Safarian (singer) and Tovmas Boghosian (singer). During her living in Armenia, she recorded and gave many concerts across the country with Aram Merangulian´s Armenian Popular Music Ensemble of the Radio and Television. In 2003 she performed and recorded with "Kusan" Armenian folkloric Ensemble of the city of Córdoba (Argentina). Also she was invited many times to sing in massive concerts with the 35 years old "Nor Arax" Armenian musical group of Buenos Aires. In 2005 gaves a multitudinary recital in "Surp Krikor Lusavoritch" cathedral in Buenos Aires performing popular and folkloric Armenian songs, which repeats by request of her fans in the "Armenia" Auditorium. Actually, besides her artistic career, she is an Armenian Popular Music teacher and, since april 2005, the artistic conductress of the successful teen-musical singing and dancing ensamble "Haistars", performing a large repertoire of armenian popular songs in Armenian. Also, she is the conductress of the armenian cultural radio program "Armenia, un lugar en el mundo" in FM San Martin - www.la104-7.com.ar Tags: GABUID TRCHUN KUSAN RABIZ RAP SATDJIAN ARMENIAN FOLKLORIC AVEDISSIAN |
User: keutahiatsi |
IERGU KUIR ENK - (We´re two sisters)- T.ALTUNIAN -H.BADALIAN Armenian traditional folk song, performed by one of the most popular ensambles (orchestra, chorus, soloists and dancers) of the State of Armenia (Soviet era) directed by the great Master Tatoul Altounian. Probably recorded in the second half of 1960´s in a live performance. Tags: IERGU KUIR ENK TATOUL ALTOUNIAN HOVHANNES BADALIAN ARMENIAN FOLK MUSIC |
User: keutahiatsi |
NRANK ENGAN - ILS SONT TOMBES - ARMENIAN VERSION The world famous song of Aznavour and Garvarentz "Ils Sont Tombés"´, here performed by the greatest armenian folk singer Mrs.Mirta Satdjian, live in a public concert in tribute of the millions of victims of the Armenian Holocaust of 1915-23 commited by the turk-otoman empire and the "father of the new Turkey" Mustafá Kemal. Please note that the artist Mirta Satdjian´s vocal training is focalized on armenian folkloric music, which is considerably difficult and different from melodic and pop singing techniques. Lyrics of the original song (not tralated to armenian in this song) Ils sont tombés sans trop savoir pourquoi Hommes, femmes et enfants qui ne voulaient que vivre Avec des gestes lourds comme des hommes ivres Mutilés, massacrés les yeux ouverts d'effroi Ils sont tombés en invoquant leur Dieu Au seuil de leur église ou le pas de leur porte En troupeaux de désert titubant en cohorte Terrassés par la soif, la faim, le fer, le feu Nul n'éleva la voix dans un monde euphorique Tandis que croupissait un peuple dans son sang L' Europe découvrait le jazz et sa musique Les plaintes de trompettes couvraient les cris d'enfants Ils sont tombés pudiquement sans bruit Par milliers, par millions, sans que le monde bouge Devenant un instant minuscules fleurs rouges Recouverts par un vent de sable et puis d'oubli Ils sont tombés les yeux pleins de soleil Comme un oiseau qu'en vol une balle fracasse Pour mourir n'importe où et sans laisser de traces Ignorés, oubliés dans leur dernier sommeil Ils sont tombés en croyant ingénus Que leurs enfants pourraient continuer leur enfance Qu'un jour ils fouleraient des terres d'espérance Dans des pays ouverts d'hommes aux mains tendues Moi je suis de ce peuple qui dort sans sépulture Qu'a choisi de mourir sans abdiquer sa foi Qui n'a jamais baissé la tête sous l'injure Qui survit malgré tout et qui ne se plaint pas Ils sont tombés pour entrer dans la nuit Éternelle des temps au bout de leur courage La mort les a frappés sans demander leur âge Puisqu'ils étaient fautifs d'être enfants d'Arménie Tags: NRANK ENGAN ILS SONT TOMBES AZNAVOUR SATDJIAN ARMENIAN MUSIC |
User: keutahiatsi |
HAZAR DARI GE SBASEM - BADALIAN H. - ARMENIAN FOLK SONG HOVHANNES BADALIAN (1924-2001) Hovannes Badalian was born in 1924 in the village of Shavarin near the city of Hamadan, Iran. His parents were from the ancient Armenian village of Gardabad near the city of Urmia. They came to Shavarin as refugees when the Turkish army invaded northwestern Iran. Armenians of the region, who were well aware of the 1915 Genocide of their kin in eastern Anatolia at the hands of the Turks, fled south, hoping to find safety with the British army which occupied Baghdad, Iraq, and was poised to move north. Despite hardships and uncertainties young Hovannes was able to attend an Armenian school in Baghdad until he was a teenager. In 1936 he returned to Iran where he started singing first in social gatherings and then in choirs. In Tehran, he studied and performed with maestro Hambartsum Grigorian but was not satisfied with his prospects in Iran. He wanted to achieve more, hence, when the opportunity was offered to him at age 22, Badalian left for Armenia with a group of students to study music and train his voice. In Armenia he attended the Romanos Melikian Music College and joined the Folk Music Instruments Ensemble of the Armenian Radio. His voice began to echo throughout the Diaspora and soon he was among the favorite performers of the Armenian Radio. In 1949 pressures from the Soviet regime forced him to leave the Radio Ensemble and join the Tatoul Altunian Folk Dance and Song Ensemble but five years later he returned to the Radio program where he worked until the end of his life. In 1980 he also began to teach at Komitas State Conservatory, Yerevan, Armenia. In 1957 Badalian received the title of Honored Artist of Armenia and in 1961 he earned the title of the People's Artist of Armenia. Catholicos Aram the First presented him with the Saint Mesrop Mashtots Medal and the title of Singer of All Armenians in 2000. A year later his achievements were recognized with the Movses Khorenatsi Medal from the President of the Republic of Armenia. Hovannes Badalian passed away on August 19, 2001 in Yerevan after a short illness. Throughout his life Hovannes performed on many world stages from the Middle Eastern countries to Europe, Australia, Canada, US and countless tours within the Soviet Union and Armenia. He displayed an unparalleled enthusiasm whenever and wherever he walked on the stage. He left behind his distinctive school of singing a delightful collection of Armenian folk and patriotic songs and a living legacy in the minds of his contemporaries. Tags: ARMENIAN FOLK MUSIC HOVHANNES BADALIAN ARAM MERANGULIAN HAZAR DARI GE SBASEM |
User: keutahiatsi |
IERK LINELUTIAN - CORO "ARAX"- ANDRE SAID-MANOUKIAN Performed by Armenian Community Choir "Arax" of Buenos Aires - Directed by Maestro Jean Almouhian - Soloist: Maestro André Said-Manoukian - Acomp. Maestra Berdjuhi Tokatlian. Lyrics: Varoujan Adjemian - Music: Jean Almouhian. Tags: ANDRE SAID MANOUKIAN CORO ARMENIO ARAX ALMOUHIAN ADJEMIAN ARMENIAN MUSIC CHOIR RABIZ RAP |
User: keutahiatsi |
"DARD MI ANI DJAN" - SAYAT NOVA - HOVHANNES BADALIAN HOVHANNES BADALIAN (1924-2001) Hovannes Badalian was born in 1924 in the village of Shavarin near the city of Hamadan, Iran. His parents were from the ancient Armenian village of Gardabad near the city of Urmia. They came to Shavarin as refugees when the Turkish army invaded northwestern Iran. Armenians of the region, who were well aware of the 1915 Genocide of their kin in eastern Anatolia at the hands of the Turks, fled south, hoping to find safety with the British army which occupied Baghdad, Iraq, and was poised to move north. Despite hardships and uncertainties young Hovanness was able to attend an Armenian school in Baghdad until he was a teenager. In 1936 he returned to Iran where he started singing first in social gatherings and then in choirs. In Tehran, he studied and performed with maestro Hambartsum Grigorian but was not satisfied with his prospects in Iran. He wanted to achieve more, hence, when the opportunity was offered to him at age 22, Badalian left for Armenia with a group of students to study music and train his voice. In Armenia he attended the Romanos Melikian Music College and joined the Folk Music Instruments Ensemble of the Armenian Radio. His voice began to echo throughout the Diaspora and soon he was among the favorite performers of the Armenian Radio. In 1949 pressures from the Soviet regime forced him to leave the Radio Ensemble and join the Tatoul Altunian Folk Dance and Song Ensemble but five years later he returned to the Radio program where heworked until the end of his life. In 1980 he also began to teach at Komitas State Conservatory, Yerevan, Armenia. In 1957 Badalian received the title of Honored Artist of Armenia and in 1961 he earned the title of the People's Artist of Armenia. Catholicos Aram the First presented him with the Saint Mesrop Mashtots Medal and the title of Singer of All Armenians in 2000 and a year later his achievements were recognized with the Movses Khorenatsi Medal from the President of the Republic of Armenia. Hovannes Badalian passed away on August 19, 2001 in Yerevan after a short illness. Throughout his life Hovannes performed on many world stages from the Middle Eastern countries to Europe, Australia, Canada, US and countless tours within the Soviet Union and Armenia. He displayed an unparalleled enthusiasm whenever and wherever he walked on the stage. He left behind his distinctive school of singing a delightful collection of Armenian folk and patriotic songs and a living legacy in the minds of his contemporaries. SAYAT NOVA (1712-1795) The great Armenian troubadour Sayat Nova was born in 1712 to a peasant family in the village of Sanahin, not far from Tiflis, the capital of Georgia. Named Haroutiun Sayatyan at birth, the great musician and lyric poet is remembered by the Armenians as Sayat Nova or "King of Songs", an homage to his status in the Armenian community. As a boy, Haroutiun gained regional recognition for his fine singing voice, interpretations of folk songs, and as an emerging virtuoso of the kemenche (a violin-like instrument with 3 strings, tuned in 4ths and played with a bow, using the German-style bowing often employed by bass players. In his early teens the Sayatyan family moved to Tiflis, the capital of the Kingdom of Georgia. Tiflis, or Tbilisi, was then as it remains today, an important center of Armenian culture, music and literature. It is generally acknowledged that Sayat Nova served as an apprentice to a weaver. The title "kousan" is added as a prefix to the name of a well known artist. (i.e. Kousan Ashot, Kousan Setrag, etc.) Had Haroutiun not been endowed with the name Sayat Nova, he is likely to have been known as Kousan Haroutiun. Sayat Nova was renowned for his superb command of the Armenian language. But his fluency in Georgian, Persian, and Azerbaijani allowed him to perform for the widest possible audience, and to gain fame far beyond his own ethnic group. The cosmopolitan community of Tiflis embraced him and made this young Armenian genius their own. The known body of songs attributed to Sayat Nova numbers about 220, the true volume of work is likely to have been in the thousands. It should be noted that these works, though notated in the 19th century, have been largely passed down as an aural tradition. As his fame spread, Sayat Nova was summoned to the Court of Heracle II, the 18th century King of Georgia. The King placed him in the service of the Court as a Royal Musician and Poet. His fall from grace in the Court is likely to have been caused by his love for the King's sister, Princess Anna. The King, fearing the power and influence that would likely accrue to Sayat Nova as a result of a marriage to Anna, expelled the great kousan from the Court. Sayat Nova, the greatest of the Armenia kousans, was killed in 1795, by the invading forces of the Persian Knight, Agha Mohammed Khan. He is the most revered of all the Armenian troubadours. Tags: DARD MI ANI SAYAT NOVA KUSAN HOVHANNES BADALIAN PATALIAN BEGLARIAN ARMENIAN FOLK MUSIC RABIZ RAP |
User: keutahiatsi |
"ELEGY" - ARNO BABADJANIAN - A. NERSISSIAN /1995) ARNO H. BABADJANIAN Né le 22 janvier 1921 à Erevan (Republique d´Arménie), ARNO H. BABADJANIAN a été lauréat du Conservatoire Gomidas de cette ville en 1947 et a étudié la classe de piano du Conservatoire Tchaikovsky de Moscou en 1948. De 1950 à 1957, il prit la classe de piano du Conservatoire d'etat de Erevan en tant que professeur. Dès 1957, il se dévoua complètement à la composition. La réputation de Babadjanian en tant que compositeur fut révélée très tôt et ce depuis les années 1940. En 1957 il fut honoré comme lauréat au Festival Des Jeunes Étudiants à Prague (Tchécoslovaquie) pour sa composition "Suite de pièces pour piano". Il atteint sa vraie maturité en 1950 avec sa "BALLADE HEROIQUE" (Concerto pour piano et orchestre) et ensuite il gagna un Prix de l' Etat avec son « Trio de piano, violon et violoncelle », sa « Sonate pour violon et piano », le « Concerto pour alto », six « Images pour piano solo » et surtout son troisieme « Quatuor pour cordes » dédié à Chostakovitch (1976). En tant que pianiste Babadjanian avait un talent exceptionnel, ne jouant pas uniquement ses propres œuvres, mais il fut également un brillant interprète de Rachmaninov, Chopin et Van Beethoven. Le talent d'Arno Babadjanian s'exprime le plus pleinement dans la musique instrumentale et la musique de chambre. Au piano, Babadjanian a une envergure proprement rachmaninovienne, et sa palette étincelle de couleurs peu communes. Babadjanian pianiste est le fidèle conseiller de Babadjanian compositeur. Ses œuvres pour piano - la "Sonate polyphonique" (1947), un "Capriccio" (1951), les Six Tableaux op. 40 (1965), un "Poème" (1966), la "Ballade Héroïque" pour piano et orchestre (1950), un "Trio pour piano, violin et cello" (1953) et la "Elegie in Memoriam Aram Khatchatourian" (1978)- appartiennent aux meilleures pages de la littérature nationale pour piano. Elles font partie du répertoire des interprètes aussi bien russes qu'étrangers. Une certaine largeur de vues, l'intensité de l'émotion, une force élémentaire assagie par l'intelligence, ces traits, caractéristiques de l'œuvre de Babadjanian, enchantent de nombreux amateurs de son art. Arno Babadjanian est aussi largement connu en tant que chansonnier. Pourtant, c'est ce qu'il a écrit de meilleur dans le genre sérieux qui lui a valu la renommée d'un des plus brillants représentants de la musique soviétique. Son œuvre fut hautement récompensé par l'Etat d'Arménie, avec le prix «Lénine», le titre «d'Artiste Du Peuple», et lauréat de nombreux prix de l'Etat d'Arménie. Pour finir, il a été élu plusieurs fois en tant que membre du Comite De L'Union Des Compositeurs Arméniens. Le monde de la musique academique a éprouvé une grande perte avec la mort de A. Babadjanian le 15 novembre 1983. Traduit par Sahag Doroumian Tags: ARNO BABADJANIAN NERSISSIAN ARMENIAN MUSIC PIANO RABIZ RAP |
User: keutahiatsi |
"SOURP-SOURP" L. ZAKARIAN- M.YEGMALIAN- ARMENIAN HOLY MASS This is a liturgic hymn named "Sourp-Sourp" composed by one of the greatest masters of armenian academic music, maestro Magar Yegmalian. The soloist is Lusine Zakarian, who is for the armenians, the best performer of liturgical and academic folkloric music. The organ is played by the great Berdj Jamgochian. LYRICS Holy, Holy, Holy, Lord of power, Sky and earth are full of your glory, Blessings on high, Blessed are You, who had come And will come in the name of Lord. Ossanna on high! LUSINE ZAKARIAN (soprano)(engl.) Born Svetlana Zakarian (*1937,Akhaltsikhe, Georgian SSR - +1992, Armenia), was an armenian opera and academic music singer (soprano). She grew up in the Samtskhe-Javakheti region of southern Georgia. In 1952 she moved with her family to Yerevan, where she attended a secondary music school. She entered the Yerevan Conservatory in 1957 and her singing talent soon became clear. From 1970 to 1983 Zakarian was a soloist with the symphony orchestra of Armenian TV and Radio. She also sang as soloist in the choir of the Armenian Apostolic Church's cathedral at Echmiadzin. Zakarian was known for singing the international opera repertoire as well as armenian traditional and church music. LUCINE ZAKARIAN(soprano)(Fr.) Né Svetlana Zakarian (*1937, Akhaltsikhe, Georgie RSS +1992), elle est connue comment la plus pleine et brillante voix de soprano du XXèm siècle (avec Kohar Kasparian). Zakarian a grandit dans la région de Samtsekhe-Javakheti au sud de la Georgie. En 1952, elle est partie vivre avec sa famille a Erevan, où elle a fait un 2eme cycle dans une école de musique. Elle est entrée au Conservatoire de Erevan en 1957 et rapidement son talent de chanteuse devint évident. De1970 jusqu´á 1983 elle a chanté comme soliste dans l' Orchestre Symphonique de la TV et le Radio Arménienne, ainsi que dans le chœur de l' Eglise Apostolique Arménienne en l´église de Sourp Etchmiadzine (la plus antique église chrétienne du monde). Elle est bien connue comme chanteuse du répertoire operistique international ainsi que la musique traditionnelle et liturgique arménienne. Injustement non encore connue par le public mélomaniaque universel, elle est présente pour votre plaisir spirituel dans l'interprétation de la «Vocalise» composée par Arno Babadjanian. Trad.fr.par Meur.Sahag Doroumian Tags: SOURP SURP LUSINE ZAKARIAN MAGAR YEGMALIAN SOPRANO ARMENIAN MASS DINK HRANT RABIZ RAP |
User: keutahiatsi |
"TES YEUX, MES YEUX"- C.AZNAVOUR-E.SEGAL-E.MARNAY-1975 Homenaje al más grande poeta, músico e intérprete de la canción francesa contemporánea y a un dilecto hijo de la Nación Armenia. Tags: TES MES YEUX CHARLES AZNAVOUR CHANSON MUSIQUE RAP RABIZ |
User: keutahiatsi |
GABUID TRCHUN (Bluebird) - Conj. KUSAN - MIRTA SATDJIAN GABUID TRCHUN (Bluebird) Khosk: LUTVIK TURIAN Ierajhshdutiun: KHATCHADUR AVEDISSIAN Parí luis im gabuid trchun, Akh, tu gardzes sirdn es im, Vor djakhrum es ierkov trchun, Tebi im luis sirelis, Achkes heru djampaneri sirds nran e ganchum. Asa nran vor ir siradz varte patzvel e shaghod, Asa nran vor tev aradz tri kez het, ka intz mod, Kna trchun, togh ko djampan lini miain arevod. Akh na inchu, inchu tartzav, Ainkan heru iev odar, Ko teverov shogh teverov, Nran pari lusnin dag. Karn el kare ais ashkharhum tartzeal dkhur e menag, Ies vor siro asdgher unem, akh ies menak vontz mnam, Ies vor hazar garod unem, asa menak vontz mnam. Asa menak vontz mnam, Asa menak vontz mnam. MIRTA SATDJIAN (Armenian Folkloric Singer) Mirta Satdjian was born in Buenos Aires and grew up in a typical armenian family. She did her musical improvement with professors like Lucy Saborio, Gracia Domínguez and Mari de Camps. In 1977 makes her musical debut in the "Coliseo" theater of Buenos Aires by the hand of the great popular singer Arturo Kouyoumdjian (passed away recently). In the 80´s she was the soloist of the worldwide famous group "Música Armenia 100x100" performing a large folkloric repertoire of armenian selected songs along Brasil, Uruguay and lots of stages in Argentina (cities of Córdoba, Rosario and Buenos Aires). In 1983 was granted with a full scholarship from the Linkage Comitee for Armenia-Diaspora Cultural Relations in Armenia (Spiurkahaiutian hed Mshagutain Gabi Gomide), for the enhancement of her studies in armenian music, studying in Erevan´s "Gomidas" highest conservatoire with teachers like Robert Amirkhanian, Khatchadur Avedissian, Alosha Adjemian. Her classmates were some of the actual most popular musicians and performers of Armenia: Ararat Petrossian (shviahar), Marine Petrossian (singer), Susana Safarian (singer) and Tovmas Boghosian (singer). During her living in Armenia, she recorded and gave many concerts across the country with Aram Merangulian´s Armenian Popular Music Ensemble of the Radio and Television. In 2003 she performed and recorded with "Kusan" Armenian folkloric Ensemble of the city of Córdoba (Argentina). Also she was invited many times to sing in massive concerts with the 35 years old "Nor Arax" Armenian musical group of Buenos Aires. In 2005 gaves a multitudinary recital in "Surp Krikor Lusavoritch" cathedral in Buenos Aires performing popular and folkloric Armenian songs, which repeats by request of her fans in the "Armenia" Auditorium. Actually, besides her artistic career, she is an Armenian Popular Music teacher and, since april 2005, the artistic conductress of the successful teen-musical singing and dancing ensamble "Haistars", performing a large repertoire of armenian popular songs in Armenian. Tags: GABUID TRCHUN KUSAN SATDJIAN ARMENIAN FOLKLORIC AVEDISSIAN RABIZ RAP |
User: keutahiatsi |
ANDUNI (Homeless) - Gomidas Vartabed - Lucine Zakarian This song is based on the feelings of millions of homeless victims like Gomidas Vartabed of the atrocities of the turkish state during armenian holocaust 1915-1917. LYRICS (provided by aghzar) Sirds nman eh en pladz dner, godrer keranner, khakhder e siunner, poon bidi tnen mech vayri havker, yertam tzi talem en yelman keder, ulnim tzgneroo tzakeratsn ger, ay, ay, ay, do ladj dnaver. Sev dzov mem desel, sibdagn er polor, alin ge zarger chi kharni hiror, en vorn eh desel meg dzov yergtavor? andouni sirdn eh bghdor ou molor, akh, isgi milnik srdig sevavor, ay, ay, ay, do ladj dnaver GOMIDAS VARTABED or KOMITAS (1869-1935) One of the most renowned armenian churchmen and musician of modern times was Gomidas Vartabed, also known as Komitas and recognized as "the father of modern armenian music". He was born Soghomon Soghomonian in Keutahya, Asia Minor in 1869. His life had an interesting turn of events, when at the age of eleven, he was orphaned, and at a young age he was sent to a Seminary in Etchmiadzin to study. Because of his singing prowess, he decided to teach music at the Seminary after he completed his studies. In 1896, Soghomon was ordained a monk or "Apegha" of the Armenian Apostolic Church. A few years later he was ordained a "Vartabed", and as is the practice in the Armenian Church, assumed his new name "Komitas"(or Gomidas). Komitas learned a great deal of music from the monks and continued to study music with the famous composer Kara-Murza, which eventually led Komitas into both secular and religious music. Komitas continued studying music (in Berlin), and in 1896, he was awarded a doctorate degree in musicology. He later returned to Etchmiadzin as a choir director, and Instructor of music at the Seminary. Komitas wrote over three thousand songs in Armenian, Arabic, Kurdish, and Persian, and also contributed significantly to the modern Armenian Badarak (mass). His main contribution was to rediscover Armenian folk music. He spent years traveling throughout the provinces and visiting many villages listening to native songs and dances, and making notes of them for further analysis. His work in arranging and collating the folk music he had collected over the years eventually became excellent songs for chorus music, and made the public aware of the existence of true Armenian music. In addition to the folk music, Komitas arranged the entire music of the Divine Liturgy (Surp Badarak) of the Armenian Apostolic Church, for male voices. The internationally known priest was the first non-European to be a member of the International Music Society. Komitas performed concerts in Paris, Geneva, Berne, Constantinople, Venice, and Alexandria. It is interesting to note that in the spring of 1915, during the imprisonment of more or less 700 leaders of the Armenian community for their killing, Komitas too was taken into custody. Through the efforts of Henry Morgenthau, Ambassador from the United States of America in turkey, and the turkish poet Mehmet Emin Yurdakul, who admired Komitas' work, Komitas was released. After the April 24, 1915 massacres of the Armenian people by the Turks, he succumbed to mental and physical anguish and never fully recovered. Komitas lived as if a walking corpse for the next twenty years. The revered holy man died in Paris on October 22, 1935 in a mental hospital. One year after his death his ashes were transferred to Yerevan and interred in the Yerevan Pantheon. In the 1950's his manuscripts were transported from Paris to Yerevan where they were being studied and published. You can read more about him in the following adress: www.komitas.am LUSINE ZAKARIAN (soprano) Born Svetlana Zakarian (*1937,Akhaltsikhe, Georgian SSR - +1992, Armenia), was an armenian opera and academic music singer (soprano). She grew up in the Samtskhe-Javakheti region of southern Georgia. In 1952 she moved with her family to Yerevan, where she attended a secondary music school. She entered the Yerevan Conservatory in 1957 and her singing talent soon became clear. From 1970 to 1983 Zakarian was a soloist with the symphony orchestra of Armenian TV and Radio. She also sang in the choir of the Armenian Apostolic Church's cathedral at Echmiadzin. Zakarian was known for singing the international opera repertoire as well as armenian traditional and church music. Tags: GOMIDAS KOMITAS ZAKARIAN ANDUNI HOMELESS ARMENIAN MUSIC |
User: keutahiatsi |
VOCALIZE - LUCINE ZAKARIAN - ARNO BABADJANIAN ARNO H. BABADJANIAN Né le 22 janvier 1921 à Erevan (Republique d´Arménie), ARNO H. BABADJANIAN a été lauréat du Conservatoire Gomidas de cette ville en 1947 et a étudié la classe de piano du Conservatoire Tchaikovsky de Moscou en 1948. De 1950 à 1957, il prit la classe de piano du Conservatoire d'etat de Erevan en tant que professeur. Dès 1957, il se dévoua complètement à la composition. La réputation de Babadjanian en tant que compositeur fut révélée très tôt et ce depuis les années 1940. En 1957 il fut honoré comme lauréat au Festival Des Jeunes Étudiants à Prague (Tchécoslovaquie) pour sa composition "Suite de pièces pour piano". Il atteint sa vraie maturité en 1950 avec sa "BALLADE HEROIQUE" (Concerto pour piano et orchestre) et ensuite il gagna un Prix de l' Etat avec son «Trio de piano, violon et violoncelle», sa «Sonate pour violon et piano», son «Concerto pour alto», six «Images pour piano solo» et surtout un «Quatuor pour cordes» dédié à Chostakovitch. En tant que pianiste Babadjanian avait un talent exceptionnel, ne jouant pas uniquement ses propres œuvres, mais il fut également un brillant interprète de Rachmaninov, Chopin et Van Beethoven. Le talent d'Arno Babadjanian s'exprime le plus pleinement dans la musique instrumentale et la musique de chambre. Au piano, Babadjanian a une envergure proprement rachmaninovienne, et sa palette étincelle de couleurs peu communes. Babadjanian pianiste est le fidèle conseiller de Babadjanian compositeur. Ses œuvres pour piano - la Sonate polyphonique, un Capriccio, les Six Tableaux, un Poème, la Ballade Héroïque pour piano et orchestre, un Trio pour piano - appartiennent aux meilleures pages de la littérature nationale pour piano. Elles font partie du répertoire des interprètes aussi bien russes qu'étrangers. Une certaine largeur de vues, l'intensité de l'émotion, une force élémentaire assagie par l'intelligence, ces traits, caractéristiques de l'œuvre de Babadjanian, enchantent de nombreux amateurs de son art. Arno Babadjanian est aussi largement connu en tant que chansonnier. Pourtant, c'est ce qu'il a écrit de meilleur dans le genre sérieux qui lui a valu la renommée d'un des plus brillants représentants de la musique soviétique. Son œuvre fut hautement récompensé par l'Etat d'Arménie, avec le prix «Lénine», le titre «d'Artiste Du Peuple», et lauréat de nombreux prix de l'Etat d' Arménie. Pour finir, il a été élu plusieurs fois en tant que membre du Comite De L'Union Des Compositeurs Arméniens. Le monde de la musique academique a éprouvé une grande perte avec la mort de A. Babadjanian le 15 novembre 1983. LUCINE ZAKARIAN Né Svetlana Zakarian (*1937, Akhaltsikhe, Georgie RSS +1992), elle est connue comment la plus pleine et brillante voix de soprano du XXèm siècle (avec Kohar Kasparian). Zakarian a grandit dans la région de Samtsekhe-Javakheti au sud de la Georgie. En 1952, elle est partie vivre avec sa famille a Erevan, où elle a fait un 2eme cycle dans une école de musique. Elle est entrée au Conservatoire de Erevan en 1957 et rapidement son talent de chanteuse devint évident. De1970 jusqu´á 1983 elle a chanté comme soliste dans l' Orchestre Symphonique de la TV et le Radio Arménienne, ainsi que dans le chœur de l' Eglise Apostolique Arménienne en l´église de Sourp Etchmiadzine (la plus antique église chrétienne du monde). Elle est bien connue comme chanteuse du répertoire operistique international ainsi que la musique traditionnelle et liturgique arménienne. Injustement non encore connue par le public mélomaniaque universel, elle est présente pour votre plaisir spirituel dans l'interprétation de la «Vocalise» composée par Arno Babadjanian. Trad. par M. Sahag Doroumian Tags: VOCALIZE ZAKARIAN SOPRANO RABIZ RAP BABADJANIAN ARMENIAN MUSIC |
User: keutahiatsi |
IERGINKN AMBEL A (The Sky is Cloudy) - Komitas - L. Zakarian GOMIDAS VARTABED or KOMITAS (1869-1935) One of the most renowned armenian churchmen and musician of modern times was Gomidas Vartabed, also known as Komitas and recognized as "the father of modern armenian music". He was born Soghomon Soghomonian in Keutahya, Asia Minor in 1869. His life had an interesting turn of events, when at the age of eleven, he was orphaned, and at a young age he was sent to a Seminary in Etchmiadzin to study. Because of his singing prowess, he decided to teach music at the Seminary after he completed his studies. In 1896, Soghomon was ordained a monk or "Apegha" of the Armenian Apostolic Church. A few years later he was ordained a "Vartabed", and as is the practice in the Armenian Church, assumed his new name "Komitas"(or Gomidas). Komitas learned a great deal of music from the monks and continued to study music with the famous composer Kara-Murza, which eventually led Komitas into both secular and religious music. Komitas continued studying music (in Berlin), and in 1896, he was awarded a doctorate degree in musicology. He later returned to Etchmiadzin as a choir director, and Instructor of music at the Seminary. Komitas wrote over three thousand songs in Armenian, Arabic, Kurdish, and Persian, and also contributed significantly to the modern Armenian Badarak (mass). His main contribution was to rediscover Armenian folk music. He spent years traveling throughout the provinces and visiting many villages listening to native songs and dances, and making notes of them for further analysis. His work in arranging and collating the folk music he had collected over the years eventually became excellent songs for chorus music, and made the public aware of the existence of true Armenian music. In addition to the folk music, Komitas arranged the entire music of the Divine Liturgy (Surp Badarak) of the Armenian Apostolic Church, for male voices. The internationally known priest was the first non-European to be a member of the International Music Society. Komitas performed concerts in Paris, Geneva, Berne, Constantinople, Venice, and Alexandria. It is interesting to note that in the spring of 1915, during the imprisonment of more or less 700 leaders of the Armenian community for their killing, Komitas too was taken into custody. Through the efforts of Henry Morgenthau, Ambassador from the United States of America in turkey, and the turkish poet Mehmet Emin Yurdakul, who admired Komitas' work, Komitas was released. After the April 24, 1915 massacres of the Armenian people by the Turks, he succumbed to mental and physical anguish and never fully recovered. Komitas lived as if a walking corpse for the next twenty years. The revered holy man died in Paris on October 22, 1935 in a mental hospital. One year after his death his ashes were transferred to Yerevan and interred in the Yerevan Pantheon. In the 1950's his manuscripts were transported from Paris to Yerevan where they were being studied and published . Lusine Zakaryan (soprano) Born Svetlana Zakarian (*1937, Akhaltsikhe, Georgian SSR - +1992, Armenia), was an armenian opera and academic music singer (soprano). She grew up in the Samtskhe-Javakheti region of southern Georgia. In 1952 she moved with her family to Yerevan, where she attended a secondary music school. She entered the Yerevan Conservatory in 1957 and her singing talent soon became clear. From 1970 to 1983 Zakarian was a soloist with the symphony orchestra of Armenian TV and Radio. She also sang in the choir of the Armenian Apostolic Church's cathedral at Echmiadzin. Zakarian was known for singing the international opera repertoire as well as armenian traditional and church music. Tags: ARMENIAN KOMITAS GOMIDAS ZAKARIAN LUCINE IERGINKN RABIZ RAP |
User: keutahiatsi |
Ierginkn ambel a (The Sky is Cloudy) - Gomidas Vartabed This is one of the most important songs composed by the armenian priest Gomidas Vartabed. Its lyrics tells about his feelings in a cloudy-rainy day (pay attention at the pizzicatos remembering us the falling drops of rain). He wrote: "The sky is cloudy... what a sweet tune... I came and pass at her (house´s) door. My beloved is there...". GOMIDAS VARTABED or KOMITAS (1869-1915) One of the most renowned Armenian Churchmen and musician of modern times was Gomidas Vartabed, also known as Komitas. He was born Soghomon Soghomonian in Keutahya, Asia Minor, in 1869. His life had an interesting turn of events, when at the age of eleven, he was orphaned, and at a young age he was sent to a Seminary in Etchmiadzin to study. Because of his singing prowess, he decided to teach music at the Seminary after he completed his studies. In 1896, Soghomon was ordained a monk or "Apegha" of the Armenian Church. A few years later he was ordained a "Vartabed" , and as is the practice in the Armenian Church assumed his new name "Komitas"(or Gomidas). Komitas learned a great deal of music from the monks and continued to study music with the famous composer Kara-Murza, which eventually led Komitas into both secular and religious music. Komitas continued to study music, and in 1896, he was awarded a doctorate degree in musicology. He later returned to Etchmiadzin as a choir director, and Instructor of music at the Seminary. Komitas wrote over three thousand songs in Armenian, Arabic, Kurdish, and Persian, and also contributed significantly to the modern Armenian Badarak (the holy mass). His main contribution was to rediscover Armenian folk music and "to rescue" the genuine armenian rythms and harmonies from the influence of persian, turkish, arabic or other foreign cadences or styles. He spent years traveling throughout the historical armenian provinces (actually the third eastern part of turkey) and visiting many villages listening to native songs and dances, and making notes of them for further analysis. His work in arranging and collating the folk music he had collected over the years, eventually became excellent songs for 4 voices chorus music, and made the public aware of the existence of true classic armenian music. In addition to the folk music, Komitas arranged the entire music of the Divine Liturgy (Surp Badarak) of the Armenian Apostholic Church, for male voices sung every sunday morning in many churches of the armenian diaspora. The internationally known priest was the first non-European to be a member of the International Music Society. Komitas performed concerts in Paris, Geneva, Berne, Constantinople, Venice, and Alexandria. It is interesting to note that in the spring of 1915, during the imprisonment of 700 leaders of the armenian community in turkey for their killing, Gomidas too was taken into custody. Through the efforts of Henry Morgenthau, Ambassador from the United States of America in turkey, and the turkish poet Mehmet Emin Yurdakul, who admired Gomitas' work, Father Gomitas was released. After the April 24, 1915 massacres of the armenian people by the turks, he succumbed to mental deep depression and physical anguish and never fully recovered. Komitas lived as if a walking corpse for the next twenty years. The revered holy man died in Paris on October 22, 1935 in a mental hospital. One year after his death his ashes were transferred to Yerevan and interred in the Yerevan Pantheon. In the 1950's his manuscripts were transported from Paris to Yerevan where they were being studied and published. THE GOMIDAS STRING QUARTET Was Founded in Moscow in November 1924 by four talented Armenian students of Moscow State Tchaikovsky Conservatory: Avet Gabrielyan - 1st violin, Levon Ogandjanyan - 2nd violin, Michael Terian - viola, Sergey Aslamazian - cello, the oldest performing quartet in the world. Made first public performance in February 1925. The oldest in the world and most famous Armenian music group carries the name of Komitas (Soghomon Soghomonian, 1869-1915), a hiermonk whose genius brought a renaissance to Armenian music at the turn of the XX-th century. Performed with S. Richter, N. Dorliak, E. Gilels, D. Shostakovich, M. Rostropovich, Merjanov, Igumnov, Walter Zeufert, Mario Brunello and other prominent musicians. Aram Khachaturian described the quartet as the jewel of the musical culture of Armenia. Many armenian and foreign composers dedicate their works to the quartet. You can read and listen about Gomidas life and work in KOMITAS.AM. Enjoy it. Tags: ARMENIAN GOMIDAS KOMITAS STRING QUARTET |
User: keutahiatsi |
Peace is Possible. This video was made with some friends, as a school homework, and took some pictures from the original website. Basically is a school project we work with our teacher. Tags: armenian genocide death peace culture never heard of learn and so |
Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
Watch Youtube Videos - Watch Anime Online